Machine Age
Type that recalls the early twentieth century—and indeed, many currently
popular typefaces were designed during this time—varies from strong, geo-
metric sans serifs to elegant hybrids and even some serifs, all conveying
a particular sense of strength, durability, and power. Sans serif faces with
pronounced geometric qualities, such as Futura (which is constructed on
a base of square, circle, and triangle), carry the category, referencing not
only the machinelike qualities of math and science but also the avant-
garde, abstract art of the period. Some sans-serif faces of the period show
extremes of proportion as well: they are often condensed and rhythmic,
with topheavy counters in which the upper portions of letters such as capital
E and R are forced downward, and often feature stylistic accents such as
diagonal-cut terminals and cross-strokes that overlap their surrounding stems
to bring a decorative, Art Moderne quality. Serif faces with geometric
proportions—but with small x-heights, exaggerated height in their ascenders,
and quirky modulation in their strokes—show a transition from the nine-
teenth century to the twentieth and reference European cabaret culture and
its origins in Art Nouveau.
Imagine the metallic roar of the twentieth century rolling in: architecture,
art, design, and industry collaborating on a new aesthetic embracing speed,
power, travel, and science. From Mondrian and De Stijl to the Futurists
and the Bauhaus, geometry, abstraction, and streamlined forms rule the
Machine Age vision in type and color.
Event Poster
top, and detail, bottom
Momentum
Brent Wilson, designer
Paul Rodgers, illustrator
Saint Louis [MO] USA
Time
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Context
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(Provision) Type Style Finder
L805.130 / 4108
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