This lesson is based on a project that you finished in a previous chapter, which you’ll now share using multiple techniques. In this lesson, you’ll learn how to send your completed video project to the digital media or device of choice, for example, an HDV camera. You will also learn the different ways you can export movies to view online or on a personal computer. Specifically, you’ll learn how to do the following:
• Upload a video file to YouTube and Photoshop.com
• Export a video file for subsequent viewing from a hard disk
• Export a video file for viewing on an iPod or other mobile device
• Record your video file back to DV/HDV tape
• Export a single frame as a still image
• Create a custom preset to save and reuse your favorite encoding parameters
This lesson will take approximately 1.5 hours.
Apart from creating Web DVDs, DVDs, or Blu-ray Discs, you can export and share movies, still images, and audio in a variety of file types for the web, computer playback, mobile devices, and even videotape. The Share workspace in the Tasks panel is your starting point for exporting your finished project. Here you choose your target and configuration options.
Selecting any of the options listed under Start a new share: opens a view in the Tasks panel that provides output-specific options and settings. Share view simplifies sharing and exporting by providing presets of the most commonly used formats and settings. If you want to specify unique settings for any format, you can click Advanced options and make changes.
The first step for all sharing is choosing your desired target. The exercises in this chapter walk you through examples of the available targets in the Share workspace.
To begin, you’ll launch Adobe Premiere Elements and open the project used for this lesson. Then you’ll review a final version of the project you’ll be creating.
To see what you’ll be exporting in this lesson, play the completed movie.
If the movie looks familiar, that’s because it’s the project you finished back in Lesson 9 after adding a soundtrack and narration. Now it’s time to share the fruits of your hard work with the world!
Rather than duplicating the project file and content from Lesson 9 to Lesson 12, I inserted the rendered file that you just played onto the Timeline in the project you just opened, since it simulates the Lesson 9 project completely and saved a few hundred megabytes on the DVD that accompanies this book. The experience will be exactly the same as if you were working with the original content and project file.
Still, if you’d like to work with the original assets, you can load the Lesson09_End.prel file that you created in Lesson 9, or load Lesson09_Work.prel (if you didn’t make it to the end), and follow the instructions in this chapter to render those contents. Obviously, those projects would be in the Lesson09 folder, not the Lesson12 folder. In your shoes, I would simply use the project file you currently have loaded, but feel free to work with the original content if that’s your preference.
Premiere Elements provides presets for three online destinations—YouTube, Photoshop.com, and Podbean. The workflow is very similar for all with a simple wizard guiding your efforts. Here I’ll work through the first two, starting with YouTube. It’s faster if you already have an account with YouTube, but if not, you can sign up as part of the process. Follow these steps to upload your project to YouTube.
What if you shot in 720p resolution with your AVCHD or DSLR camera? Your results on YouTube will depend on your footage and the quality that you choose for viewing on YouTube. I recommend that you try uploading using both Flash Video for YouTube (widescreen) and High Definition Video for YouTube 1920×1080, and retaining the video that looks the best.
YouTube is a great location to upload your video to for it to be seen by the multitudes, but video quality ranges from very good to poor, and some of the comments can be, well, rude. If you’d like to upload a video primarily for friends and family, at very good quality, your Photoshop.com account is ideal, and the workflow is exceptionally simple. Here’s how.
You probably don’t want this video of some random kids shooting hoops consuming space on your Photoshop.com account. So you might consider following these steps to upload your own video to Photoshop.com, or if you do upload this sample movie, delete it after uploading and playing it.
You can also upload a Web DVD to Photoshop.com, which provides the same menus and navigation as a DVD. It’s a great alternative that you can learn about in Chapter 11.
In the previous exercises, you exported a Premiere Elements project to YouTube and Photoshop.com. In this exercise, you’ll export your project as a stand-alone video file to play on your own system, upload to a website, email to friends or family, or archive on DVD or external hard disk.
As you’ll see in a moment, Premiere Elements lets you output in multiple formats for all these activities. Each file format comes with its own set of presets available from the Presets menu. You can also customize a preset and save it for later reuse, which you’ll do in this lesson.
See the sidebar “Choosing Output Formats” for more information on which preset to choose. In this exercise, you’ll customize a preset and output a file using the QuickTime format.
The NTSC DV 16:9 preset is great if you want to edit the file further in a Mac-based program, but the files are too large to easily email to friends and family. You’ll create a custom preset that creates more compact files.
Note the circled box in the figure next to Width and Height. When a link () appears in the box, Premiere Elements links the width and height to maintain the aspect ratio of the source footage. Most of the time, that’s the right decision, but sometimes you’ll want to change the aspect ratio, and if the link appears, Premiere Elements will automatically adjust the values in the height and width fields to maintain the aspect ratio, preventing you from entering the desired values. In these cases, simply click the link to disable this option. The box should not be selected when using the preset that you selected, but if it is, click the box to deselect it.
• Leave the Frame Rate at 29.97.
• Click the Field Type list box, and choose Progressive.
• Click the Aspect: list box and choose Square Pixels (1.0).
Premiere Elements begins rendering the video and displays a progress bar in Share view and an estimated time to complete each phase of the rendering process. Click Cancel at any time to stop the exporting process. Otherwise, you’ll see a Save Complete! message in Share view when the rendering is complete.
Many Windows Media Premiere Elements standard definition (SD) presets are for 4:3 projects. When producing a 16:9 project, you’ll have to change the preset to a 16:9 output resolution. Do this by clicking the Advanced button shown in the preceding screen to open the Export Settings dialog as shown earlier. Click the Video tab to reveal those settings, and then adjust the Frame Width and Frame Height text boxes to a 16:9 output resolution. For your reference, the most common 16:9 SD output resolutions are 640×360, 480×270, and 320×180. Make sure that Field Type: is set to Progressive and Pixel Aspect Ratio: is set to Square Pixels (1.0). Click OK to close the Export Settings dialog. You’ll be prompted to save the preset, and then you’ll return to the Share screen.
Premiere Elements also includes an option for producing files for mobile phones and players, such as the Apple iPod or iPhone, the Creative Zen, and the Microsoft Zune. Note that most of these devices have very specific and inflexible file and format requirements, so you shouldn’t change any parameters in the Export Settings window, because you may produce a file that’s unplayable on the target device.
In this exercise, you’ll learn how to create a file for the iPod; if you’re producing a file for a different device, just choose that device and preset in the appropriate steps.
Premiere Elements starts rendering the video and displays a progress bar in Share view and an estimated time to complete each phase of the rendering process. Click Cancel at any time to stop the exporting process. Otherwise, you will see a Save Complete! message in Share view when the rendering is complete.
After producing the file, transfer it to your device in the appropriate manner. For example, use iTunes to upload the file to your iPod or iPhone.
If you shoot either DV or HDV video, you should consider archiving your edited project back to back to DV/HDV tape, providing an inexpensive but high-quality backup copy of your project. This exercise and the next will show you how. If you have access to a DV camera, you may want to use it for this exercise. We’ll proceed as if a DV camera is connected to your system, but if not, follow along with the exercise anyway.
To begin, connect your DV camera to your personal computer, turn it on, and then open Premiere Elements. In most cases, if Premiere Elements is already open, it will recognize a DV camera when it is attached and turned on; however, I’ve found this happens more reliably if the DV camera is connected first and turned on prior to launching Premiere Elements.
When you’re writing videos to tape, it’s good practice to add some extra video to the start of the project to prevent your recording device from accidentally cutting off the first few seconds of your project. In this regard, Premiere Elements lets you create either a five-second black video file or a universal counting leader, which looks like the countdown video that preceded older movies you may have viewed in the theater. In this exercise, you’ll add a universal counting leader to your project before writing it to tape.
A new item called Universal Counting Leader appears in your Media panel, and Premiere Elements adds it to your Timeline after the first scene.
Let’s write the project to DV tape. If you connected an analog device such as a VCR to your DV camcorder, you can follow these steps as well to dub the video through your DV camcorder to the VCR.
When writing video to tape, Premiere Elements records only the video within the work area, not the entire project. So before starting, make sure that the work area includes the entire project.
If your recording device is properly connected to your computer, the Export to Tape dialog opens.
Occasionally, you may want to grab frames from your video footage to email to friends and family, include in a slide show, or use for other purposes. In this exercise, you’ll learn to export and save a frame from the project. To perform this exercise, reload Lesson12_Start_Win.prel (Windows) or Lesson12_Start_Mac.prel (Mac OS) as detailed in the “Getting Started” section near the start of this chapter.
The snapshot export function is very quick and easy but outputs only BMP files at the resolution of your current project. For more control over export size and formats, click Share, then Computer, and choose Image, which exposes multiple presets that you can customize by clicking the Advanced button.
1. What’s the best format to use for creating files to view on Windows computers or to share with other viewers with Windows computers?
2. Why shouldn’t you change any encoding parameters for files produced for iPods or other devices?
3. Why should you add a universal counting leader to the beginning of a file before writing it to DV or analog tape?
4. What’s the easiest way to write a project to an analog tape format such as VHS?
5. What’s the easiest way to upload your movie to a website such as YouTube or Photoshop.com?
1. Windows Media is the best format for Windows because it combines small file size with high quality. Although virtually all computers can play MPEG-1 or MPEG-2 files, the files are usually too large for easy transport. QuickTime files may pose a problem because not all Windows computers support QuickTime, and Adobe Flash Video files with an FLV extension require a stand-alone player, which not all computers have installed.
2. Devices have very specific playback requirements, and if you change a file parameter and deviate from these requirements, the file may not load or play on the target device.
3. You should add a Universal Counting Leader or simply a black video file to the start of a project before writing it to tape to prevent the recording device from cutting off the initial frames of the video file.
4. Connect a VHS recorder to your DV camcorder via composite or S-Video connectors plus audio while writing your project to DV tape. Most DV camcorders will display the recorded signal out the analog ports while recording, which you can record on the VHS deck by clicking the Record button on the deck.
5. Switch to Share view, and then click the Online button. Choose YouTube or My Website, and then follow the instructions in Share view to render and upload your movie.