appendix B

Exposures, Depth of Field, Zone System, and Film Speed Information

 

Existing-Light Photography: Suggested Trial Exposures Based on ISO/ASA 400 Speed film

Subject-Lighting Condition Camera Settings
Photograph of a full moon 1/500 sec. f/16
Photograph of a half moon 1/125 sec. f/16
Subject illuminated by light of full moon 8 sec. f/2
Skyline at sunset 1/125 sec. f/11
Skyline just after sunset 1/125 sec. f/8-5.6
Star trails Time f/2.8
Aurora borealis (Bright) 10-20 sec. f/2
Aurora borealis (Medium) 40-80 sec. f/2
Lightning bolts (Night) Time f/16
Underwater vs. above water, 5-15 feet Open 1 stop
Underwater vs. above water, 20-30 feet Open 2 stops
Bright signs at night 1/60 sec. f/5.6
Fires 1/60 sec. f/5.6-4
Fireworks 1/125 sec. f/5.6-2
Night baseball, football, etc. 1/60 sec. f/5.6-4
Night city streets and store windows 1/60 sec. f/4-2.8
Moving traffic light streaks 1 sec. f/11
Floodlit buildings 1/15 sec. f/2.8-2
Niagara Falls lit by floodlights 1 sec. f/2.8-1.4
Galleries 1/60 sec. f/5.6-2
Offices, work areas 1/60 sec. f/2.8-2
Television screen 1/8 sec. f/11

Note: Other equivalent combinations of exposure time and f-number may be used. Extra exposure may be required to compensate for reciprocity effects with longer exposure times. (No compensation has been included in these numbers.)

Reciprocity Exposure and Development Compensation for General-Purpose Black-and-White Films

Indicated
Exposure
Time
Adjusted
Exposure
Time
Time
Exposure
Factor
Developing
Time
Adjustment
1/10 sec. 1/10 sec. 1.0 None
1 sec. 2 sec. 2.0 -10%
2 sec. 5 sec. 2.5
3 sec. 9 sec. 3.0
4 sec. 14 sec. 3.5
5 sec. 20 sec. 4.0
6 sec. 25 sec. 4.2
7 sec. 31 sec. 4.4
8 sec. 37 sec. 4.6
9 sec. 43 sec. 4.8
10 sec. 50 sec. 5.0 -20%
15 sec. 80 sec. 5.3
20 sec. 120 sec. 6.0
30 sec. 200 sec. 6.7
40 sec. 300 sec. 7.5
50 sec. 420 sec. 8.4
60 sec. 560 sec. 9.3 -25%
F-Numbers Shutter Speeds (seconds)
f/64 1/4000
f/45 1/2000
f/32 1/1000
f/22 1/500
f/16 1/250
f/11 1/125
f/8 1/60
f/5.6 1/30
f/4 1/15
f/2.8 1/8
f/2 1/4
f/1.4 1/2
f/1 1

Note: The f-numbers and shutter speeds above represent an increase in exposure at one stop (or 2X) for each change from top to bottom.

Relative Depth of Field for Different Focal Length Lenses on 35-mm Cameras, with the Same Object Distance and f-Number

Lens Focal Length Relative Depth of Field
16mm 9.8
20mm 6.2
24mm 4.3.
28mm 3.2
35mm 2.0
50mm 1.0
75mm 1/2.2
100mm 1/4
135mm 1/7.3
200mm 1/16
400mm 1/64

ISO Arithmetic and Logarithmic Film Speeds (1/3 stop increments)

Arithmetic Logarithmic
6
8 10°
10 11°
12 12°
16 13°
20 14°
24 15°
32 16°
40 17°
50 18°
64 19°
80 20°
100 21°
125 22°
160 23°
200 24°
250 25°
320 26°
400 27°
500 28°
650 29°
800 30°
1000 31°
1250 32°
1600 33°
2000 34°
2500 35°
3200 36°
4000 37°
5000 38°
6400 39°
8000 40°

Zone System Scene and Print Values

Scene Value Print
Dark 0 Dmax
No detail No detail
Dark I 90% of Dmax
Just detectable detail Just detectable detail
Dark II Dark
Good detail III Good detail
Dark midtone IV
Midtone, 18% reflectance V Facsimile reflectance copying: D = 0.75
Pictorial: Slightly lighter
Light VII Light
Good detail Good detail
Light VIII D = 0.04 above paper white
Just detectable detail Just detectable detail
Specular highlights IX Paper white
No detail No detail
Light sources X Paper white
No detail No detail

F/16 Rule

The camera exposure settings for an average scene in direct sunlight can be determined without an exposure meter by setting the lens at f/16 and using a shutter speed equal to the reciprocal of the ISO speed. Thus for an ISO setting of 125, the recommended settings would be 1/125 second at f/16, or any comparable combination.

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