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BEVERAGES
B e
The success of this design is all in the great little idea in
the logo, the main feature on the label. It’s quirky and fun,
and using the udders to describe the variants makes this a
lighthearted take on a category already crowded with home-
made, natural design. Simple, strong, fresh, and focused, it
lets the fl avor itself come right through the bottle.
m k
The simple, black-and-white, children’s-book illustration
style of this spotted cow with a great poser personality is
made even more memorable with the hysterically funny
color-coded udder! A great example of my principle that if
a packaging design is not visually compelling in black and
white, it may not be powerful at all. The bottle structures
complement the simplicity of this solution.
s W
This design is refreshingly simple. It takes the category
of yogurt and gives it a friendly, personable spin that both
kids and adults can relate to. It’s funny—the uncluttered
design of this product actually makes it appear to be
made by people rather than by a corporation. The strict
two-color application adds a perfect boldness for retail
impact, and the touch of fl avor-color works well and isn’t
overwhelmingly sweet.
pr o d u c t Will & Jamie’s Fresh Yogurt Drinks
de s I g N F I r m Designers Anonymous
lo c at I o N London, England
cl I e N t Will & Jamie’s Fresh Yoghurt Drinks
pr o d u c t Bloom
de s I g N F I r m CBX
lo c at Io N New York, NY
cl I e N t Del Monte Foods
B e
I’m not a big fan of the type used here, but one thing this
design has in abundance is serious shelf standout. In a
traditionally masculine energy drink market, it’s a nice
take that packs a punch without overstating it—especially
impressive for a brand historically wedded to its boring,
big-fruit photography. The colors and fl avors are clearly
differentiated with the strong iconic composition, and
they’ve managed to get the fruit on there without being
predictable. Not an easy task for such a monolithic brand!
r W
In the hierarchy of human perception, we recognize
and emotionally respond to graphics more quickly and
more viscerally than to words. (Funny how every design
assignment is initiated by the words in a brief or positioning
statement that consumers never see.) Color is the fi rst and
foremost visual cue, followed by shape. Here the brand
seeks to own a recognized and relevant shape, or more
accurately, a symbol. Owning the exclamation point is an
interesting strategy. The logotype is somewhat expected,
and the verbose product story in the background gets in the
way of what would otherwise be a smart, simple design.
Still, this design is noteworthy just for its attempt to own
this unique and relevant symbol!
(Ray) Text
Job: 05-11966 Title: RP-Really Good Packaging Explained
#175 Dtp:221 Page:107