CONTENTS
Sound Editing with Final Cut Pro and Sound Editors
Sequences that Benefit from Music
Background Effects (Ambiences)
Synch Effects (Also Called ‘Hard Effects’ or ‘Cut Effects’)
Chapter 3 Expectations of the Video Editor
Surround Impulse Response Files
Sending Sequences to Soundtrack
Explanation of Send to Soundtrack Options
Send to Soundtrack Pro Audio File Project
Send to Soundtrack Pro Multitrack Project
Other Thoughts on the Video Editor Role
Editing in the Timeline and Using Menu Options
Chapter 5 Introduction to Dynamics
Soundtrack’s Dynamics Processors
General Application of Dynamics
Soundtrack as the Right Tool for the Job
The Goniometer and Correlation Meter
Carving the Music to Make Room for Other Audio
Helping a Sound Effect to Fit Properly
Matching the Sound of Audio Clips
What Can/Can’t the Matching Process Accomplish?
Chapter 10 Exporting Features of Soundtrack Pro 3
Exporting Multitrack Session Data
Exporting Multitrack Session Mixes (Stereo)
Exporting Video Only (Compressor)
Exporting Audio with Video (Compressor and Soundtrack Pro)
Exporting Audio/Video from the Single-file Editor
Exporting Audio/Video Using Compressor
Exporting Surround Sound Using Soundtrack Pro and Compressor
Exporting Dolby Digital Multichannel Audio
Exporting Uncompressed Multichannel Audio
Exporting Interleaved Video and Surround Sound Audio
Exporting a Compressed Stereo Mix Master From Soundtrack Pro
Exporting Uncompressed Surround Sound Stems From Soundtrack Pro
Exporting a QuickTime Audio/Video Interleaved File with Surround Sound
Things to Remember When Exporting
Chapter 11 Acoustical Design and Configuration
Checklist for Audio Setup Issues
Chapter 12 Shortcuts and Additional Materials
Selected Feature Comparison with Pro Tools and Nuendo
Chapter 13 Scenarios and Practical Tutorials
Alphabetical Order by Function Name
2. Sharing Files Between Projects
7. Recording Automated Dialog Replacement (ADR)
12. The Spectrum Selection Tool