A very rhythmic interplay of positive (stroke) and negative (counter) within
a typeface, as well as an actively geometric construction, conveys a dynamic
sense of energy. As the counters and strokes of a typeface approach each
other in optical similarity, their alternation in groupings makes them active
and vibratory. Often, bold condensed faces exhibit this characteristic to
the greatest degree; while many are designed to alleviate this quality so as
to enhance their use in text, some exaggerate it. Sharp, angular terminals,
especially at the apex of the letter A and the junctures of the diagonal strokes
in M, Z, K, and N; very circular bowls and lobes in O, P, R, and D; and the
contrasting square proportions of H and X; the active geometry in these
proportions creates energy as well. The italic versions of typefaces, overall,
imply speed and emphasis through their slant. Using italic as the basis for
text, with Roman (upright) for emphasis, is an interesting reversal of the
conventional treatment for running text; the unexpected, overall forward
motion will certainly be perceived as dynamic.
Motion, power, action! The Italian Futurists of the early twentieth
century were after it, in painting, design, and architecture. Dynamism
is embodied in things that move and vibrate, whether people or
machines, animation or typography. Dynamic color is similarly aggres-
sive and adventurous but sometimes complex and charismatic, as
well as forceful.
Collateral Pages
top, and detail, bottom
Starshot
Lars Harmsen, Claudia Klein,
Tina Weisser
Munich Germany
Dynamic
Moods
44
(Provision) Type Style Finder
CL905.042 / 4108
2 TSF_MOOD 1R_016–055_.qxd 9/14/05 12:42 AM Page 44