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by Kurt Lancaster
DSLR Cinema
Cover
Halftitle
Title
Copyright
Contents
Acknowledgments
About the Website
Introduction
PART 1. DSLR Shooter’s Toolkit: A Cinematographer’s Guide to Crafting Astounding Images and Telling Better Stories
1. Composition, Blocking, and Camera Movement
2. Lighting Your DSLR Shoot
3. Exposing Your Shots with DSLRs: Metering with the Zone System and Using the Right Lens
4. Using DSLR Picture Styles: Pitfalls of Presets and Creating Custom Styles
5. Recording Quality Audio with DSLRs: Yes, It’s Possible!
6. DSLR Postproduction Workflow and Techniques: Transcoding Footage, Syncing Audio, and Color Grading
7. Telling Better Stories with Your DSLR
PART 2. Master DSLR Shooters at Work: Case Studies
8. Crafting the Film Look with Postproduction Work: Casulo (2009), directed by Bernardo Uzeda, Brazil, 17 min.
9. Crafting the Film Look by Building a Rapport with Characters: 16 Teeth: Cumbria’s Last Traditional Rakemakers (2009), directed by Rii Schroer, England, 2:29 min.
10. Crafting the Film Look with Cinema Lenses: A Day at the Races (2010), directed by Philip Bloom, United States, 6:00 min.
11. Crafting the Film Look with Location and CGI Art: The Chrysalis (2010), directed by Jeremy Ian Thomas, United States, 6:54 min.
12. Crafting the Film Look with Light, Composition, and Blocking: The Last 3 Minutes (2010), directed by Po Chan, director of photography Shane Hurlbut, ASC, United States, 5:18 min.
PART 3. Getting the Gear
13. DSLR Cinema Gear by Budget
14. Conclusion: From Film to HDSLR Cinema
Afterword by Philip Bloom
Appendix 1. Image Resolution.
Appendix 2. ISO Tests for the Canon 5D Mark II and 7D
Appendix 3. Exposure and Dynamic Range
Appendix 4. Luminance and Chrominance Compression
Appendix 5. Story Treatment to The Last 3 Minutes by Po Chan
Appendix 6. Twelve Steps for HDSLR Shooting
Index
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Copyright
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DSLR Cinema
Table of Contents
DEDICATION
ACKNOWLEDGMENTS
FOREWORD by Shane Hurlbut, ASC
ABOUT THE WEBSITE
INTRODUCTION: THE HDSLR CINEMA REVOLUTION
PART 1 •
DSLR Shooter’s Toolkit: A Cinematographer’s Guide to Crafting Astounding Images and Telling Better Stories
CHAPTER 1
Composition, Blocking, and Camera Movement
CHAPTER 2
Lighting Your DSLR Shoot
CHAPTER 3
Exposing Your Shots with DSLRs: Metering with the Zone System and Using the Right Lens
CHAPTER 4
Using DSLR Picture Styles: Pitfalls of Presets and Creating Custom Styles
CHAPTER 5
Recording Quality Audio with DSLRs: Yes, It’s Possible!
CHAPTER 6
DSLR Postproduction Workflow and Techniques: Transcoding Footage, Syncing Audio, and Color Grading
CHAPTER 7
Telling Better Stories with Your DSLR
PART 2 •
Master DSLR Shooters at Work: Case Studies
CHAPTER 8
Crafting the Film Look with Postproduction Work:
Casulo
(2009), directed by Bernardo Uzeda, Brazil, 17 min.
CHAPTER 9
Crafting the Film Look by Building a Rapport with Characters:
16 Teeth: Cumbria’s Last Traditional Rakemakers
(2009), directed by Rii Schroer, England, 2:29 min.
CHAPTER 10
Crafting the Film Look with Cinema Lenses:
A Day at the Races
(2010), directed by Philip Bloom, United States, 6:00 min.
CHAPTER 11
Crafting the Film Look with Location and CGI Art:
The Chrysalis
(2010), directed by Jeremy Ian Thomas, United States, 6:54 min.
CHAPTER 12
Crafting the Film Look with Light, Composition, and Blocking:
The Last 3 Minutes
(2010), directed by Po Chan, director of photography Shane Hurlbut, ASC, United States, 5:18 min.
PART 3 •
Getting the Gear
CHAPTER 13
DSLR Cinema Gear by Budget
CHAPTER 14
Conclusion: From Film to HDSLR Cinema
AFTERWORD
by Philip Bloom
APPENDIX 1:
Image Resolution
APPENDIX 2:
ISO Tests for the Canon 5D Mark II and 7D
APPENDIX 3:
Exposure and Dynamic Range
APPENDIX 4:
Luminance and Chrominance Compression
APPENDIX 5:
Story Treatment to
The Last 3 Minutes
by Po Chan
APPENDIX 6:
Twelve Steps for HDSLR Shooting
INDEX
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