©2006, 2011 by Rockport Publishers, Inc.
All rights reserved. No part of this book may be
reproduced in any form without written permission
of the copyright owners. All images in this book
have been reproduced with the knowledge and prior
consent of the artists concerned, and no responsibility
is accepted by producer, publisher, or printer for any
infringement of copyright or otherwise, arising from
the contents of this publication. Every effort has been
made to ensure that credits accurately comply with
information supplied.
First published in the United States of America by
Rockport Publishers, a member of
Quayside Publishing Group
33 Commercial Street
Gloucester, Massachusetts 01930-5089
Telephone: (978) 282-9590
Fax: (978) 283-2742
www.rockpub.com
Cover and Book Design Timothy Samara
This book was typeset using the sans-serif family
Tabula and the serif family Slimbach.
Library of Congress Cataloging-in-Publication Data
Samara, Timothy.
——Type style finder : the busy designer’s guide to
choosing type / Timothy Samara.
————p.——cm.
——Includes index.
——ISBN 1-59253-190-3 (vinyl)
—1. Type and type-founding. 2. Graphic design
(Typography) I. Title.
—Z250.S164 2006
—686.2'24—dc22 2005018146
CIP
ISBN-13: 978-1-59253-190-5
ISBN-10: 1-59253-190-3
10 9 8 7 6 5 4 3 2 1
Printed in China
Acknowledgments
Producing this book required rigorous attention to detail on the part of contributors and
editorial staff alike to overcome a host of potential pitfalls. My sincere appreciation to the team
at Rockport Publishers, and in particular Kristin, Regina, Rochelle, and Cora. Their diligence
and commitment to quality are what make books like this possible.
I would also like to extend my appreciation to the type houses who lent their fonts for this
publication—The Chank Company, Device, Garage Fonts, MVB Fonts, Nick’s Fonts, and T.26—
especially to Rian Hughes of Device and Nick Curtis of Nick’s Fonts, who produced their
specimens for me.
And last, but certainly not least, I would like to offer my profound thanks to Linotype for
generously supplying half the specimens included in this book. A tremendous amount of my
time and effort was greatly reduced through the work of Otmar Hoefer and his colleagues
in Linotype’s marketing department, who created and organized this important contribution
from one of the most highly respected—and historically important—type foundries. Linotype’s
stewardship of typeface design and distribution is exemplified by the quality of the faces they
catalogue and continue to produce.
This book is dedicated to Sean, my parents and friends, and my students. Ever onward.
Digital edition: 978-1-61060-186-3
Softcover edition: 978-1-59253-190-5