The perception of romance in type can derive from a number of character-
istics. Most often, these are weight and width proportions that push or
pull the eye teasingly around the forms. Slightly condensed, as well as
extended, styles—in medium to bolder weights—provide a sense of body
or girth, of corpulence. The rounder the curves, or the slower the transi-
tions between thicks and thins or between curves and stems, the more
romantic the letters will seem. Typefaces with a great deal of modulation—
a noticeable flare from mid-stem to terminal, for instance—appear to
move in a seductive and sensuous rhythm. Scripts bring more elegant,
cultured romanticism to the fore, edging toward glamour and delicacy.
Typefaces with flourishes, decorative serifs, and exaggerated bowls, leg
shapes, or eyes may lend a sense of nostalgia or charm to their overall
romantic presentation.
Romance, with its related connotations of passion, glamour, and
elegance, is all about curves and tactility. Typefaces that offer tense,
exaggerated details, such as long, bulbous serifs, heavier weights,
sinewy spines and junctures, and rounded terminals give viewers
something to “grab on to” like a lover or a rich cloth. Similarly,
romantic color is equally tactile and sensuous, seductive and deep.
Collateral details
Mires
Gale Spitzley
San Diego [CA] USA
Romantic
Moods
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(Provision) Type Style Finder
L805.130 / 4108
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