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PART II Running an Independent Production House Business
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PART II Running an Independent Production House Business
by Kurt Lancaster
Production House Cinema
Cover
Title
Copyright
Dedication
Contents
About the Author
Acknowledgments
Foreword
Introduction: The Business of Cinematic Storytelling in a Video Production House
PART I Creating your own Independent Video Production House Business
1. Telling versus Showing: The Tools of Cinema in Client-Based Storytelling
2. Creating a Vision: The Cinematic-Style Video Production House
3. Making it Legal: Filing an LLC, Writing Contracts, Music Rights, and Getting Insurance
4. Creating Presence: The Portfolio Reel and Website that Reflects Your Style and Vision
PART II Running an Independent Production House Business
5. Making Money: The Cost of Doing Business, Generating Income Streams, Setting Up Invoices, and Planning Your Taxes
6. Developing a Client’s Story: Making a Connection, Finding the Story, and Writing a Pitch, Proposal, and Budget
7. Cinematic Gear on a Budget: What You Need and What it Does
PART III Crafting the Cinematic Style: Case Studies
8. A Book Promotion Case Study: From Keywords to Storyboards in Stillmotion’s “My Utopia”
9. An App Promotion Case Study: Directing with Spontaneity in Zandrak’s Moodsnap
10. A Crowdfunding Case Study: Financing Frame by Frame
APPENDIX: Sample Contracts and Film Production Forms
Notes
References
Index
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4. Creating Presence: The Portfolio Reel and Website that Reflects Your Style and Vision
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5. Making Money: The Cost of Doing Business, Generating Income Streams, Setting Up Invoices, and Planning Your Taxes
Part II
Running an Independent Production House Business
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