Sam Tang

Back to Square 1

Square 1

Square 1

BY SAM TANG

Artist, Photographer, Musician, Writer, Inventor, Engineering

Manager, Systems/Software/app

R&D

Illinois, USA

Sam Tang has been making art on his iPhone since the day the iTunes app store opened. His approach to this new canvas is revealed using a simple yet capable, easy-to-master— and free—painting app as he embarks on a family mission.

Step 1

Open the app “iDoodle2 lite”. Before even thinking about the design, I set a bold tone using a bold color as our background. Tap “Menu”, then select “Edit Background”. Playing with the RGB color sliders, to mix together just the right amounts of red, green, and blue, I dialed in an electric blue, clicked done and it poured this beautiful blue all over the screen.

Step 2

For strict straight lines, pick the line tool; I was going for a more organic look here so I selected the pen tool and let my fingers do the walking and painting, crookedness and all. Using a thin, white pen for more accuracy, I roughed in a 3D number 1.

Step 3

Filling in some untouched background real estate, I coated the underlayer with a faint, weavy brick pattern to echo the square theme.

Step 4

I drew a 3D cube encircling the digit using a slightly larger black pen at a lower opacity.

Step 5

Taking advantage of extra space near the top, I spelled things out, putting “SQUARE” in custom, squarish, and obviously hand-drawn type above the graphics.

Step 6

I wanted to amp up the dynamic range and drama on the piece with a full range of values from pitch black to pure white. I started by adding a gray box around “SQUARE” and surrounded each letter with square white boxes. I then added a dramatic, white, glowing, orby circle around the cube for maximum contrast in values and shapes. Next, to add even more depth and a little bit of framing between the orb and the rectangular edges of the digital canvas, I painted in some cryptic, deep black corner pieces.

Step 7

Play with the light! You are painting with light, not paint. A thick brush, with white, almost transparent paint, was used to create a nearly clear bubble around the central “1”. With multiple touches, the highlight at two o’clock was gradually added. Finally, to make the bubble “pop”, a big, black, nearly transparent brush was used in layers to add a dark, contrasting vignette to finalize the piece.

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