- Front Cover
- Half Title
- Title Page
- Copyright
- Contents
- INTRODUCTION
- ACKNOWLEDGMENTS
- THE ATOM AND ELECTRICITY
- BASIC CIRCUITS
- UNITS OF MEASUREMENT (1)
- UNITS OF MEASUREMENT (2)
- FIELDS (INDUCTION) AND NOISE
- ABBREVIATIONS
- CATHODE RAY TUBES (CRTS)
- NEED FOR INTERLACE SCANNING
- BLANKING
- WAVEFORM DISPLAY
- CHARGE-COUPLED DEVICES
- AN INTRODUCTION TO DIGITAL (1)
- AN INTRODUCTION TO DIGITAL (2)
- ANALOG AND DIGITAL
- COLOR SYSTEMS
- HOW THE EYE SEES LIGHT (1)
- HOW THE EYE SEES LIGHT (2)
- DIGITAL ENCODING RATIOS
- CODECS
- COMPOSITE ENCODING
- COLOR CRTS
- PLASMA DISPLAY SCREEN
- LCD SCREENS
- ANALOG SYNC GENERATORS
- ANALOG SYNC GENERATOR SIGNALS (1)
- ANALOG SYNC GENERATOR SIGNALS (2)
- VECTORSCOPES
- PAL
- ANALOG SYNC FLOW DIAGRAMS
- CAMERA FLOW DIAGRAMS COMBINING SYNC AND CAMERA
- FLOW DIAGRAMS
- VIDEO SWITCHERS
- SWITCHER APPLICATIONS
- PRODUCTION SWITCHER FLOW DIAGRAM
- SWITCHER TRANSITIONS AND SPECIAL EFFECTS
- SPECIAL EFFECTS KEYS — LUMINANCE KEYS
- SPECIAL EFFECTS KEYS — CHROMA KEYS
- COMPOSITE VERSUS COMPONENT VIDEO
- COLOR DIFFERENCE COMPONENT VIDEO
- DIGITAL SPECIAL EFFECTS
- DIGITAL INTERPOLATION
- ANALOG VIDEOTAPE RECORDING TECHNOLOGY
- ANALOG VIDEO RECORDING STANDARDS AND FORMATS
- OTHER TRACKS AND LOCKUP (1)
- OTHER TRACKS AND LOCKUP (2)
- TIME BASE ERROR
- EXTERNAL CAUSES OF TIME BASE ERROR
- TIME BASE ERROR CORRECTION
- TIME BASE CORRECTORS (1)
- TIME BASE CORRECTORS (2)
- LARGER ANALOG SYNC PROBLEMS AND SOLUTIONS
- OTHER ADVANTAGES OF TBCS AND FRAME SYNCHRONIZERS
- DIGITAL VIDEOTAPE RECORDERS
- DIGITAL VIDEO SERVERS
- DISC-BASED RECORDERS
- EDITING ANALOG VIDEOTAPE
- THE EDITING PROCESS (1)
- THE EDITING PROCESS (2)
- TYPES OF EDITS
- EDITING METHODS — MANUAL
- EDITING METHODS — CONTROL TRACK COUNTERS
- SMPTE TIME CODE EDITING
- OFF-LINE AND ON-LINE EDITING
- EDITING BY COMPUTER
- PROBLEMS OF TRADITIONAL EDITING
- NONLINEAR EDITING
- VIDEO COMPRESSION
- SPATIAL COMPRESSION
- TEMPORAL COMPRESSION
- MPEG COMPRESSION STANDARD
- COMPUTER GRAPHICS FOR VIDEO
- CHARACTER GENERATORS
- CREATING IMAGERY AND EFFECTS
- THE DIGITAL STUDIO
- OPEN ARCHITECTURE EQUIPMENT VERSUS DEDICATED EQUIPMENT
- DRAWBACKS OF OPEN ARCHITECTURE EQUIPMENT
- HIGH-DEFINITION TV
- ATSC HIGH-DEFINITION BROADCAST STANDARD
- STANDARD DEFINITION DIGITAL TELEVISION (SDTV)
- AUDIO FOR VIDEO
- SURROUND SOUND
- PROFESSIONAL AND CONSUMER AUDIO
- COMBINING AUDIO COMPONENTS
- MICROPHONES, MIXERS, AND LOUDSPEAKERS
- SOUND RECORDERS FOR VIDEO DAT
- DIGITAL AUDIO WORKSTATIONS (DAW)
- FURTHER READING
- GLOSSARY
- INDEX
-
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