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by David Lewis Yewdall
Practical Art of Motion Picture Sound, 4th Edition
Front Cover
Half Title
Title Page
Copyright
Dedication
A Memorial to Excellence
Chapter 1 The Empowerment of Sound
Chapter 2 Our Amateur Beginnings
Chapter 3 The Passing of a Tradition and Coming of Age
Chapter 4 Success or Failure: Before the Camera Even Rolls
Chapter 5 The Challenging Battlefield of Production
Chapter 6 From the Set to the Laboratory
Chapter 7 Picture Editorial and the Use of the Sound Medium
Chapter 8 Temp Dubs and Test Screenings: A Critical Objective View
Chapter 9 Spotting the Picture for Sound and Music
Chapter 10 Custom Recording Sound Effects: The Real Fun and Adventure
Chapter 11 The Sound Librarian: The Curator of an Audio Empire
Chapter 12 Sound Design: Myths and Realities
Chapter 13 Sound Editorial: Sync-Sync, Chop-Chop
Chapter 14 Sound Editorial: Ultra Low-Budget Strategies
Chapter 15 Dialog Editors: Hollywood’s Unsung Heroes
Chapter 16 ADR and Looping: Getting the Lips to Flap in Sync
Chapter 17 Foley: The Art of Footsteps, Props, and Cloth Movement
Chapter 18 The Music Composer: Audio Collaboration or Mud and Destruction
Chapter 19 The Rerecording Stage: Predubbing and the Final Mix
Chapter 20 Production Sound: Four Digital Portable Sound Recorders
Chapter 21 The Venerable Nagra IV-S (Analog)
Chapter 22 Emerging Technologies: Sound Restoration and Colorization
Glossary
Index
DVD and Website Information
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Copyright
Practical Art of Motion
Picture Sound
Fourth Edition
David Lewis Yewdall,
MPSE
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