The Flow of Electrons through Metals
Mathematical Symbols and Formulas
Broadcast-Quality Requirements
AN INTRODUCTION TO DIGITAL (1)
AN INTRODUCTION TO DIGITAL (2)
Bits and Bytes — Binary Numbering System
Additive and Subtractive Colors
Digital Responses to This Situation
ANALOG SYNC GENERATOR SIGNALS (1)
ANALOG SYNC GENERATOR SIGNALS (2)
COMBINING SYNC AND CAMERA FLOW DIAGRAMS
Production and Editing Switchers
PRODUCTION SWITCHER FLOW DIAGRAM
SWITCHER TRANSITIONS AND SPECIAL EFFECTS
SPECIAL EFFECTS KEYS — LUMINANCE KEYS
SPECIAL EFFECTS KEYS — CHROMA KEYS
COMPOSITE VERSUS COMPONENT VIDEO
COLOR DIFFERENCE COMPONENT VIDEO
ANALOG VIDEOTAPE RECORDING TECHNOLOGY
ANALOG VIDEO RECORDING STANDARDS AND FORMATS
EXTERNAL CAUSES OF TIME BASE ERROR
What a Time Base Corrector Does
LARGER ANALOG SYNC PROBLEMS AND SOLUTIONS
OTHER ADVANTAGES OF TBCS AND FRAME SYNCHRONIZERS
EDITING METHODS — CONTROL TRACK COUNTERS
Drop Frame/Non-Drop Frame EDITING
PROBLEMS OF TRADITIONAL EDITING
Interface between People and Machines
Computer-Generated Imagery (CGI)
OPEN ARCHITECTURE EQUIPMENT VERSUS DEDICATED EQUIPMENT
DRAWBACKS OF OPEN ARCHITECTURE EQUIPMENT
Production HDTV Standards versus Broadcast HDTV Standards
ATSC HIGH-DEFINITION BROADCAST STANDARD
STANDARD DEFINITION DIGITAL TELEVISION (SDTV)
PROFESSIONAL AND CONSUMER AUDIO
Professional and Consumer Equipment
MICROPHONES, MIXERS, AND LOUDSPEAKERS