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(Fogra 29_WF)Job:07-30996 Title:RP-One Watercolor A Day
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STORI E S A ND IDEAS 107
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“When I was making pen and ink drawings and illustrations
for the story of the Arabian Nights, I also experimented with
some color drawings and illustrations. I attempted to create
the illustration under the influence of the Persian miniature
paintings that I had seen at the Metropolitan Museum of Art
in New York. Thought it might be fun to do!” —Margaret
EXERCISE 40
For this cultural exercise, you’ll need watercolor and a small
amount of gouache. Margaret has illustrated a scene from
the story of the Arabian Nights, but for our exercise, we’ll
choose a garden scene, either drawn from life or from a photo
of a garden that you like.
Using a book of Persian miniature paintings as a guide (or
look them up online), redesign the garden so that it takes on
the stylization of a Persian miniature. Use a very thin brush
with your watercolor fairly dry to get the thin lines; use a
slightly larger brush and wetter pigment for the shapes. Add
details over the larger shapes once dry. Again, it helps to start
with lighter or less-saturated colors and add the darker or
more saturated colors. A gold paint marker can add some
style. Your work doesn’t have to look exactly like the Persian
art, just be influenced by it, to experiment.
Arabian Nights
VARIATION
Onceyou’vecreatedthePersian-inuencedgardenpainting,
try the same picture translated through another culture, such
as the illustration of a Caribbean folk tale that Margaret did
(above). Take a look at the paintings from your chosen
culture, and notice the way they use colors, the kinds of
colors, and the amount of details in the painting. As with the
Persian miniature exercise, the idea is not to copy what you’re
looking at, but to study the patterns of the painting and be
inuencedbythem.
Anansi Stories, watercolor with ink and gold paint pen
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