Page numbers for illustrations are given in italics
Abad, Pablo25
abgc 164
accessibility 199
see also color blindness
Acres, Steven 13
Adobe Illustrator 91, 117, 123, 148
advertising 14, 15, 17, 98, 110, 135, 173
Agostina (typeface) 175
Aidan Nolan Design 175
Akzidenz Grotesk (typeface) 137
Alessandra, Amandine 171
Alfieri, Pablo 125
alignmentssee text alignments
Allen, Blake 31
Allen, Kelsey 27
Anderson, Gregory 172
animated type 19, 37, 46, 53, 125, 134–5, 136, 142, 143
digitally created 134, 135, 164
Casa FOA exhibition, Buenos Aires 176, 176
Aranda, Sylvia 53
Arial (typeface) 106
Artinyan, Yohannes 123
Arundel, Jonathan 136
Atelier Martino&Jaña 24, 58, 133
backgrounds 55, 55, 64, 71, 87, 123, 126, 127, 128
Balázs, Szabó 190
Baskerville (typeface) 50
Bass, Saul 134
Battenberg, Tobias 137
Bembo (typeface) 102
Ben-Navat, Hila 99
Bialogrzywy, Michal 108
Blac Iconica 135
black and white see monochrome
block serif 23
Blücher, Aleksander 89
body text 24, 26, 28, 28, 62, 202
readability of 44, 44, 45, 53, 58–61
Bogman, Tom 117
book covers 106, 107, 163, 176, 177, 186
books 13, 28, 80, 165, 168, 171, 180, 186, 196, 197, 197
Borzak, Marton 188
Braille 28
see also logos
brand manual, the 92
Breton, Julien 141
Brioso (typeface) 146
British Heart Foundation 16
Bunch 115
Burke, Lauren 56
Burkhardt, Ralph 152
Bussetti, Andrea 51
Cabin 107
calibration 193
calligraphy 8, 9, 13, 14, 158, 161, 161, 162, 163, 172, 176, 176, 182, 202
see also manuscripts, illustrated; script typefaces
capital letters 40, 46, 71, 91, 202
see also initial capitals (caps); uppercase letterforms
Carlson, Nils 128
Carter, Sebastien 20
Caslon (typeface) 76
centered text 58, 58, 100–2, 202
Century Gothic (typeface) 37, 37, 47
Chase, The 144
Christenson, John 184
coated papers 184
Colorless 150
color 122, 123, 126, 127, 128, 132, 202
as background 123, 126, 127, 128
color blindness 51, 128, 143, 199
see alsoPANTONE® ; print proofs
color wheel 122
colored type 11,50 , 62, 62, 64, 122–3, 122, 124, 125, 126, 127, 128, 129, 202
for emphasis 51, 51, 128, 129, 129
and hierarchies 71, 84, 87, 111, 128
and legibility 44, 55, 55, 122, 127
and printing 132, 132, 193, 194, 202
see also harmony; tints
Comandeer 19
Combinebox letterform system 118, 118,119
Comellas, Joan Ot 155
Compendium (typeface) 25
complementary colors 122, 123, 128, 129
computer-generated imagery (CGI) 134
concrete poetry 173
see also hierarchy; visual continuity
context 106
see also complementary colors;discordant colors
Cooke, Andy 192
Cooper (typeface) 47
copperplate engraving 117, 187
Cornell, Alex 45
counterform see counter
Creative Orchestra 154
Cui, Jiansheng 89
d.kele 139
Dan Alexander & Co. 58
dashes 68
see also hyphenation
Default Bangkok 64
Deibi (typeface) 32
Denzmixed 124
see also experimentation
die-cutting 186, 186, 196, 197, 202
digital type 8, 23, 90, 92, 117, 152, 158, 161, 163
discordant colors 123, 124, 128
display typefaces 17, 23, 25, 26, 81, 202
distortion see manipulation
distressed effects 56, 56, 167, 167
Doink 23
Downtown Studio 12
Driv 180
drop capital (cap) 12,13, 13, 68, 111, 202
e-books 199
see also books; magazines
Elliott, Ross 25
embossing 165, 165, 166, 167, 186, 186, 190, 196, 202
Emin, Tracey 168
Erretres 127
etching 187
experimentation 74, 80–1, 81, 82–3, 82, 152
Faber & Faber 170
families 30, 31–3, 31, 32, 78, 102, 202
see also expert sets
Fernandes, Eurico Sá 17, 24, 163
Ferrell, Robert 84
Fette Fraktur (typeface) 105
Fiset, Annabelle 84
fleurons 117
flocking 186
Fluid Studio 80
Fons Hickmann m23 17, 109, 156, 168
Amnesty Aktion magazine 70, 70, 71
font see typeface
foreign languages 28, 29, 58, 61, 98, 105, 158, 180, 180
foreign-language glyphs 32, 32, 68, 116
Forkert, Clea 79
forms, designing 111
Foronda, Abel Martínez 90
Forrester, Matt 169
Fournier (le Jeune), Pierre Simon 67
frames 111
Frost, Vince 53
Frutiger (typeface) 11, 76, 105
Futura (typeface) 49
Futuretainment 101
Gadzala, Karol 128
Galapon, Melvin 135
Garamond Italic (typeface) 75
Garcia, Ferran Valverde 75
Ghasemi, Amerili 29
Gill Sans (typeface) 45
Grabowski, Paul 174
Graffitifonts 156
Gremmen, Hans 187
Griffiths, Alasdair 170
Grotrian-Steinweg, Gesine 70
Hackenschuh.com 51
Haider, Hassan 102
Hand & Eye Letterpress 10
hand-rendered styles 6, 9, 16, 57, 65, 90, 91, 107, 166, 187
typefaces 16, 23, 25, 57, 65,84 , 92, 102, 103, 107, 161
seealso calligraphy
Happy Centro
Imagining Mozambiqueexhibition 94, 94
headline typefacessee display typefaces
Heye & Partner 110
see also Fons Hickmann m23
hierarchy 35, 62, 72, 84, 84, 105, 111, 202
defining a 35, 71, 87, 110, 128
Him 116
Hollingworth, Paul 93
Holmes, Corey 110
Holzer, Jenny 168
Square Pants (typeface) 23, 24
i-creativ123
images 62, 67, 67, 71, 88, 93, 102–5
background 125
type as 96, 112, 113, 114, 173, 173
Impact (typeface) 152
initial capitals (caps) 12, 13, 13, 68, 111, 112, 174, 174, 202
Inkamon 114
inkjet printing 187
Inksurge 64
Insane 25
inspiration 76
Instant Hutong art project 166
Jancsó, Áron 100, 108, 120, 146
Jelev, Jordan 14
justified text 58–61, 58, 61, 71, 202
KalleGraphics 61
Kanellopoulos, Dimitris 26, 101, 127, 178
Keng, YuHan 126
KentLyons 98
Kerve 167
Khmelevsky, Ivan 158
Kim 84
knock out 194
KO:KE 39
Koh, Benjamin 183
Košir, Tomato 86
Kowlaski, Peter 102
Krikheli, Roman 88
Las Vegas 168
laser printing 187
laser-cutting 186
asymmetry in 64, 100, 100, 101
leading 8, 37, 48, 53, 62–3, 62, 70, 203
legibility 13, 24, 26, 44, 51, 55, 56, 89, 203
and color 44, 55, 55, 122, 127
and moving type 143
letter spacing see kerning; tracking
letterpress 8–9, 10, 11, 20, 91, 117, 154, 161, 163, 187, 187, 203
Lichtenstein, Roy 106
Lind, Jim 159
line length 44, 44, 45, 48, 51
linespacing see leading
lithography 187
Livory (typeface) 69
designing 49, 71, 91, 92, 93, 112, 113, 114, 135, 192
Lost in Space 173
lowercase letterforms 11, 46, 46, 203
Lucut, Stefan 122
Luxury of Protest 92
magazines 13, 70, 70, 71, 78, 79, 84
Magma 105
Magnifico, John 187
Malcolm Grear Designers 114
Manchester Evening News 144
manipulation 47, 89, 89, 90, 91, 92, 102, 118
see also experimentation; patterns
manuscripts, illustrated 9, 12, 116, 174, 174
maquettes 80
margins 64
Marino, Dan 12
Mark, Kelly 164
Meachem, Lester 114
see also concrete poetry
MEF 117
Memphis (typeface) 146
Mercedes-Benz Museum, Stuttgart 168
Merwe, Andrew van der 145
metal type 8, 9, 10, 11, 12, 35
Mi Fu 161
Mikkin, Dan 92
Minion Pro (typeface) 175
“missing letter,” the 152, 153, 155, 155
Mission Design 165, 200, 200, 201
Mizor, Maciej 184
monochrome 122–3, 123, 124, 125
Monotype 67
movable type, development of 8
see also metal type
producing letterforms 139, 141, 145, 145
see also animation
multimedia 46, 80, 87, 133, 135, 141, 145
see also websites
Muntean, Daniel 188
Music 183
Nadav, Moshik 147
NB Studio 163
Nepomnyaschev, Andrey 125
Niksch, Garrett 115
Nordahl, Moa 87
Nouri, Hourieh 114
O’Shannessy, Tristan 197
Ocalan, Oguzhan126
Official Classic Ltd 67
offset lithography 187
Organic Grid 111
origami 168
see also paper engineering
Orlikova, Katerina 169
ornaments 67, 67, 68, 81, 114, 116–17, 116, 117, 203
orphanssee widows and orphans
packaging design 14, 14, 64, 74, 80, 128, 174, 183, 194
Palette Industries 15
paper engineering 144,166 , 168, 171, 172, 176, 177, 197
paper stocksee stock
paper weight 183
paragraph alignment see text alignments
Park, Nick 134
Parker, Craig Hunter 91
see also repetition; “rivers”
Pavitte, Thomas
Jesus Iso typography project 148, 148, 149
Pereira, Claudia 47
photocopying 162
see also distressed effects
Pinto, Kim 91
Pitarevic, Sudar 90
PLAN 177
Playful 125
point sizes 34, 35–6, 35, 36, 37, 37, 38, 71, 203
and hierarchies 84
pop-up books 165, 168, 171, 186
see also paper engineering
Portch, Jamie 16
potato printing 57, 57, 92, 161, 187
Poulain, Damien 14
Powerpoint (Microsoft) 143
preflight check system 181, 203
Print on Demand (POD) 193
print proofs 132, 181, 187, 193, 200
printing process 8–9, 11, 54, 187, 187, 193, 194, 200, 200, 201
see also letterpress; movable type, development of
proofing see print proofs
prototypes 80
Pyndt, Kasper 189
Pyper, Martin 186
Rampant Lions Press 20
Re*Nascent 36
readability 44, 44, 45, 56, 83, 89, 203
Redman, Craig 96
Reggina Estate 14
resolution 203
print 199
screen 54, 56, 83, 181, 199, 203
reversed-out type 42, 48, 50, 51, 53, 127, 203
rhythm 110, 110, 118, 173, 174
Robert Horne 183
Rojas, Juan Camilo 170
Roman letterforms 23, 28, 29, 203
Román, Alejandra 167
Rotis (typeface) 31
Rotman magazine 79
Rummery, Hannah 74
Sain, Philippe 131
sans serif 23, 23, 26, 26, 27, 28, 31, 80, 203
screen use of 23, 27,31 , 54, 54
Santano, Jordi Serra 67
Schwabacher (typeface) 118
Scott, Si 116
Scrawler (typeface) 156
screen-based media 18, 19, 36, 54, 56, 181
see also websites
script typefaces 24, 25, 26, 203
Seifert, Harry 105
Sell, Petra 78
serif 17, 22, 22, 23, 23, 26, 27, 31, 84, 203
using on websites 23
Shankar, Sanjeev 142
Shaw, Jeffrey 138
sign off 93
signage 156, 156, 157, 168, 170
store 8, 14, 17, 116, 156, 168, 184
street 15
see also billboards
silkscreen printing 162, 187, 187, 203
Skybäck, Johan 32
Small 136
Smith, Todd 137
Södermalm (typeface) 32
Sodha, Rishi 110
software compatibility 181, 193, 199
Solaria (typeface) 67
Sort 10
Souvenir (typeface) 195
Spacey, Ryan 56
Springer, Lloyd 56
Square Pants (typeface) 23, 24
Staynice 59
stencils 119, 162, 189, 195, 195
Stephen, Matthew 91
stock 55, 132, 180, 184, 188, 203
choosing 183
textured 55, 56, 182, 183, 183
see also finishes
Stokes, Lee 153
Stone (typeface) 31
storyboards 80
street art 119
Studio Oscar 98
studioimbrue 13
subtitling 98
surfaces 165
symbols 8, 67, 67, 113, 114, 116, 116
tables 111
Taddeo, Paolo 163
Tan, Li Mei 83
Tapeworm Regular (typeface) 56, 56
Taubert, Daniel 166
Teraoka Seiko 117
text alignments 58–61, 58, 59, 61, 71, 202
see also centered text
Thai, Sherrie 76
thermography 186
three-dimensional letterforms 40, 40, 91, 94, 138, 148, 149, 152, 158, 162, 164, 168, 168, 169, 172, 184, 184
Times New Roman (typeface) 23
Times, The 23
TipoBrda 103
Tloupas, Yorgo 142
Toko 185
Tom Tor 117
Tomato 72
transfer lettering 78, 162, 164
transparent inks 178
trapping 194
Twentieth Century (typeface) 37, 37
TypeArt Foundry Inc. 56
typefaces 11, 13, 14, 15, 34, 35, 40, 44, 45, 55, 203
combining 24, 26, 26, 37, 74, 80, 80, 81, 81, 82, 82, 83, 84, 87, 105
experimenting with 13, 81, 81, 82–3, 82, 152
hand-rendered 16, 23, 25, 57, 65, 84, 92, 102, 103, 107, 161
selecting 13, 14, 23, 28, 54, 62, 78, 100, 152
see also individual entries
see also logos
Uleman, Robin 106
uncoated papers 184
Univers (typeface) 32, 62, 62, 146
Untitled 38
Unusual Design Group 101
uppercase letterforms 11, 46, 46, 203
see also initial capitals (caps); small caps
UV (ultra violet) varnishing 186, 188, 201
varnishing 186
Vasavan, Ravi 122
Venture 3/CHI & Partners 23
Victoria & Albert Museum, London 49
Vijf890 ontwerpers 46
Vizzari, Guille Casa FOA exhibition, Buenos Aires 176, 176
Vora, Ravi 46
Vorreiter, Felix 161
Wakeling, Christopher 11
Walker, Stewart 170
website design 10, 12, 14, 16, 19, 23, 23, 25, 27, 28, 46, 53, 98, 105, 117, 117
design considerations 56, 59,78 , 80, 84, 98, 109, 123,124 , 125
typefaces used in 54, 54, 56, 56, 84
Welab 157
Wete 32
white space 64, 70, 71, 72, 87, 106, 123, 203
Wingdings (typeface) 116
woodblock 8, 9, 161, 187, 188, 203
Theatre and Engineering exhibition publicity 40, 40
Wordboner.com 102
word-processing software 91, 180
Zaiz, Huda Abdul 108
Zapf Dingbats (typeface) 116
Zhao, Ellen 136
Zim and Zou 172
Zion Graphics 132