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by Paul Lee, Sam McGuire
The Video Editor's Guide to Soundtrack Pro
Cover
Dedication
Title
Copyright
Contents
Introduction
Chapter 1 The Video Editor
Know Your Material
Workflow
Picture Lock
Sound Editing with Final Cut Pro and Sound Editors
The Audio Post Personnel
Chapter 2 What is Audio Post?
David Bondelevitch
Dialog Editing
Music Editing
Musical Sequences
Music-driven Sequences
Sequences that Benefit from Music
Test Screenings
The Music Crew
Sound Effects Editing
Background Effects (Ambiences)
Synch Effects (Also Called ‘Hard Effects’ or ‘Cut Effects’)
Foley
Re-Recording Mixing
Deliverables
Chapter 3 Expectations of the Video Editor
Installation
Install Location
Surround Impulse Response Files
Sound Effects
Music Beds
Music Loops
Sending Sequences to Soundtrack
Explanation of Send to Soundtrack Options
Send to Soundtrack Pro Audio File Project
Send to Soundtrack Pro Multitrack Project
Send to Soundtrack Pro Script
The Conform Process
Other Thoughts on the Video Editor Role
Chapter 4 Basic Audio Editing
Project Types
General Interface
Default Panes
The Center Section
The Bottom Pane
The Right Pane
Audio Editing
The Basics
The Process Menu
Editing in the Timeline and Using Menu Options
Heads Up Displays
Summary
Chapter 5 Introduction to Dynamics
Defining Dynamics
Dynamics Processors
Dynamics Concepts
Soundtrack’s Dynamics Processors
The Compressor
The Limiter Plug-in
The Expander
The Noise Gate
Advanced Dynamics Plug-ins
The Adaptive Limiter
The Multipressor
The Surround Compressor
The Enveloper
General Application of Dynamics
Audio Preparation
Micro-dynamics
General Dynamics
Chapter 6 Dynamics Standards
Soundtrack as the Right Tool for the Job
Theatrical Mixing
Broadcast Mixing
Mixing for DVD
Mixing for the Web
The Goniometer and Correlation Meter
Other Thoughts
Chapter 7 Spectral Tools
Equalizers
Filters
The Analyzer
The Interface
The Fat Equalizer
Single Band Filters
Using the Equalizers
Reducing Rumble
Reducing Hissing Noise
Boosting Diction
Removing the Sound of a Room
Carving the Music to Make Room for Other Audio
The Telephone Effect
Adding Fullness
Matching Another Sound
Helping a Sound Effect to Fit Properly
Using the Analyzer Tool
Matching the Sound of Audio Clips
The Lift Equalization Tool
What Can/Can’t the Matching Process Accomplish?
SubBass
Explanation of SubBass
SubBass Warning
Using SubBass
Chapter 8 Time Effects
Reverb
A Brief History of Reverbs
Soundtrack Pro Reverb
PlatinumVerb
Space Designer
Reverb Usage
Delay Effects
Echo Effect
Special Warped Sound Effect
Doubling
Other Delays
Chapter 9 Mixing
Tools for Mixing
Automation
Control Surfaces
Mixing
Levels
Panning
Processing
Master Levels – Submixes
Surround Sound Options
Mixing Advice
Summary
Chapter 10 Exporting Features of Soundtrack Pro 3
Overview
Exporting Multitrack Session Data
Exporting Single Audio Files
Exporting Multitrack Session Mixes (Stereo)
The Exported Items Menu
The File Type Menu
Exporting Video Only (Compressor)
Video Format
Quality
Filters
Geometry
Exporting Audio with Video (Compressor and Soundtrack Pro)
Exporting Audio/Video from the Single-file Editor
Exporting Audio/Video Using Compressor
The QuickTime Compatible Tab
The Apple Devices Tab
The Standard Definition Tab
Exporting Surround Sound Using Soundtrack Pro and Compressor
Exporting Dolby Digital Multichannel Audio
Exporting Uncompressed Multichannel Audio
Exporting Interleaved Video and Surround Sound Audio
Exporting Examples
Exporting a Compressed Stereo Mix Master From Soundtrack Pro
Exporting Uncompressed Surround Sound Stems From Soundtrack Pro
Exporting a QuickTime Audio/Video Interleaved File with Surround Sound
Things to Remember When Exporting
Special Thanks
Chapter 11 Acoustical Design and Configuration
Sound Development
The Waveform
Sound Levels
Sound Reacting to the Room
Sound and Materials
Optimizing a Room
Room Size
Construction
Checklist for Audio Setup Issues
Special Thanks
Chapter 12 Shortcuts and Additional Materials
Keyboard Shortcuts
Apple Loops
Selected Feature Comparison with Pro Tools and Nuendo
Chapter 13 Scenarios and Practical Tutorials
The Functions
Chapter Order
Alphabetical Order by Function Name
1. Recording Audio
Introduction
Steps
2. Sharing Files Between Projects
Introduction
Steps
3. The Actions List
Introduction
Steps
4. Copy/Paste Clip Effects
Introduction
Steps
5. Leveling Clean Dialog
Introduction
Steps
6. Leveling Noisy Dialog
Introduction
Steps
7. Recording Automated Dialog Replacement (ADR)
Introduction
Steps
8. The Multitake Editor
Introduction
Steps
9. Placing Sound Effects
Introduction
Steps
10. The Audio Stretch Tool
Introduction
Steps
11. Adding Ambient Noise
Introduction
Steps
12. The Spectrum Selection Tool
Introduction
Steps
13. The Restoration Tools
Introduction
Steps
14. Noise Reduction
Introduction
Steps
15. Stem Routing
Introduction
Steps
16. Using the Surround Panner
Introduction
Steps
17. Adding Reverb on a Bus
Introduction
Steps
18. Automating Effects Plug-ins
Introduction
Steps
19. Project Music Settings
Introduction
Steps
20. Exploring Music Loops
Introduction
Steps
Index
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Dedication
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Copyright
THE VIDEO EDITOR’S GUIDE TO SOUNDTRACK PRO
Workflows, Tools, and Techniques
SAM MCGUIRE AND DAVID LIBAN
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