Chapter 3

Setting Up and Using AutoCAD’s Drafting Tools

Chapters 1 and 2, “Exploring the AutoCAD Interface” and “Creating Your First Drawing,” covered the basic information you need to understand the workings of AutoCAD. Now you’ll put this knowledge to work. In this architectural tutorial, which begins now and continues through Chapter 14, “Advanced Editing and Organizing,” you’ll draw an apartment building composed of studios. The tutorial illustrates how to use AutoCAD commands and gives you a solid understanding of the basic AutoCAD package. With these fundamentals, you can use AutoCAD to its fullest potential regardless of the kinds of drawings you intend to create or the enhancement products you may use in the future.

In this chapter, you’ll start drawing an apartment’s bathroom fixtures. In the process, you’ll learn how to use AutoCAD’s basic tools. You’ll also be introduced to the concept of drawing scale and how the size of what you draw is translated into a paper sheet size.

In this chapter, you’ll learn to do the following:

  • Set up a work area
  • Explore the drawing process
  • Plan and lay out a drawing
  • Use the AutoCAD modes as drafting tools

Setting Up a Work Area

Before beginning most drawings, you should set up your work area. To do this, determine the measurement system, the drawing sheet size, and the scale you want to use. The default work area is roughly 16˝ 9˝ at full scale, given a decimal measurement system in which 1 unit equals 1 inch. Metric users will find that the default area is roughly 550 mm 300 mm, in which 1 unit equals 1 mm. If these are appropriate settings for your drawing, you don’t have to do any setting up. It’s more likely, however, that you’ll make drawings of various sizes and scales. For example, you might want to create a drawing in a measurement system in which you can specify feet, inches, and fractions of inches at 1˝ = 1´ scale and print the drawing on an 8½˝--11˝ sheet of paper.

In the following sections, you’ll learn how to set up a drawing exactly the way you want.

Specifying Units

You’ll start by creating a new file called Bath. Then you’ll set up the unit type.

Use these steps to create the file:

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1. If you haven’t done so already, start AutoCAD. If AutoCAD is already running, select File New from the menu bar.

2. In the Select Template dialog box, select acad.dwt and click Open. Metric users should select acadiso.dwt and then click Open.

3. Choose View Zoom All from the menu bar or type ZA↵.

4. Choose File Save As from the menu bar.

5. In the Save Drawing As dialog box, enter Bath for the filename.

6. Check to make sure you’re saving the drawing in the Documents folder or in the folder where you’ve chosen to store your exercise files, and then click Save.

Using the Imperial and Metric Examples

Many of the exercises in this chapter are shown in both the metric and Imperial measurement systems. Be sure that if you start with the Imperial system, you continue with it throughout this book.

The metric settings described in this book are only approximations of their Imperial equivalents. For example, the drawing scale for the metric example is 1:10, which is close to the 1˝ = 1´-0˝ scale used in the Imperial example. In the grid example, you’re asked to use a 30-unit grid, which is close to the 1´ grid of the Imperial example. Dimensions of objects are similar, but not exact. For example, the Imperial version of the tub measures 2´-8˝ 5´-0˝ and the metric version of the tub is 81 cm 152 cm. The actual metric equivalent of 2´-8˝ 5´-0˝ is 81.28 cm 152.4 cm. Measurements in the tub example are rounded to the nearest centimeter.

Metric users should also be aware that AutoCAD uses a period as a decimal point instead of the comma used in most European nations, South Africa, and elsewhere. Commas are used in AutoCAD to separate the X, Y, and Z components of a coordinate.

The next thing you want to tell AutoCAD is the unit type you intend to use. So far, you’ve been using the default, which is a generic decimal unit. This unit can be interpreted as inches, centimeters, feet, kilometers, or light years. When it comes time to print your drawing, you can tell AutoCAD how to convert these units into a meaningful scale.

If you are a U.S. user, decimal units typically represent inches. If you want to be able to enter distances in feet, you must change the unit type to one that accepts feet as input. You’ll do this through the Drawing Units dialog box shown in Figure 3-1.

If you’re a civil engineer, you should know that the Engineering unit type lets you enter feet and decimal feet for distances. For example, the equivalent of 12´-6˝ is 12.5´. If you use the Engineering unit type, you’ll ensure that your drawings conform to the scale of drawings created by your architectural colleagues.

Figure 3-1:The Drawing Units dialog box

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Follow these steps to set a unit type:

1. Choose Format Units from the menu bar or type Un↵ to open the Drawing Units dialog box.

2. Let’s look at a few of the options available. In the upper left, click the Type pop-up list in the Length group. It currently shows Decimal. Notice the unit types in the list.

3. Click Architectural from the list. The Preview section of the dialog box shows you what the Architectural type looks like in AutoCAD. Metric users should keep this setting as Decimal.

Shortcut to Setting Units

You can also control the Drawing Units settings by using several system variables. To set the unit type, you can type ’lunits↵ at the Command prompt. (The apostrophe lets you enter this command while in the middle of other commands.) At the Enter new value for LUNITS <2>: prompt, enter 4 for Architectural. See Appendix C, “Hardware and Software Tips,” on the accompanying website, www.sybex.com/go/masteringautocadmac for other settings.

4. Click the Precision pop-up list just below the Type pop-up list. Notice the options available. You can set the smallest unit AutoCAD will display in this drawing. For now, leave this setting at its default value of 0´-0 1⁄16˝. Metric users will keep the setting at 0.0000.

5. Take a look at the Base Angle Directions group. This group lets you set the direction for the 0° angle. For now, don’t change these settings—you’ll read more about them in a moment.

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6. Click the pop-up list in the Insertion Scale group. The list shows various units of measure.

7. Click Inches; if you’re a metric user, choose Centimeters. This option lets you control how AutoCAD translates drawing scales when you import drawings from outside the current drawing.

8. Click Save in the Drawing Units dialog box to return to the drawing.

If you use the Imperial system of measurement, you selected Architectural measurement units for this tutorial, but your work may require a different unit type. You saw the unit types available in the Drawing Units dialog box. Table 3-1 shows examples of how the distance 15.5 is entered in each of these styles.

Table 3-1: Measurement systems available in AutoCAD

Measurement System AutoCAD’s Display of Measurement
Scientific 1.55E+01 (inches or metric)
Decimal 15.5000 (inches or metric)
Engineering 1´-3.5˝ (input as 1´3.5˝)
Architectural 1´-3½˝ (input as 1´3-½˝)
Fractional 15½˝ (input as 15-½˝)

In the previous exercise, you needed to change only two settings. Let’s look at the other Drawing Units settings in more detail. As you read, you may want to refer to Figure 3-1.

Fine-Tuning the Measurement System

Most of the time, you’ll be concerned only with the Length and Angle settings of the Drawing Units dialog box. But as you saw in the preceding exercise, you can control many other settings related to the input and display of units.

Taking Measurements

To measure the distance between two points, click Tools Inquiry Distance from the menu bar, or type Di↵, and then click the two points. (Di is the shortcut for entering Dist↵.) If this command doesn’t give you an accurate distance measurement, examine the Precision setting in the Drawing Units dialog box. If it’s set too high, the value returned by the Dist command may be rounded to a value greater than your tolerances allow even though the distance is drawn accurately.

The Precision pop-up list in the Length group lets you specify the smallest unit value that you want AutoCAD to display in the status bar and in the prompts. If you choose a measurement system that uses fractions, the Precision pop-up list includes fractional units. You can also control this setting with the Luprec system variable. (You can find out more about system variables on the AutoCAD Mac Help website.)

The Angle group lets you set the style for displaying angles. You have a choice of five angle styles: Decimal Degrees, Degrees/Minutes/Seconds, Grads, Radians, and Surveyor’s Units. In the Angle group’s Precision pop-up list, you can specify the degree of accuracy you want AutoCAD to display for angles. You can also control these settings with the Aunits and Auprec system variables. Go to the AutoCAD Mac Help website and select the Command Reference option in the left column of the page, and then select the first letter of a system variable name from the System Variable listing.

You can tell AutoCAD which direction is positive, either clockwise or counterclockwise. The default, which is counterclockwise, is used in this book. The Base Angle Directions group lets you set the direction of the 0 base angle. The default base angle (and the one used throughout this book) is a direction from left to right. However, at times you may want to designate another direction as the 0 base angle. You can also control these settings with the Angbase and Angdir system variables.

The Insertion scale units setting in the Drawing Units dialog box lets you control how blocks are scaled as they’re inserted into your current drawing. A block is a collection of drawing objects that form a single object. Blocks are frequently used to create standard symbols. You’ll learn more about blocks in Chapter 4, “Organizing Objects with Blocks and Groups.” The Insertion Scale setting lets you compensate for drawings of different scales by offering an automatic scale translation when importing blocks from an external file. The Insunits system variable also controls the Insertion Scale setting.

The Light intensity units setting relates to the 3D rendering feature discussed in Chapter 21, “Rendering 3D Drawings.”

If you’re new to AutoCAD, don’t worry about the Insertion Scale setting right now. Make a mental note of it. It may come in handy in your work in the future.

Setting Up the Drawing Limits

One of the big advantages of using AutoCAD is that you can draw at full scale; you aren’t limited to the edges of a piece of paper the way you are in manual drawing. But you may find it difficult to start drawing without knowing the drawing boundaries. You can set up some arbitrary boundaries using the Limits feature. You got a taste of the Limits feature in Chapter 2. You’ll use it again here to set up a work area for your next drawing.

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Things to Watch for When Entering Distances

When you’re using Architectural units, you should be aware of two points:

  • Use hyphens only to distinguish fractions from whole inches.
  • You can’t use spaces while specifying a dimension. For example, you can specify eight feet, four and one-half inches as 8´4-½˝ or 8´4.5, but not as 8´-4½˝.

These idiosyncrasies are a source of confusion to many architects and engineers new to AutoCAD because the program often displays architectural dimensions in the standard architectural format but doesn’t allow you to enter dimensions that way.

Here are some tips for entering distances and angles in unusual situations:

  • When entering distances in inches and feet, you can omit the inch (˝) sign. If you’re using the Engineering unit type, you can enter decimal feet and forgo the inch sign entirely.
  • You can enter fractional distances and angles in any format you like, regardless of the current unit type. For example, you can enter a distance as @½<1.5708r, even if your current unit system is set for decimal units and decimal degrees (1.5708r is the radian equivalent of 90°).
  • If you have your angle units set to degrees, grads, or radians, you don’t need to specify d, g, or r after the angle. You do have to specify d, g, or r, however, if you want to use these units when they aren’t the current default angle system.
  • If your current base angle is set to something other than horizontal from left to right, you can use a double less-than symbol (<<) in place of the single less-than symbol (<) to override the current base angle . The << assumes the base angle of 0° to be a direction from left to right and the positive direction to be counterclockwise.
  • If your current angle system uses a different base angle and direction and you want to specify an angle in the standard base direction, you can use a triple less-than symbol (<<<) to indicate angles. Note that this works only if Dynamic Input is turned off.
  • You can specify a denominator of any size when specifying fractions. However, be aware that the value you’ve set for the maximum number of digits to the right of decimal points (under the Precision setting in the Length group of the Drawing Units dialog box) restricts the fractional value AutoCAD reports. For example, if your units are set for a maximum of two digits of decimals and you give a fractional value of 5⁄32, AutoCAD rounds this value to 3⁄16. Note that this doesn’t affect the accuracy of the actual drawing dimensions.
  • You can enter decimal feet for distances in the Architectural unit type. For example, you can enter 6´-6˝ as 6.5´.

You’ll be drawing a bathroom that is roughly 8´ 5´ (230 cm 150 cm for metric users). You’ll want to give yourself some extra room around the bathroom, so your drawing limits should be a bit larger than that actual bathroom size. You’ll use an area of 11´ 8´-6˝ for the limits of your drawing. Metric users will use an area 297 cm 210 cm. These sizes will accommodate your bathroom with some room to spare.

Now that you know the area you need, you can use the Limits command to set up the area:

1. Choose Format Drawing Limits or type Limits↵.

2. At the Specify lower left corner or [ON/OFF] <0´-0˝,0´-0˝>: prompt, specify the lower-left corner of your work area. Press ↵ to accept the default.

3. At the Specify upper right corner <1´-0˝,0´-9˝>: prompt, specify the upper-right corner of your work area. (The default is shown in brackets.) Enter 132,102. Or if you prefer, you can enter 11´,8´6 because you’ve set up your drawing for architectural units. Metric users should enter 297,210.

4. Choose View Zoom All from the menu bar, or type ZA↵. Although it appears that nothing has changed, your drawing area is now set to a size that will enable you to draw your bathroom at full scale.

5. To check the area, turn on the Dynamic Input display in the status bar, and then choose Tools Inquire ID Point.

6. Move the cursor to the upper-right corner of the drawing area and watch the coordinate readout at the cursor. Notice that now the upper-right corner has a Y coordinate of approximately 8´-6˝, or 210 for metric users. The X coordinate depends on the proportion of your drawing window. The coordinate readout also displays distances in feet and inches.

7. Click a point to finish the ID command and turn off the Dynamic Input display.

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8. Press F-Z or click the Grid Display tool in the status bar to turn off the grid.

In step 6, the coordinate readout shows you that your drawing area is larger than before. The background grid can help you visualize the area you’re working with. You can control the grid using the Grid Display tool in the status bar. Grid Display shows a background grid that helps you visualize distances and can also show you the limits of your drawing. It can also be a bit distracting for a new user, so I’ve asked you to turn it off for now.

Looking at an Alternative to Limits

As an alternative to setting up the drawing limits, you can draw a rectangle that outlines the same area used to define the drawing limits. For example, in the previous exercise, you could use the Rectangle tool to draw a rectangle that has its lower-left corner at coordinate 0,0 and its upper-right corner at 132,102 (297,210 for metric users). You can set up the rectangle to be visible without printing using the Layer feature. You’ll learn more about layers in Chapter 5, “Keeping Track of Layers and Blocks.”

Coordinating with Paper Sizes

At this point, you may have questions about how your full-scale drawing will fit onto standard paper sizes. AutoCAD offers several features that give you precise control over the scale of your drawing. These features offer industry-standard scales to match your drawing with any paper size you need. You’ll learn more about these features as you work through the chapters of this book. However, if you’re anxious to find out about them, look at the sections on layouts in Chapters 8 and 15 and also check out the Annotation Scale feature in Chapter 9.

Understanding Scale Factors

When you draft manually, you work on the final drawing directly with pen and ink or pencil. With a CAD program, you’re a few steps removed from the finished product. Because of this, you need a deeper understanding of your drawing scale and how it’s derived. In particular, you need to understand scale factors. For example, one of the most common uses of scale factors is translating the size of a graphic symbol, such as a section symbol in an architectural drawing, to the final printed text size. When you draw manually, you draw your symbol at the size you want. In a CAD drawing, you need to translate the desired final symbol size to the drawing scale.

When you start adding graphic symbols to your drawing (see Chapter 4), you have to specify a symbol height. The scale factor helps you determine the appropriate symbol height for a particular drawing scale. For example, you may want your symbol to appear ½˝ high in your final print. But if you draw your symbol to ½˝ in your drawing, it appears as a dot when printed. The symbol has to be scaled up to a size that, when scaled back down at print time, appears ½˝ high. For a ¼˝-scale drawing, you multiply the ½˝ text height by a scale factor of 48 to get 24˝. Your symbol should be 24˝ high in the CAD drawing in order to appear ½˝ high in the final print.

Where did the number 48 come from? The scale factor for fractional inch scales is derived by multiplying the denominator of the scale by 12 and then dividing by the numerator. For example, the scale factor for ¼˝ = 1´-0˝ is (4 12) / 1, or 48/1. For 3⁄16˝ = 1´-0˝ scale, the operation is (16 12) / 3, or 64. For whole-foot scales such as 1˝ = 10´, multiply the feet side of the equation by 12. Metric scales require simple decimal conversions.

You can also use scale factors to determine your drawing limits. For example, if you have a sheet size of 11˝ 17˝ and you want to know the equivalent full-scale size for a ¼˝ scale drawing, you multiply the sheet measurements by 48. In this way, 11˝ becomes 528˝ (48 11˝), and 17˝ becomes 816˝ (48 17˝). Your work area must be 528˝ 816˝ if you intend to have a final output of 11˝ 17˝ at ¼˝ = 1´. You can divide these inch measurements by 12˝ to get 44´ 68´.

Table 3-2 shows scale factors as they relate to standard drawing scales. These scale factors are the values by which you multiply the desired final printout size to get the equivalent full-scale size. If you’re using the metric system, you can use the drawing scale directly as the scale factor. For example, a drawing scale of 1:10 has a scale factor of 10, a drawing scale of 1:50 has a scale factor of 50, and so on. Metric users need to take special care regarding the base unit. Centimeters are used as a base unit in the examples in this book, which means that if you enter a distance as 1, you can assume the distance to be 1 cm.

Table 3-2: Scale conversion factors

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In older drawings, scale factors were used to determine text height and dimension settings. Chances are you will eventually have to work with drawings created by older AutoCAD releases, so understanding scale factors will pay off later. Printing to a particular scale is also easier with an understanding of scale factors.

Using Polar Tracking

In this section, you’ll draw the first item in the bathroom: the toilet. It’s composed of a rectangle representing the tank and a truncated ellipse representing the seat. To construct the toilet, you’ll use Polar Tracking, which is one of the most versatile drafting tools. Polar Tracking helps you align your cursor to exact horizontal and vertical angles, much like a T-square and triangle.

In this exercise, you’ll use Polar Tracking to draw a rectangular box:

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1. Start a line at the coordinate 5´-7˝,6´-3˝ by entering L5´7˝,6´3˝↵. Metric users should enter L171,189↵ as the starting coordinate. This starting point is somewhat arbitrary, but by entering a specific starting location, you’re coordinated with the figures and instructions in this book. You can also use the Line tool in the Tool Sets palette to start the line.

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2. Make sure Polar Tracking is on (the Polar Tracking tool in the status bar should be blue), and then point the cursor directly to the right of the last point. The Polar Tracking cursor appears along with the Polar Tracking readout.

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3. With the cursor pointing directly to the right, enter 1´-10˝↵. Metric users should enter 56↵. You can use the spacebar in place of the ↵ key when entering distances in this way.

4. Point the cursor downward, enter 9↵ for 9˝, and click this point. Metric users should enter 23↵.

5. Continue drawing the other two sides of the rectangle by using Polar Tracking. After you’ve completed the rectangle, press ↵ or the Esc key to exit the Line tool. You should have a drawing that looks like Figure 3-2.

Figure 3-2:A plan view of the toilet tank

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As you can see from the exercise, you can use Polar Tracking to restrain your cursor to horizontal and vertical positions, just as you would use a T-square and triangle. Later, you’ll learn how you can set up Polar Tracking to set the angle to any value you want in a way similar to an adjustable triangle.

In some situations, you may find that you don’t want Polar Tracking on. You can turn it off by clicking the Polar Tracking tool in the status bar.

Although this exercise tells you to use the Line tool to draw the tank, you can also use the Rectangle tool. The Rectangle tool creates what is known as a polyline, which is a set of line or arc segments that act like a single object. You’ll learn more about polylines in Chapter 17, “Drawing Curves.”

By using the Snap modes in conjunction with the coordinate readout and Polar Tracking, you can locate coordinates and measure distances as you draw lines. This is similar to the way you draw when using a scale. The smallest distance registered by the coordinate readout and Polar Tracking readout depends on the area you’ve displayed on your screen. For example, if you’re displaying an area the size of a football field, the smallest distance you can indicate with your cursor may be 6˝, or 15 cm. On the other hand, if your view is enlarged to show an area of only one square inch or centimeter, you can indicate distances as small as 1⁄1000 of an inch or centimeter by using your cursor.

Setting the Polar Tracking Angle

You’ve seen how Polar Tracking lets you draw exact vertical and horizontal lines. You can also set Polar Tracking to draw lines at other angles, such as 30° or 45°. To change the angle Polar Tracking uses, you use the Polar Tracking tab in the Drafting Settings dialog box (see Figure 3-3).

Figure 3-3:The Polar Tracking tab in the Drafting Settings dialog box

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Right-click the Polar Tracking tool in the status bar, and then choose Settings from the shortcut menu to open the Drafting Settings dialog box. As an alternative, you can type DS↵ and then click the Polar Tracking tab.

To change the Polar Tracking angle, enter an angle in the Increment Angle text box or select a predefined angle from the pop-up list. You can do this while drawing a series of line segments, for example, so that you can set angles on the fly.

Ortho Mode

Besides using Polar Tracking mode, you can restrain the cursor to a vertical or horizontal direction by using Ortho mode. To use Ortho mode, hold down shift.tif while drawing. You can also click Ortho Mode in the status bar to keep Ortho mode on while you draw. When you move the cursor around while drawing objects, the rubber-banding line moves only vertically or horizontally. With Ortho mode turned on, Polar Tracking is automatically turned off.

Numerous other settings are available in the Polar Tracking tab. Here is a listing of their functions for your reference:

Additional Angles This setting lets you enter a specific angle for Polar Tracking. For example, if you want Polar Tracking to snap to 12°, click the New button next to the Additional Angles list box and enter 12. The value you enter appears in the list box, and when the Additional Angles check box is selected, Polar Tracking snaps to 12°. To delete a value from the list box, highlight it and click the Delete button.

The Additional Angles option differs from the Increment Angle setting in that the latter causes Polar Tracking to snap to every increment of its setting, whereas Additional Angles snaps only to the angle specified. You can enter as many angles as you want in the Additional Angles list box. As a shortcut, you can use the Polarang system variable (Polarang↵) to set the incremental angle without using the dialog box.

Object Snap Tracking Settings These settings let you control whether Object Snap Tracking uses strictly orthogonal directions (0°, 90°, 180°, and 270°) or the angles set in the Polar Angle Settings group in this dialog box. (See the section “Aligning Objects by Using Object Snap Tracking” later in this chapter.)

Polar Angle Measurement These radio buttons let you determine the zero angle on which Polar Tracking bases its incremental angles. The Absolute option uses the current AutoCAD setting for the 0° angle. The Relative To Last Segment option uses the last drawn object as the 0° angle. For example, if you draw a line at a 10° angle and the Relative To Last Segment option is selected with Increment Angle set to 90°, Polar Tracking snaps to 10°, 100°, 190°, and 280°, relative to the actual 0° direction.

Exploring the Drawing Process

The following sections present some of the most common AutoCAD commands and show you how to use them to complete a simple drawing. As you draw, watch the prompts and notice how your responses affect them. Also notice how you use existing drawing elements as reference points.

While drawing with AutoCAD, you create simple geometric forms to determine the basic shapes of objects, and you can then modify the shapes to fill in detail.

AutoCAD offers a number of basic 2D drawing object types; lines, arcs, circles, text, dimensions, traces, polylines, points, ellipses, elliptical arcs, spline curves, regions, hatches, and multiline text are the most common. All drawings are built on at least some of these objects. In addition, there are several 3D solids and meshes, which are three-dimensional shapes. You’re familiar with lines and arcs; these, along with circles, are the most commonly used objects. As you progress through the book, you’ll learn about the other objects and how they’re used. You’ll also learn about 3D objects in Part 4, “Modeling and Imaging.”

Locating an Object in Reference to Others

To define the toilet seat, you’ll use an ellipse. Follow these steps:

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1. Click the Center Ellipse tool in the Tool Sets palette, or type El↵.

2. At the Specify center of ellipse: prompt, pick the midpoint of the bottom horizontal line of the rectangle. To do this, shift.tif-right-click to open the Snap Overrides shortcut menu and select Midpoint; then move the cursor toward the bottom line. (Remember, shift.tif-two finger tap opens the Snap Overrides menu on a trackpad.) When you see the Midpoint Osnap marker on the line, left-click.

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3. At the Specify other endpoint of axis: prompt, point the cursor downward and enter 1´-10˝↵. Metric users should enter 55↵.

4. At the Specify distance to other axis or [Rotation]: prompt, point the cursor horizontally from the center of the ellipse and enter ↵. Metric users should enter 20↵. Your drawing should look like Figure 3-4.

Figure 3-4:The ellipse added to the tank

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Getting a Closer Look

During the drawing process, you’ll often want to enlarge areas of a drawing to edit its objects. In Chapter 1, you saw how to use the Zoom capability for this purpose. Follow these steps to enlarge the view of the toilet:

1. Choose View Zoom Window from the menu bar, or type ZW↵.

2. At the Specify first corner: prompt, pick a point below and to the left of your drawing, at or near coordinate 5´-0˝,3´-6˝. Metric users should use the coordinate 150.0000,102.0000.

3. At the Specify opposite corner: prompt, pick a point above and to the right of the drawing, at or near coordinate 8´-3˝,6´-8˝ (246.0000,195.0000 for metric users). The toilet should be completely enclosed by the zoom window. You can also use the Zoom tool in conjunction with the Pan tool on the status bar. The toilet enlarges to fill more of the screen. Your view should look similar to Figure 3-5 in the following section.

If you have a mouse with a scroll wheel, you can avoid using the Zoom command altogether. Just place the cursor on the toilet and turn the wheel to zoom into the image. For Magic Mouse users, use a one-finger vertical gesture on the Multi-Touch area of the mouse. Trackpad users can hold down option.tif and use a two-finger vertical gesture.

Modifying an Object

Now let’s see how editing commands are used to construct an object. To define the back edge of the seat, let’s put a copy of the line defining the front of the toilet tank 3˝ (7 cm for metric users) toward the center of the ellipse:

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1. Click the Copy tool in the Tool Sets palette, or type CO↵.

2. At the Select objects: prompt, pick the horizontal line that touches the top of the ellipse. The line is highlighted. Press ↵ to complete your selection.

3. At the Specify base point or [Displacement/mOde] <Displacement>: prompt, pick a base point near the line. Then point the cursor down and enter ↵, or 7↵ if you’re a metric user.

4. Press ↵ to exit the Copy command. Your drawing should look like Figure 3-5.

Figure 3-5:The line copied down

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Notice that the Copy command acts exactly like the Move command you used in Chapter 2 except that Copy doesn’t alter the position of the objects you select and you must press ↵ to exit Copy.

Trimming an Object

Now you must delete the part of the ellipse that isn’t needed. You’ll use the Trim command to trim off part of the ellipse:

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1. Click the Trim tool in the Tool Sets palette. You can also type TR↵. You’ll see this prompt:

Current settings: Projection=UCS Edge=None

Select cutting edges ...

Select objects or <select all>:

2. Click the line you just created—the one that crosses through the ellipse—and press ↵ to finish your selection.

3. At the Select object to trim or shift-select to extend or [Fence/Crossing/Project/Edge/eRase/Undo]: prompt, pick the topmost portion of the ellipse above the line. This trims the ellipse back to the line.

4. Press ↵ to exit the Trim command.

In step 1 of the preceding exercise, the Trim command produces two messages in the prompt. The first message, Select cutting edges..., tells you that you must first select objects to define the edge to which you want to trim an object. In step 3, you’re again prompted to select objects, this time to select the object to trim. Trim is one of a handful of AutoCAD commands that asks you to select two sets of objects: The first set defines a boundary, and the second is the set of objects you want to edit. The two sets of objects aren’t mutually exclusive. You can, for example, select the cutting-edge objects as objects to trim. The next exercise shows how this works.

First, you’ll undo the trim you just did. Then, you’ll use the Trim command again in a slightly different way to finish the toilet:

1. Press F-Z or type U↵ to undo the last action. The top of the ellipse reappears.

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2. Start the Trim tool again by clicking it in the Tool Sets palette.

3. At the Select objects or <select all>: prompt, click the ellipse and the line crossing through the ellipse. (See the first image in Figure 3-6.)

4. Press ↵ to finish your selection.

5. At the Select object to trim or shift-select to extend or [Fence/Crossing/Project/Edge/eRase/Undo]: prompt, click the top portion of the ellipse, as you did in the previous exercise. The ellipse trims back.

6. Click a point near the left end of the trim line, outside the ellipse. The line trims back to the ellipse.

7. Click the other end of the line. The right side of the line trims back to meet the ellipse. Your drawing should look like the second image in Figure 3-6.

8. Press ↵ to exit the Trim command.

9. Choose File Save from the menu bar to save the file in its current state, but don’t exit the file. You may want to get in the habit of doing this every 20 minutes.

Here you saw how the ellipse and the line are both used as trim objects as well as the objects to be trimmed. The Trim options you’ve seen so far—Fence, Crossing, Project, Edge, eRase, and Undo—are described in the next section in this chapter. Also note that by holding down shift.tif in step 4, you can change from trimming an object to extending an object.

Figure 3-6:Trimming the ellipse and the line

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Exploring the Trim Options

AutoCAD offers six options for the Trim command: Fence, Crossing, Project, Edge, eRase, and Undo. As described in the following list, these options give you a higher degree of control over how objects are trimmed:

Fence/Crossing [F or C] Lets you use a fence or crossing window to select objects.

Project [P] Useful when you’re working on 3D drawings. It controls how AutoCAD trims objects that aren’t coplanar. Project offers three options: None, UCS, and View. The None option causes Trim to ignore objects that are on different planes so that only coplanar objects are trimmed. If you choose UCS, the Trim command trims objects based on a plan view of the current UCS and then disregards whether the objects are coplanar. (See the middle of Figure 3-7.) View is similar to UCS but uses the current view’s “line of sight” to determine how non-coplanar objects are trimmed. (See the bottom of Figure 3-7.)

Figure 3-7:The Trim command’s options

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Edge [E] Lets you trim an object to an apparent intersection, even if the cutting-edge object doesn’t intersect the object to be trimmed (see the top of Figure 3-7). Edge offers two options: Extend and No Extend. You can also set these options by using the Edgemode system variable.

eRase [R] Allows you to erase an object while remaining in the Trim command.

Undo [U] Causes the last trimmed object to revert to its original length.

You’ve just seen one way to construct the toilet. However, you can construct objects in many ways. For example, you can trim only the top of the ellipse, as you did in the first trim exercise, and then use the Grips feature to move the endpoints of the line to meet the endpoints of the ellipse. As you become familiar with AutoCAD, you’ll start to develop your own ways of working, using the tools best suited to your style.

If you’d like to take a break, now is a good time. You can exit AutoCAD and then come back to the Bath drawing file when you’re ready to proceed.

Planning and Laying Out a Drawing

For the next object, the bathtub, you’ll use some new commands to lay out parts of the drawing. This will help you get a feel for the kind of planning you must do to use AutoCAD effectively. You’ll begin the bathtub by using the Line command to draw a rectangle 2´-8˝ 5´-0˝ (81 cm 152 cm for metric users) on the left side of the drawing area. For a change this time, you’ll use a couple of shortcut methods built into AutoCAD: the Line command’s keyboard shortcut and the Direct Distance method for specifying distance and direction.

First, though, you’ll go back to the previous view of your drawing and arrange some more room to work. Follow these steps:

1. Return to your previous view, shown in Figure 3-8. A quick way to do this is to type ZP↵. Your view returns to the one you had before the last Zoom command.

Figure 3-8:The view of the finished toilet after typing ZP↵. You can also obtain this view by using View Zoom Previous or View Zoom All.

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2. Type L↵, and then enter 9,10↵ to start the line at the 0´-9˝,0´-10˝ coordinate. Metric users should enter 24,27↵ for the coordinate 24.0000,27.0000.

3. Place your cursor to the right of the last point selected, so that the rubber-banding line is pointing directly to the right, and type 2´8˝. Then press ↵ for the first side of the tub. Metric users should enter 81↵.

4. Point the rubber-banding line upward toward the top of the screen and type 5´. Then press ↵ for the next side. Metric users should enter 152↵.

5. Point the rubber-banding line directly to the left of the last point and type 2´8˝ (81 for metric users). Then press ↵ for the next side.

6. Type C↵ to close the rectangle and exit the Line command.

Instead of pressing ↵ during the Direct Distance method, you can press the spacebar, or you can right-click and choose Enter from the shortcut menu.

Now you have the outline of the tub. Notice that you don’t have to enter the at sign (@) or angle specification. Instead, you use the Direct Distance method to specify direction and distance. You can use this method for drawing lines or moving and copying objects at right angles. The Direct Distance method is less effective if you want to specify exact angles other than right angles.

Be Careful with Hyphens

When you enter feet and inches in the Command window, you must avoid hyphens or spaces. Thus, 2 feet 8 inches is typed as 2´8˝. But be aware that hyphens are allowed when using the Direct Distance method.

The keyboard aliases for some of the tools or commands you’ve used in this chapter are CO (Copy), E (Erase), EL (Ellipse), F (Fillet), M (Move), O (Offset), and TR (Trim). Remember that you can enter keyboard aliases only when the Command prompt is visible in the Command Line palette.

Making a Preliminary Sketch

In this section, you’ll see how planning ahead will make your use of AutoCAD more efficient. When drawing a complex object, you’ll often have to do some layout before you do the actual drawing. This is similar to drawing an accurate pencil sketch using construction lines that you later trace over to produce a finished drawing. The advantage of doing this in AutoCAD is that your drawing doesn’t lose any accuracy between the sketch and the final product. Also, AutoCAD enables you to use the geometry of your sketch to aid in drawing. While you’re planning your drawing, think about what you want to draw, and then decide which drawing elements will help you create that object.

You’ll use the Offset command to establish reference lines to help you draw the inside of the tub. This is where the Osnap overrides are useful. (See the sidebar “The Osnap Options” later in this chapter.)

You can use the Offset tool on the Tool Sets palette to make parallel copies of a set of objects, such as the lines forming the outside of your tub. Offset is different from the Copy command; while Offset allows only one object to be copied at a time, it can remember the distance you specify. The Offset option doesn’t work with all types of objects. Only lines, arcs, circles, ellipses, splines, and 2D polylines can be offset.

Standard lines are best suited to the layout of the bathtub in this situation. In Chapter 6, “Editing and Reusing Data To Work Efficiently,” you’ll learn about two other objects, construction lines and rays, that are specifically designed to help you lay out a drawing. In this exercise, you’ll use standard lines:

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1. Click the Offset tool in the Tool Sets palette, or type O↵.

2. At the Specify offset distance or [Through/Erase/Layer] <Through>: prompt, enter 3↵. This specifies the distance of 3˝ as the offset distance. Metric users should enter 7 for 7 cm, which is roughly equivalent to 3˝.

3. At the Select object to offset or [Exit/Undo] <Exit>: prompt, click the bottom line of the rectangle you just drew.

4. At the Specify point on side to offset or [Exit/Multiple/Undo]: prompt, pick a point inside the rectangle. A copy of the line appears. You don’t have to be exact about where you pick the side to offset; AutoCAD only wants to know on which side of the line you want to make the offset copy.

5. The prompt Select object to offset or [Exit/Undo] <Exit>: appears again. Click another side to offset. Then click again on a point inside the rectangle.

6. Continue to offset the other two sides. Then offset these four new lines inside the rectangle toward the center. You’ll have a drawing that looks like Figure 3-9.

7. When you’re done, exit the Offset command by pressing ↵.

Figure 3-9:The completed layout

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Using the Layout

Now you’ll begin to draw the inside of the tub, starting with the narrow end. You’ll use your offset lines as references to construct the arcs that make up the tub. Also in this exercise, you’ll set up some of the osnap options to be available automatically whenever AutoCAD expects a point selection. Here are the steps:

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1. Right-click the Object Snap tool in the status bar and select Settings from the shortcut menu. You can also type OS↵.

2. Click the Clear All button to turn off any options that may be selected.

Look at the graphic symbols next to each of the osnap options in the Object Snap tab. These are the Osnap markers that appear in your drawing as you select osnap points. Each osnap option has its own marker symbol. As you use the osnaps, you’ll become more familiar with how they work.

3. Click the Endpoint, Midpoint, and Intersection check boxes so that a check mark appears in each box, and make sure the Object Snap On option is selected. Click OK (see Figure 3-10).

Figure 3-10:The Object Snap tab in the Drafting Settings dialog box

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You’ve just set up the Endpoint, Midpoint, and Intersection osnaps to be on by default. This is called a Running Osnap; AutoCAD automatically selects the nearest osnap point without your intervention. Now let’s see how a Running Osnap works:

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1. First, turn off Dynamic Input in the status bar. This will help you see the osnap markers more easily.

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2. Click the 3-Point Arc tool in the Tool Sets palette or type A↵. See Figure 3-11 for other Arc options available from the Draw menu on the menu bar.

3. For the first point of the arc, move the cursor toward the intersection of the two lines as indicated in the top image in Figure 3-12. Notice that the Intersection Osnap marker appears on the intersection.

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4. With the Intersection Osnap marker on the desired intersection, left-click.

5. Move the cursor to the midpoint of the second horizontal line near the top. When the Midpoint Osnap marker appears at the midpoint of the line, left-click.

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6. Use the Intersection Osnap marker to locate and select the intersection of the two lines at the upper-left side of the bathtub.

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The top image in Figure 3-12 shows the sequence I just described.

Figure 3-11:The Draw Arc submenu on the menu bar offers several ways to draw an arc.

Figure 3-12:Drawing the top, left side, and bottom of the tub

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If you have several Running Osnap modes on (Endpoint, Midpoint, and Intersection, for example), pressing the Tab key cycles through those osnap points on the object. This feature can be especially useful in a crowded area of a drawing.

Next, you’ll draw an arc for the left side of the tub:

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1. Click the Arc tool in the Tool Sets palette again.

2. Type @↵ to select the last point you picked as the start of the next arc.

It’s easy for new users to select points inadvertently. If you accidentally select additional points after the last exercise and prior to step 1, you may not get the results described here. If this happens, issue the Arc command again; then, use the Endpoint osnap and select the endpoint of the last arc.

3. Type E↵ to tell AutoCAD that you want to specify the other end of the arc instead of the next point. As another option, you can right-click anywhere in the drawing area and choose End from the shortcut menu.

4. At the Specify end point of arc: prompt, use the Intersection osnap to pick the intersection of the two lines in the lower-left corner of the tub. See the middle image in Figure 3-12 for the location of this point.

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5. Type D↵ to select the Direction option. You can also right-click anywhere in the drawing area and then choose Direction from the shortcut menu. The arc drags as you move the cursor along with a rubber-banding line from the starting point of the arc.

Here, the rubber-banding line indicates the direction of the arc. Be sure Ortho mode is off because Ortho mode forces the rubber-banding line and the arc in a direction you don’t want. Check the status bar; if the Ortho tool is blue (on), click it to turn off Ortho mode.

6. Turn off Object Snap and then move the cursor to the left of the dragging arc until it touches the middle line on the left side of the tub. When the arc looks like the arc shown in the middle image in Figure 3-12, click the mouse to fix the arc in place.

7. Turn Object Snap back on. You turned Object Snap off in step 6 because the lines are so crowded you might accidentally select a midpoint on one of the vertical lines representing the side of the tub.

Now, you’ll draw the bottom of the tub:

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1. Click the Arc tool in the Tool Sets palette again. You can also press ↵ to replay the last command.

2. Using the Endpoint Osnap marker, pick the endpoint of the bottom of the arc just drawn.

3. Using the Midpoint Osnap marker, pick the middle horizontal line at the bottom of the tub.

4. Pick the intersection of the two lines in the lower-right corner of the tub. (See the image at the bottom in Figure 3-12.)

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Next, create the right side of the tub by mirroring the left side:

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1. Click the Mirror tool on the Tool Sets palette. You can also choose Modify Mirror from the menu bar or enter MI↵ at the Command prompt.

2. At the Select objects: prompt, pick the long arc on the left side of the tub to highlight the arc. Press ↵ to indicate that you’ve finished your selection.

3. At the Specify first point of mirror line: prompt, pick the midpoint of the top horizontal line. By now, you should know how to use the automatic osnap modes you set up earlier.

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4. At the Specify second point of mirror line: prompt, use Polar Tracking mode to pick a point directly below the last point selected.

5. At the Erase source objects? [Yes/No] <N>: prompt, press ↵ to accept the Mirror command’s default Erase source objects option (No) and exit the Mirror command. A mirror image of the arc you picked appears on the right side of the tub. Your drawing should look like Figure 3-13.

Figure 3-13:The inside of the tub completed with the layout lines still in place

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In this exercise, you were able to use osnaps in a Running Osnap mode. You’ll find that you’ll use osnaps constantly as you create your drawings. For this reason, you may want Running Osnaps on all the time. Even so, at times Running Osnaps can get in the way. For example, they may be a nuisance in a crowded drawing when you want to use a zoom window. The osnaps can cause you to select an inappropriate window area by automatically selecting osnap points.

Fortunately, you can toggle Running Osnaps on and off easily by clicking the Object Snap tool in the status bar. If you don’t have any Running Osnaps set, clicking the Object Snap tool opens the Object Snap settings in the Drafting Settings dialog box, enabling you to select your osnaps. Or you can right-click the Object Snap tool and select Settings from the shortcut menu that appears.

The Osnap Options

Earlier, you made several of the osnap settings automatic so they’re available without having to select them from the Osnap shortcut menu. Another way to invoke the osnap options is to type their keyboard equivalents while selecting points or to shift.tif-right-click (or shift.tif-two-finger-tap on a trackpad) and select the osnap option you want to use from the Snap Overrides menu.

The following is a summary (in alphabetic order) of all the available osnap options, including their keyboard aliases. You’ve already used many of these options in this chapter and in the previous chapter. Pay special attention to those options you haven’t yet used in the exercises but may find useful to your style of work. The full name of each option is followed by its keyboard shortcut name in parentheses. To use these options, you can enter either the full name or the abbreviation at any point prompt. You can also select these options from the pop-up menu obtained by shift.tif-clicking the right mouse button.

3D Osnaps Offers additional osnaps for 3D modeling. With these osnap options, you can select a vector that is perpendicular to a surface or find the midpoint of an edge of a 3D object.

Apparent Intersection (app) Selects the apparent intersection of two objects. This is useful when you want to select the intersection of two objects that don’t actually intersect. You’ll be prompted to select the two objects.

Center (cen) Selects the center of an arc or a circle. You must click the arc or circle itself, not its apparent center.

Endpoint (endp or end) Selects the endpoints of lines, polylines, arcs, curves, and 3D Face vertices.

Extension (ext) Selects a point that is aligned with an imagined extension of a line. For example, you can pick a point in space that is aligned with an existing line but isn’t on that line. To use that point, type EXT↵ during point selection or select Extension from the Osnap pop-up menu. Then move the cursor to the line whose extension you want to use and hold it there until you see a small, cross-shaped marker on the line. The cursor also displays a tooltip with the word extension, letting you know that the Extension osnap is active.

From (fro) Selects a point relative to a picked point. For example, you can select a point that is 2 units to the left and 4 units above a circle’s center. This option is usually used in conjunction with another osnap option, such as From Endpoint or From Midpoint.

Insert (ins) Selects the insertion point of text, blocks, Xrefs (see Chapters 4 and 7), and overlays.

Intersection (int) Selects the intersection of objects.

Mid Between 2 Points (m2p) Selects a point that is midway between two other points.

Midpoint (mid) Selects the midpoint of a line or an arc. In the case of a polyline, it selects the midpoint of the polyline segment.

Nearest (nea) Selects a point on an object nearest the pick point.

Node (nod) Selects a point object.

None (non) Temporarily turns off Running Osnaps for a single point selection.

Parallel (par) Lets you draw a line segment that is parallel to another existing line segment. To use this option, type PAR↵ during point selection, or select Parallel from the Osnap pop-up menu. Then move the cursor to the line you want to be parallel to and hold it there until you see a small, cross-shaped marker on the line. The cursor also displays a tool tip with the word parallel, letting you know that the Parallel osnap is active.

Perpendicular (per) Selects a position on an object that is perpendicular to the last point selected.

Point filters Not really object snaps, but point-selection options that let you filter X, Y, or Z coordinate values from a selected point. (See Chapter 19, “Creating 3D Drawings,” for more on point filters.)

Quadrant (qua) Selects the nearest cardinal (north, south, east, or west) point on an arc or a circle.

Tangent (tan) Selects a point on an arc or a circle that represents the tangent from the last point selected.

Temporary Track Point Provides an alternate method for using the Object Snap Tracking feature described later in this chapter.

Sometimes you’ll want one or more of these osnap options available as the default selection. Remember that you can set Running Osnaps to be on at all times. Type DS↵, and then click the Object Snap tab. You can also right-click the Object Snap tool in the status bar and choose Settings from the shortcut menu to open the Drafting Settings dialog box, or just select osnap options directly from the shortcut menu.

Erasing the Layout Lines

Next, you’ll erase the layout lines you created using the Offset command. But this time, you’ll try selecting the lines before issuing the Erase command.

Follow these steps:

1. Click each internal layout line individually.

If you have problems selecting just the lines, try using a selection window to select single lines. (Remember, a window selects only objects that are completely within it.)

2. After all the inner layout lines are highlighted, enter E↵ to use the keyboard command alias for the Erase command, or right-click and choose Erase from the shortcut menu. Your drawing will look like Figure 3-14.

If you right-clicked to use the shortcut menu in step 2, you’ll notice that you have several options besides Erase. You can move, copy, scale, and rotate the objects you selected. These options are similar to the tools on the Tool Sets palette in the way they act. But be aware that they act somewhat differently from the hot-grip options described in Chapter 2.

If you need more control over the selection of objects, you’ll find the Add/Remove Selection Mode setting useful. This setting lets you deselect a set of objects within a set of objects you’ve already selected. While in Object Selection mode, enter R↵, then proceed to use a window or other selection method to remove objects from the selection set. Enter A↵ to continue to add options to the selection set. Or, if you need to deselect only a single object, shift.tif-click it.

Figure 3-14:The drawing after erasing the layout lines

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Putting On the Finishing Touches

The inside of the tub still has some sharp corners. To round out these corners, you can use the versatile Fillet tool on the Tool Sets palette. Fillet enables you to join lines and arcs end to end, and it can add a radius where they join so there is a smooth transition from arc to arc or line to line. Fillet can join two lines that don’t intersect, and it can trim two crossing lines back to their point of intersection.

Another tool, called Chamfer, performs a similar function, but instead of joining lines with an arc, Chamfer joins lines with another line segment. Since they perform similar functions, Fillet and Chamfer are next to each other on the Tool Sets palette.

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Continue with your tutorial by following these steps:

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1. Click the Fillet tool on the Tool Sets palette, or type F↵.

2. At the prompt

Current settings: Mode = TRIM, Radius = 0´-0 0˝

Select first object or [Undo/Polyline/Radius/Trim/Multiple]:

enter R↵, or right-click and choose Radius from the shortcut menu.

3. At the Specify fillet radius <0´-0˝>: prompt, enter 4↵. This tells AutoCAD that you want a 4˝ radius for your fillet. Metric users should enter 10↵.

4. Pick two adjacent arcs. The fillet arc joins the two larger arcs.

5. Press ↵ again, and fillet another corner. Repeat until all four corners are filleted. Your drawing should look like Figure 3-15.

Figure 3-15:A view of the finished toilet and tub with the tub corners filleted

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Aligning Objects by Using Object Snap Tracking

You saw how to use lines to construct an object such as the bathtub. In many situations, using these construction lines is the most efficient way to draw, but they can also be a bit cumbersome. AutoCAD offers another tool that helps you align locations in your drawing to existing objects without having to draw intermediate construction lines. The tool is called Object Snap Tracking, or Osnap Tracking.

Osnap Tracking is like an extension of object snaps that enables you to align a point to the geometry of an object instead of just selecting a point on an object. For example, with Osnap Tracking, you can select a point that is exactly at the center of a rectangle.

In the following exercises, you’ll draw a plan view of a bathroom sink as an introduction to the Osnap Tracking feature. This drawing will be used as a symbol in later chapters.

Getting Set Up

First, as a review, you’ll create a new file. Because this drawing will be used as a symbol for insertion in other CAD drawings, don’t worry about setting it up to conform to a sheet size. Chances are you won’t be printing individual symbols. Here are the steps:

1. Choose File New from the menu bar to create a new drawing for your bathroom sink.

2. As before, choose acad.dwt from the Select Template dialog box (Figure 3-16) or select acadiso.dwt if you are using the metric system.

Figure 3-16:The Select Template dialog box

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3. Click Open to open the new file.

4. Choose Format Units from the menu bar.

5. In the Drawing Units dialog box, choose Architectural from the Type pop-up list and then click Save. Metric users can use the default Decimal option.

6. Choose Format Drawing Limits from the menu bar.

7. Press ↵ to accept the origin of the drawing as the lower-left corner of the drawing limits.

8. Enter 48,36↵ for the upper-right corner. Metric users should enter 122,92↵.

9. Type ZA↵ to display the overall area of the drawing set by the limits.

10. Choose File Save As from the menu bar to save the file under the name Sink.

If you find that you use the same drawing setup over and over, you can create template files that are already set up to your own, customized way of working. Templates are discussed in Chapter 6.

Drawing the Sink

You’re ready to draw the sink. First, you’ll draw the sink countertop. Then, you’ll make sure Running Osnaps and Osnap Tracking are turned on. Finally, you’ll draw the bowl of the sink.

Here are the steps for drawing the outline of the sink countertop:

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1. If the grid is on, click the Grid tool in the status bar to turn it off.

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2. Click the Rectangle tool in the Tool Sets palette, or type rec↵.

3. At the prompt

Specify first corner point or [Chamfer/Elevation/Fillet/Thickness/Width]:

enter 0,0↵. This places one corner of the rectangle in the origin of the drawing.

4. At the Specify other corner point or [Area/Dimensions/Rotation]: prompt, enter @2´4,1´6↵ to place the other corner of the rectangle. Metric users should enter @71,46↵. This makes the rectangle 2´-4˝ wide and 1´-6˝ deep, or 71 cm wide and 46 cm deep for metric users. The rectangle appears in the lower half of the drawing area.

5. Click View Zoom Extents from the menu bar or type ZE↵. This enlarges the view of the sink outline so it fits in the drawing area.

6. Use the Zoom tool in the status bar to adjust your view so it looks similar to the one shown in Figure 3-17. You can also enter Z↵↵ to start the real-time zoom feature or just use your scroll wheel or Multi-Touch feature on your Magic Mouse or trackpad.

Figure 3-17:The view of the sink countertop after you’ve made some adjustments

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When you draw the bowl of the sink, the bowl will be represented by an ellipse. You want to place the center of the ellipse at the center of the rectangle you’ve just drawn. To do this, you’ll use the midpoint of two adjoining sides of the rectangle as alignment locations. This is where the Osnap Tracking tool will be useful.

You need to make sure that both the Object Snap tool and the Midpoint Object Snap option are turned on. Then you’ll make sure Osnap Tracking is turned on. Use these steps:

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1. Right-click the Object Snap Tracking tool in the status bar and choose Settings from the shortcut menu to open the Drafting Settings dialog box at the Object Snap tab (see Figure 3-18).

2. Make sure the Midpoint check box in the Object Snap Modes group is selected.

3. Also make sure Object Snap On and Object Snap Tracking On are both selected. Click OK. You’ll notice that the Object Snap and Object Snap Tracking tools in the status bar are now in the on position.

Figure 3-18:The Object Snap tab in the Drafting Settings dialog box

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Finally, you’re ready to draw the ellipse:

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1. Click the Center Ellipse tool in the Tool Sets palette. You can also choose Draw Ellipse Center from the menu bar or enter ELC↵.

2. Move your cursor to the top, horizontal edge of the rectangle until you see the Midpoint tool tip.

3. Move the cursor directly over the Midpoint Osnap marker. Without clicking the mouse, hold the cursor there for a second until you see a small cross appear. Look carefully, because the cross is small. This is the Object Snap Tracking marker (see Figure 3-19).

Figure 3-19:The Object Snap Tracking marker

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Alternatively, you can insert and remove the Object Snap Tracking marker by passing the cursor over the Osnap marker.

4. As you move the cursor downward, a dotted line appears, emanating from the midpoint of the horizontal line. The cursor also shows a small X following the dotted line as you move it (see Figure 3-20).

Figure 3-20:A vertical dotted line appears.

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5. Move the cursor to the midpoint of the left vertical side of the rectangle. Don’t click, but hold it there for a second until you see the small cross. Now as you move the cursor away, a horizontal dotted line appears with an X following the cursor (see Figure 3-21).

Figure 3-21:A horizontal dotted line appears.

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6. Move the cursor to the center of the rectangle. The two dotted lines appear simultaneously and a small X appears at their intersection (see Figure 3-22).

Figure 3-22:The vertical and horizontal dotted lines appear simultaneously.

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7. With the two dotted lines crossing and the X at their intersection, left-click to select the exact center of the rectangle.

8. Point the cursor to the right, and enter 8↵ to make the width of the bowl 16˝. Metric users should enter 20↵ for a bowl 40 cm wide.

9. Point the cursor downward, and enter 6↵ to make the length of the bowl 12˝. Metric users should enter 15↵ for a bowl with a length of 30 cm. The basic symbol for the sink is complete (see Figure 3-23).

10. Choose File Save from the menu bar and close the current file. You can also save and close the Bath file and exit AutoCAD.

In this exercise, you saw how Object Snap Tracking enables you to align two locations to select a point in space. Although you used only the Midpoint osnap setting in this exercise, you aren’t limited to one osnap setting. You can use as many as you need to select the appropriate geometry. You can also use as many alignment points as you need, although in this exercise you used only two. If you like, erase the ellipse and repeat this exercise until you get the hang of using the Object Snap Tracking feature.

As with all the other tools in the status bar, you can turn Object Snap Tracking on or off by clicking the Object Snap Tracking tool.

Figure 3-23:The completed bathroom sink

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Using the AutoCAD Modes as Drafting Tools

Before you finish this chapter, you’ll want to know about a few of the other drafting tools that are common to drawing programs. These tools may be compared to a background grid (Grid mode) and the ability to “snap” to grid points (Snap modes). These drawing modes can be indispensable tools under certain conditions. Their use is fairly straightforward. You can experiment with them on your own using the information in the following sections.

Using Grid Mode as a Background Grid

Using Grid mode is like having a grid under your drawing to help you with layout, as shown in Figure 3-24. In this figure, the grids are set to a 1´ spacing with major grid lines at 5´. The grid also shows, in darker lines, the X and Y axes that start at the origin of the drawing.

Grids will not print in your final output. They are a visual aid to help you gauge distances. In AutoCAD, Grid mode can also let you see the limits of your drawing because the grid can be set to display only within the limits setting of your drawing. Grid mode can help you visually determine the distances with which you’re working in any given view. In this section, you’ll learn how to control the grid’s appearance. You can also click the Grid Display tool in the status bar.

Figure 3-24:A sample drawing showing the grids turned on

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Using Object Snap Tracking and Polar Tracking Together

In addition to selecting as many tracking points as you need, you can use different angles besides the basic orthogonal angles of 0°, 90°, 180°, and 270°. For example, you can have AutoCAD locate a point that is aligned vertically to the top edge of the sink and at a 45° angle from a corner.

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This can be accomplished by using the settings in the Polar Tracking tab of the Drafting Settings dialog box. (See the section “Setting the Polar Tracking Angle” earlier in this chapter.) If you set the increment angle to 45° and turn on the Track Using All Polar Angle Settings option, you’ll be able to use 45° in addition to the orthogonal directions. You’ll see firsthand how this works in Chapter 6.

To set up the grid spacing, follow these steps:

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1. Right-click the Grid Display tool in the status bar and select Settings (or type DS↵) to open the Drafting Settings dialog box, showing all the mode settings.

2. Click the Snap & Grid tab if it isn’t already selected. You see six groups: Snap Spacing, Grid Style, Polar Spacing, Grid Spacing, Snap Type, and Grid Behavior. Notice that the Grid X Spacing text box contains a value of 1/2˝. Metric users see a value of 10 (see Figure 3-25).

3. Enter the grid spacing you want in the Grid X Spacing and Grid Y Spacing input boxes.

4. Click the Grid On check box to make the grid visible. Click OK to dismiss the Drafting Settings dialog box and save your settings.

If you prefer, you can use the Gridunit system variable to set the grid spacing. Enter Gridunit↵, and at the Enter new value for GRIDUNIT <0´-0 ½˝,0´-0 ½˝>: prompt, enter a grid spacing in X,Y coordinates. You must enter the Gridunit value as an X,Y coordinate.

There are several other grid options in the Drafting Settings dialog box. The Grid Style group lets you display the grid as a series of dots instead of the graph-paper-style lines. Place a check by the view name where you want to display dots instead of grid lines.

Figure 3-25:The Snap & Grid tab of the Drafting Settings dialog box

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In the Grid Spacing group, the Major Line Every option lets you control how frequently the major grid lines (lines that appear darker than the others) appear.

In the Grid Behavior group, the Adaptive Grid option adjusts the grid spacing depending on how much of the view is displayed. If you zoom out to a point where the grid becomes too dense to view the drawing, the grid automatically increases its interval. The Display Grid Beyond Limits check box lets you determine whether the grid displays outside the limits of the drawing.

Once you’ve set up your grid, you can press F-G to turn the grid on and off.

Using the Snap Modes

The Snap modes force the cursor to move in steps of a specific distance. Snap modes are useful when you want to select points on the screen at a fixed interval. Two snap modes are available in AutoCAD: Grid Snap and Polar Snap. You can click the Snap tool in the status bar to turn the Snap mode on and off. Follow these steps to access the Snap modes:

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1. Right-click the Grid Display tool in the status bar and select Settings (or type DS↵) to open the Drafting Settings dialog box.

2. In the Snap Spacing group of the dialog box, double-click the Snap X Spacing text box and enter a value for your snap spacing. Then press the Tab key to move to the next option. AutoCAD assumes you want the X and Y snap spacing to be the same unless you specifically ask for a different Y setting.

3. You can click the Snap On check box to turn on Snap mode from this dialog box.

4. Click OK to save your settings and close the dialog box.

With Snap mode on, the cursor seems to move in steps rather than in a smooth motion. The Snap Mode tool in the status bar appears blue, indicating that Snap mode is on. Click the Snap Mode tool in the status bar to turn Snap mode on or off.

Note that you can use the Snapunit system variable to set the snap spacing. Enter Snapunit↵. Then, at the Enter new value for SNAPUNIT <0´0˝,0´0˝>: prompt, enter a snap distance value as an X,Y coordinate.

Take a moment to look at the Drafting Settings dialog box in Figure 3-25. The other option in the Snap Spacing group enables you to force the X and Y spacing to be equal (Equal X and Y Spacing).

In the Snap Type group, you can change the snap and grid configuration to aid in creating 2D isometric drawings by clicking the Isometric Snap radio button. The Polar Snap option enables you to set a snap distance for the Polar Snap feature. When you click the Polar Snap radio button, the Polar Distance option at the middle left of the dialog box changes from gray to black and white to allow you to enter a Polar Snap distance.

You can also set up the grid to follow the snap spacing automatically. To do this, set Grid X Spacing and Grid Y Spacing to 0 in the Snap Spacing group.

The Bottom Line

Set up a work area. A blank AutoCAD drawing offers few clues about the size of the area you’re working with, but you can get a rough idea of the area shown in the drawing window.

Master It Name two ways to set up the area of your work.

Explore the drawing process. To use AutoCAD effectively, you’ll want to know how the different tools work together to achieve an effect. The drawing process often involves many cycles of adding objects and then editing them.

Master It Name the tool that causes the cursor to point in an exact horizontal or vertical direction.

Plan and lay out a drawing. If you’ve ever had to draw a precise sketch with just a pencil and pad, you’ve probably used a set of lightly drawn guidelines to lay out your drawing first. You do the same thing in AutoCAD, but instead of lightly drawn guidelines, you can use any object you want. In AutoCAD, objects are easily modified or deleted, so you don’t have to be as careful when adding guidelines.

Master It What is the name of the feature that lets you select exact locations on objects?

Use the AutoCAD modes as drafting tools. The main reason for using AutoCAD is to produce precise technical drawings. AutoCAD offers many tools to help you produce a drawing with the precision you need.

Master It What dialog box lets you set both the grid and snap spacing?

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