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Typography, Referenced
Text
Job:03171 Title:Typography Referenced (Rockport)
Page: 390
Gerry Leonidas
Gerry Leonidas is a Senior Lecturer in Typography at the University
of Reading, . He teaches typographic design and typeface design at
under- and postgraduate levels. His research interests include Greek
typography and the development of typeface design as a fi eld of study.
Ina Saltz
Ina Saltz is an art director, designer, author, photographer, and professor of
art at The City College of New York. Her areas of expertise are typography
and magazine design; she is also chairperson of the art department at .
Saltz has authored more than fi fty articles on typography and design
for design publications. She is a board member and program director of the
Type Directors Club. She is on the design faculty of the Stanford Publishing
Course, and she frequently lectures on topics related to magazine design
and typography, including, most recently, in Toronto, Atlanta, Denver,
Moscow, Calgary, and Amsterdam.
Saltz is the author of three books: Body Type: Intimate Messages
Etched in Flesh, , and Body Type : More Typography Tattoos, ,
published by Abrams, and Typography Essentials:  Design Principles for
Working with Type, , published by Rockport Publishers. She had
solo exhibitions of her photographs from Body Type at Cooper Union’s
Herb Lubalin Study Center of Design and Typography and at the Snug
Harbor Cultural Centers Newhouse Center for Contemporary Art. She is
currently working on a third volume of Body Type. She lives in New York
City with her husband, Steven Beispel.
Kathryn Henderson
Kathryn Henderson is a writer, editor, and designer interested in the
convergence between design and pop culture. After obtaining her BFA in
Graphic Design from the Rochester Institute of Technology, Henderson
switched gears from creating to observing, graduating in  with an
MFA in Design Criticism from the School of the Visual Arts. She has
since applied her skills to projects with The Noguchi Museum, The
Century Association Archives Foundation, and various sites including
Complex.com. Currently, you can fi nd her at Pentagram Design obsessing
over new design work and assisting with daily communications
as deputy editor of Content Development for Pentagram.com.
Tyler Alterman
Tyler Alterman is a fourth-year student in The City University of
New York’s Macaulay Honors College studying creative behavior
change. His obsessions include the science of persuasion, cognitive
neuroscience, graphic design, cinnamon pita chips, and any fi ne
type with high contrast, ball terminals, or geometric forms.
About the Designer
Donald Partyka is an educator and award-winning editorial designer.
He is the Creative Director of the journal Americas Quarterly and teaches
typography and design at The City College of New York. Partyka has
launched, redesigned, and art directed numerous consumer, trade, and
educational publications over the past  years. A graduate of The Rhode
Island School of Design, he recently completed his fi rst semester as a student
in Cooper Union’s Postgraduate Certi cate Program in Type Design.
Allan Haley
Allan Haley is director of words and letters at Monotype Imaging,
where he is responsible for strategic planning and creative implemen-
tation of just about everything related to typeface designs, as well as
editorial content for the company’s type libraries and websites.
Haley is also a past president of the board of the Society of Typo-
graphic Afi cionados and the New York Type Directors Club. A proli c
writer, he has written fi ve books about type and graphic communi-
cation and hundreds of articles for graphic design publications.
Richard Poulin
Richard Poulin is cofounder, design director, and principal of
Poulin  Morris Inc., an internationally recognized, multidisciplinary
design consultancy in New York City. His work has been published in
periodicals and books, is in the permanent collection of the Library of
Congress, and has received awards from organizations worldwide.
Poulin is a fellow of the Society for Environmental Graphic Design, past
president and board member of the New York chapter of , and a
recipient of a research grant from the Graham Foundation for Advanced
Studies in the Fine Arts. Since , he has been a faculty member of
the School of Visual Arts in New York City and was formerly an adjunct
professor at The Cooper Union. He is the author of The Language of
Graphic Design: An Illustrated Handbook for Understanding Fundamental
Design Principles published by Rockport in . Poulin lives in New York
City and Clinton Corners, New York, with his partner of twenty-two years
Jason Tselentis
Jason Tselentis teaches typography and design at Winthrop University in
Rock Hill, South Carolina. He has worked in branding, information design,
and Web design since  for commercial, nonpro t, and academic
clients. His writings about design and visual culture have appeared
in Arcade, Emigre, Eye, How, and Mental Floss magazines. Rockport
Publishers produced his fi rst book, Type, Form & Function, in .
Tony Seddon
Tony Seddon studied graphic design in his native Cornwall and at Bour-
nemouth College of Art before graduating in . During the following
twelve-year period, Seddon lived and worked in London, fi rst for a
multidisciplinary design consultancy, then as a senior art editor for
an illustrated book publisher. In , he relocated to the south coast
and has continued to specialize in book design and art direction while
working for several publishing companies in Lewes and Brighton.
In January , Seddon began a new career as a freelance designer
and writer. He has authored three books: Images: A Creative Digital
Work ow for Graphic Designers, Graphic Design for Nondesigners, and Art
Directing Projects for Print. He currently lives in Alfriston, East Sussex.
About the Authors
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