Home Page Icon
Home Page
Table of Contents for
Cover
Close
Cover
by Diana Friedberg, Lori Coleman
Make the Cut
Cover
Half Title
Title Page
Copyright Page
Table of Contents
Dedications
Acknowledgments
Preface
Part 1 Getting Started
Chapter 1 On Your Way
1.1 Find an Assistant
1.2 Know Your Tools
1.3 Basic Setups
1.4 Bank It
1.5 Move to Hollywood
1.6 Create Your Resume
1.7 Your Favorite Five
1.8 Find the Job
1.9 Prepare for the Interview
1.10 The Interview
Chapter 2 Before Your First Day on the Job
2.1 Be Prepared
2.2 Script Elements
2.3 Scene Breakdown
2.4 Schedule for Elements
2.5 Continuity
2.6 Wall Continuity
2.7 Measurement Charts
2.8 SFX
2.9 MX: Needle Drops and Score
2.10 Playback: MX and PIX
2.11 VFX
2.12 Stock
2.13 Order the Supplies
Chapter 3 Your First Day
3.1 Setting Up the Project Window
3.2 Settings
3.3 Import FX and MX
3.4 Binders and Paperwork
3.5 Spec and Format Sheets
3.6 Meet the Crew
Chapter 4 Your Second Day
4.1 Importing Dailies
4.2 Interpreting Paperwork
4.3 Watch the Dailies
4.4 Continue to Digitize or Begin to Organize
4.5 Setting the Bin
4.6 Communicating
4.7 Archiving as You Go
4.8 MX and Needle Drop Bins
4.9 When Dailies Are Completed
Chapter 5 Edit and Distribute the Cut
5.1 Editor’s Cut
5.2 Taking Notes
5.3 Recording Temp ADR
5.4 Preserving Copies
5.5 Lifts
5.6 Scene Timings and Total Measurements
5.7 Building a Cut
5.8 Cutting the Recap
5.9 Shipping
5.10 Director’s Cut
5.11 Privacy in the Editing Room
5.12 Producer’s Cut
5.13 The Locked Show
Chapter 6 Get Ready to Online
6.1 Create a Locked Sequence Bin
6.2 Remove Add Edits and Check for Jump Cuts
6.3 Format the Locked Sequence
6.4 Complete the Format Sheet
6.5 Create the Locked Continuity and MX Sheet
6.6 Prepare the ADR List
6.7 Prepare the VFX Notes
6.8 Reassign Tracks
6.9 Create the Chase Cassette (DVD)
6.10 Create the PIX and Audio Edit Decision Lists (EDLs) and the OMFs
6.11 Prepare for SFX and MX Spotting
6.12 Duplicate the Script and Sound Reports
Chapter 7 Assisting Protocols for Documentaries
7.1 Elements of a Documentary
7.2 Sort the Footage
7.3 Create a Radio Cut
7.4 Stock Footage
7.5 Stills
7.6 Titling
7.7 Use of SFX and MX
7.8 Finishing the Documentary
Chapter 8 Assisting Protocols for Reality Shows
8.1 Dailies
8.2 Basic Management
8.3 Work Space Synchronization
8.4 Offline and Online Management
8.5 Digitizing and Organizing Dailies
…Step 1: Stacking
…Step 2: Overlapping Clips
…Step 3: Check for Timecode Drift
…Step 4: Synching Each Camera to the Base Camera on V1
…Step 5: Set Auxiliary TC for the Base Camera
…Step 6: Adjust the Aux TC for the Rest of the Cameras
…Step 7: Add Edits at Every Place on the Sequence Where a Clip Starts or Stops
…Step 8: Creating the Subclips from the Sequence
…Step 9: Create the Multigroup by Auxiliary TC
8.6 Project Organization
8.7 Outputs
8.8 Things to Check Before Outputting a QT or DVD
8.9 QuickTimes
8.10 DVD Outputs
8.11 Locking
8.12 Up-Rezzing
8.13 Audio for OMF
8.14 Prepping for Online
8.15 Assisting on FCP in Reality Television
8.16 Importing and Organizing the Project
8.17 Multiclips
8.18 B Rolls
8.19 SFX and MX
8.20 Transcriptions
8.21 Story Stringout
8.22 Output
8.23 Online
8.24 Audio Prep for Online
8.25 In Summary
Chapter 9 First Day Observations in the Editing Room
9.1 A Day on Episodic Television
…Laura Sempel (American Intern 2010)
9.2 Different Venue in Episodic Television
…Andreas Arnheiter (International Intern 2010)
9.3 A Day on a Feature
…Paul Penczner (American Intern 2010)
9.4 A Day on Reality
…Nompi Vilakaze (International Intern 2010)
9.5 In Summary
Part 2 Protocol
Chapter 10 The Unwritten Rules of the Editing Room
10.1 Be on Time (15 Minutes Early)
10.2 Make the Coffee
10.3 Unlock the Editing Rooms
10.4 Boot Up
10.5 Prepare for the Day
10.6 Informative Messages and Post-it Notes
10.7 Grooming
10.8 Know the Phones
10.9 Ask Down, Not Up
Chapter 11 Personality
11.1 Have a Yes Attitude
11.2 Make Eye Contact
11.3 Admit Mistakes
11.4 Be Honest
11.5 Be Proactive
11.6 Leave Your Problems at Home
11.7 Crying
11.8 Arguing
11.9 Lodging Complaints
11.10 Gossiping
11.11 Noise and Personal Hygiene
11.12 Creating Ambience Levels
Chapter 12 Navigating the Room
12.1 Entering the Room
12.2 Know When to Leave the Room
12.3 Answering the Phones
12.4 Reading the Room
12.5 Taking Notes
12.6 Giving Your Opinion on a Scene
12.7 Triangulation
12.8 Email Etiquette
Part 3 Make the Cut
Chapter 13 Approaching Your Career
13.1 Get into a Cutting Room
13.2 Develop a Relationship with the Post Staff
13.3 Find a Mentor
13.4 Keep a Journal
13.5 One-Year Plan
13.6 Gracefully Leaving Your Nonunion Job
13.7 When to Look for Work
13.8 Choose Your Genre: From Features to Television
Chapter 14 Plan Ahead and Move Up
14.1 Three-Year Plan
14.2 Money Management
14.3 Perform at Your Highest Level
14.4 Edit Every Day
14.5 Upward Mobility
14.6 Cementing Relationships
14.7 Gracefully Leaving Your Union Job
Chapter 15 On the Brink of Editing
15.1 Five-Year Plan
15.2 That Promised Seat
15.3 Expanding Your Network
15.4 Advanced Skills
15.5 Editing Styles
15.6 Edit During Hiatus
15.7 Remaining an Assistant
15.8 In Conclusion
Part 4 Commonality
Chapter 16 Editors Panel Discussion
Glossary
Index
Search in book...
Toggle Font Controls
Playlists
Add To
Create new playlist
Name your new playlist
Playlist description (optional)
Cancel
Create playlist
Sign In
Email address
Password
Forgot Password?
Create account
Login
or
Continue with Facebook
Continue with Google
Sign Up
Full Name
Email address
Confirm Email Address
Password
Login
Create account
or
Continue with Facebook
Continue with Google
Next
Next Chapter
Half Title
Add Highlight
No Comment
..................Content has been hidden....................
You can't read the all page of ebook, please click
here
login for view all page.
Day Mode
Cloud Mode
Night Mode
Reset