- Cover
- Halftitle
- Title
- Copyright
- Contents
- Preface
- Acknowledgments
- Chapter 1 Production Planning
- Chapter 2 The Studio Environment
- Chapter 3 Digital Audio Production
- Chapter 4 Microphones
- 4.1 Introduction
- 4.2 Classifying Microphones
- 4.3 Dynamic Microphones
- 4.4 Condenser Microphones
- 4.5 Microphone Pickup Patterns
- 4.6 The Omnidirectional Pickup Pattern
- 4.7 The Cardioid Pickup Pattern
- 4.8 Polar Response Patterns
- 4.9 Impedance of Microphones
- 4.10 Sensitivity of Microphones
- 4.11 Proximity Effect and Bass Roll-Off
- 4.12 Microphone Feedback
- 4.13 Multiple-Microphone Interference
- 4.14 Stereo
- 4.15 Stereo Miking Techniques
- 4.16 Surround Sound
- 4.17 Special Purpose and Other Types of Microphones
- 4.18 Microphone Accessories
- 4.19 Microphone Usage
- Production Tip 4A—Microphone-to-Mouth Relationship and Setting Levels
- Self-Study
- Projects
- Project 1—Position Microphones in Various Ways to Create Different Effects
- Project 2—With Several Other Students, Make a Recording Using Stereo Miking Techniques
- Project 3—Compare Sound from Different Types of Microphones
- Project 4—Diagram/Apply Miking Techniques to Various On-Campus or Local Sporting Events
- Chapter 5 The Audio Console
- 5.1 Introduction
- 5.2 The Digital Audio Console
- 5.3 Audio Console Functions
- 5.4 Computers and Audio Consoles
- 5.5 Basic Audio Console Components
- 5.6 Input Selectors
- 5.7 Input Volume Control
- 5.8 Monitoring: Speakers and Headphones
- 5.9 Cue
- 5.10 VU Meters
- 5.11 Output Selectors
- 5.12 Output Volume Control
- 5.13 Remote Starts, Clocks, and Timers
- 5.14 Equalizers and Pan Pots
- 5.15 Other Features
- Production Tip 5A—Manipulating Faders
- Self-Study
- Projects
- Chapter 6 Digital Audio Players/Recorders
- 6.1 Introduction
- 6.2 The CD Player
- 6.3 CDs and Care of CDs
- 6.4 The CD Recorder
- 6.5 Data Compression
- 6.6 Compactflash and Other Digital Recorders
- 6.7 Storage
- 6.8 MP3/Portable Audio Players
- 6.9 Digital Distribution Networks
- 6.10 Conclusion
- Self-Study
- Projects
- Project 1—Record a Public Service Announcement that Uses a Sound Effect
- Project 2—Prepare a Report on a Digital Player/Recorder that Is Not Discussed in This Chapter
- Project 3—Play and Record Several CD Selections
- Project 4—Record a 5-minute Interview with a Classmate and Edit the Interview to 3 Minutes, Using a Portable Digital Recording Device
- Chapter 7 Monitor Speakers and Studio Accessories
- 7.1 Introduction
- 7.2 Types of Speakers
- 7.3 Basic Speaker System Components
- 7.4 Speaker System Enclosure Designs
- 7.5 Speaker Sound Qualities
- 7.6 Speaker Placement
- 7.7 Phase and Channel Orientation
- 7.8 Monitor Amplifiers
- 7.9 Speaker Sensitivity
- 7.10 Headphones
- 7.11 Hardwiring and Patching
- 7.12 Common Audio Connectors
- 7.13 Other Connectors and Connector Adapters
- 7.14 Balanced and Unbalanced Lines
- 7.15 Microphone, Line, and Speaker Levels
- 7.16 Studio Timers
- 7.17 Telephone Interface
- 7.18 Conclusion
- Self-Study
- Projects
- Chapter 8 Signal Processing Equipment
- Chapter 9 Production Situations
- Chapter 10 Location Sound Recording
- Chapter 11 Sound Production for the Visual Media
- Chapter 12 Internet Radio and Other Distribution Platforms
- 12.1 Introduction
- Production Tip 12A—Love Manifests to Digital
- Production Tip 12B—Internet Audience and On-Air Talent Interaction
- 12.8 On-Demand Files and Podcasting
- 12.9 Building a Home Studio for Internet Audio Production
- 12.10 Copyright
- 12.11 Internet Radio Station Listing Sites
- 12.12 Other Distribution Means
- 12.13 Satellite Radio
- 12.14 Cable and Satellite TV Radio
- 12.15 Over-the-Air Broadcasting
- 12.16 HD Radio
- 12.17 Conclusion
- Self-Study
- Projects
- Glossary
- Appendix Analog and Digital Audio Equipment
- A.1 Introduction
- A.2 Turntables
- A.3 Turntable Use
- A.4 Reel-to-Reel Audio Tape Recorders
- A.5 Reel-to-Reel Recorder Use
- Production Tip A.A—Sel Sync
- A.6 Cassette Tape Recorders
- A.7 Cassette Recorder Use
- A.8 Cartridge Tape Recorders
- A.9 Cartridge Recorder Use
- A.10 Tape-Based Digital Recorders
- A.11 Analog Tape Editing Tools
- A.12 Making Edits
- A.13 Analog Audio Consoles
- A.14 Analog Audio Console Use
- A.15 The MD Recorder/Player
- A.16 The MiniDisc
- A.17 Conclusion
- Index
Concepts, Techniques, and Equipment
Seventh Edition
SAMUEL J. SAULS
CRAIG A. STARK
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