Chapter 15
Taking stock of the iMovie window
Importing and adding media content
Using transitions in your movie
Putting text titles to work
Adding animated maps
Creating a movie trailer
Sharing your movie with others
Remember those home movies that you used to make in high school? They were entertaining and fun to create, and your friends were impressed. In fact, some kids are so downright inspired that you’re not surprised when you discover at your high school reunion that they turned out to be graphic artists, or got involved in video or TV production.
iMovie, part of the iLife suite, makes movie-making as easy as those homemade movies. Apple simplifies all the technical stuff, such as importing video and adding audio, leaving you free to concentrate on your creative ideas. In fact, you won’t find techy terms such as codecs or keyframes in this chapter at all. I guarantee that you’ll understand what’s going on at all times. (How often do you get a promise like that with video-editing software?)
With iMovie, your digital video (DV) camcorder, and the other parts of the iLife suite, you can soon produce and share professional-looking movies, with some of the same creative transitions and titles used by Those Hollywood Types every single day. All on your iMac, all by yourself.
If you turn out to be a world-famous Hollywood Type Director in a decade or so, don’t forget the little people — like computer book authors — along the way!
If you’ve ever tried using a professional-level video-editing application, you probably felt as though you were suddenly dropped into the cockpit of a jumbo jet. In iMovie, though, all the controls you need are easy to use and logically placed.
To launch iMovie, click the iMovie icon on the Dock or within Launchpad. (It looks like a star from the Hollywood Walk of Fame.) You can also click the Applications folder in any Finder window Sidebar and then double-click the iMovie icon.
To follow the examples I show you here, take these strenuous steps and create a new movie project:
iMovie displays the dialog you see in Figure 15-1.
You can also create movie trailers (a short preview or teaser) within iMovie, as I demonstrate later in this chapter. Generally, however, you create your trailer project after your movie is completed (unless, of course, you’re specifically creating just a trailer). Why? For the same reason that studios create trailers after the filming is finished: After you complete your movie, you’ll have all the clips imported already, and you’ll have a better idea of what you want to include while “teasing” your audience!
iMovie automatically adds the transitions and titles that correspond to that theme.
Normally, this is what you want to do. However, you can add transitions and titles manually, as I’ll show you later in this chapter. So if you decide not to use a theme out of the gate, click the No Theme thumbnail.
iMovie adds the new project to the thumbnail list in the Project Library pane, and you’re on your way! Check out Figure 15-2: This is the whole enchilada, in one window.
The controls and displays that you’ll use most often are
The Event/Project Library pane displays different content, depending on the entry you select in the Library list.
Those are the major highlights of the iMovie window. A director’s chair and megaphone are optional, of course, but they do add to the mood.
I don’t want to box in your creative skills here — after all, you can attack the moviemaking process from a number of angles. (Pun, unfortunately, intended.) However, I’ve found that my movies turn out the best when I follow a linear process, so before I dive into specifics, allow me to provide you with an overview of moviemaking with iMovie.
Here’s my take on the process, reduced to seven basic steps:
Sure, you need video clips to create a movie of your own, but don’t panic if you have but a short supply. You can certainly turn to the other iLife applications for additional raw material. (See, I told you that whole “integration thing” would come in handy.)
Along with video clips you import from your DV camcorder, your iMac’s built-in FaceTime HD camera, and your hard drive, you can call on iPhoto and Aperture for still images (think credits) and iTunes and GarageBand for background audio and effects. In this section, I show you how.
Your iMac is equipped already with the extras that come in handy for video editing — namely, a large hard drive and ports to connect stuff. Depending on the iMac model you’re using and your external devices, you may use a USB or FireWire connection. Today’s mass-storage camcorders, tablets, and smartphones use a USB connection to transfer clips. I cover both FireWire mini-DV camcorders and USB mass-storage devices in this section.
Oh, and don’t forget that your iMac has a FaceTime HD camera on board, ready to record clips — heck, you’re a self-contained movie studio!
Here’s the drill if your clips are on your FireWire mini-DV camcorder or mass-storage USB video device:
Some camcorders and digital cameras call this Play mode.
iMovie opens the Import window.
To create a new event for the imported clips, choose New Event. Alternatively, you can import into an existing Event or an existing iMovie project. Heck, if your family reunion spanned more than one day, you can create a new Event for each day. (How do they think up these things?)
If you’re using a tape-based camcorder, playback controls appear under the Camera Import window, mirroring the controls on your FireWire DV camcorder. This allows you to control the unit from iMovie. Keen! If you’re using a mass-storage camcorder connected by USB, you instead get an Import All button beneath the thumbnails of available clips. (Note that this button changes to Import Selected if you select one or more of the clips.)
If you choose your FaceTime HD camera from the list, you’ll see a real-time preview and a Big Red Record button. Click the Record button to start and stop recording. (You can skip the rest of the steps in this section, which deal only with USB and FireWire camcorders.)
iMovie begins transferring the footage to your iMac and automatically adds the imported clips to the specified destination.
Table 15-1 Video Formats Supported by iMovie
File Type |
Description |
DV |
Standard 4:3 digital video |
DV Widescreen |
Widescreen 16:9 digital video |
MOV |
QuickTime movies |
HDV and AVCHD |
High-definition (popularly called widescreen) digital video, in 720p and 1080i |
MPEG-2 |
Digital video format used for DVD movies |
MPEG-4 |
A popular format for streaming Internet and wireless digital video, as well as handheld iOS devices such as the iPad, iPhone, and iPod touch |
To import a movie file, follow this bouncing ball:
Alternatively, you can also drag a video clip from a Finder window and drop it in the Project pane.
Still images come in handy as impressive-looking titles or as ending credits to your movie. (To be truly professional, make sure you list a gaffer and a best boy.) However, you can use still images also to introduce scenes, close scenes, or separate clips according to your whim. For example, I use stills when delineating the days of a vacation within a movie or different Christmas celebrations over time.
Here are two methods of adding stills to your movie:
If you’ve installed Apple’s Aperture photo application, you can also access images from Aperture by clicking the Aperture Library item in the Libraries list.
You can pull in everything from Wagner to Weezer as both background music and sound effects for your movie. In this section, I focus on how to get those notes into iMovie and then how to add them to your movie by dragging them to the Project pane.
You can add audio from a number of sources:
You’re not limited to iTunes for ear candy, however. If you exported any original music you’ve composed in GarageBand to your iTunes Library, you can use those songs in your own movie! Click the GarageBand button in the Content Library to view your GarageBand music, and then drag and drop to your heart’s content.
If you have several gigabytes of music in your iTunes Library, it might be more of a challenge to locate Janis Joplin’s rendition of “Me and Bobby McGee,” especially if she’s included in a compilation. Let your iMac do the digging for you! Click in the Search box above the track list and begin typing a song name. iMovie narrows down the song titles displayed to those that match the characters you type. To reset the search box and display all your songs in the Library or selected playlist, click the X icon that appears to the right of the box.
Time to dive in and add the building blocks to create your movie. Along with the video clips, audio tracks, and still images that you’ve imported, you can add Hollywood-quality transitions, optical effects, and animated text titles. In this section, I demonstrate how to elevate your collection of video clips into a real-life, honest-to-goodness movie.
You can add clips to your movie via the Project pane and the Event pane. The Dynamic Duo works like this:
Typically, you’ll add a clip to your movie from an Event. Follow these steps:
Alternatively, you can press the E key.
iMovie includes a Play Full Screen button, which appears when you move your cursor to the Viewer. (Alternatively, press +Shift+F or choose View⇒ Play Full Screen to watch the selection.) Press the spacebar to pause, and press Esc to return to iMovie. Of course, you can also move your cursor across the filmstrip in the Edit pane to quickly browse your project.
To play a selection from the beginning, press (the slash that leans to the left). If you’ve ever watched directors at work on today’s movie sets, you may have noticed that they’re constantly watching a monitor to see what things will look like for the audience. You have the same option in iMovie!
While you’re watching video in the Event/Project Library pane, you may decide that a certain clip has a favorite scene or that another clip has material you don’t want, such as Uncle Ed’s shadow puppets. (Shudder.) iMovie features Favorite and Rejected frames, allowing you to view and use your best camera work (and ignore the worst stuff).
To mark a great video clip as a Favorite, select and right-click a range of frames or the entire clip in the Event/Project Library pane, and then click the Favorite menu item (or press F). To mark clips that are sub-par, select the offending clip in the Event/Project Library pane and press Delete (or right-click and choose Reject). Clips marked as Favorites have a green line on top of the clip, and clips marked as Rejected have a red line.
If you decide that a Rejected clip isn’t so bad after all, or that a Favorite really isn’t your best work, no problem. Unmark any selected Favorite or Rejected scene in the Event/Project Library pane by choosing Mark⇒Unrate (or just press U).
Don’t like a clip? Bah. To banish a clip from your movie, follow these steps:
Alternatively, you can select a portion of a clip by holding the button down and then dragging the selection box that appears.
This deletes the clip from the Project pane, but the clip is still available if you choose All Events or the iMovie Library from the Libraries list.
If you remove the wrong clip, don’t panic. Instead, use iMovie’s Undo feature (press +Z) to restore it.
If Day One of your vacation appears after Day Two, you can easily reorder your clips and stills by dragging them to the proper space in the Project pane. When you take your finger off the mouse (or trackpad), iMovie automatically moves the rest of your movie aside with a minimum of fuss and bother.
If a clip has extra seconds of footage at the beginning or end (as it should, to ensure you get all the action), you don’t want that superfluous stuff in your masterpiece. Our favorite video editor gives you the following functions:
Before you can edit, however, you have to select a section of a clip:
iMovie displays the clip or image in the monitor.
Some editing functions, such as Crop and Rotate, will automatically apply to the entire clip.
The selected region is surrounded by a yellow frame. You’re ready to edit that selected part of the clip.
Many iMovie owners approach transitions as visual bookends: They merely act as placeholders that appear between video clips. Nothing could be farther from the truth, though, because judicious use of transitions can make or break a scene. For example, which would you prefer after a wedding ceremony — an abrupt, jarring cut to the reception, or a gradual fadeout to the reception?
iMovie includes a surprising array of transitions, including old favorites (such as Fade In and Dissolve) and some nifty stuff that you might not be familiar with (such as Cube and Page Curl). To display your transition collection (see Figure 15-5), click the Transitions entry in the Content Library (or press +1).
To see what a particular transition looks like, move your cursor over the thumbnail to display the transition in miniature.
Adding a transition couldn’t be easier: Drag the transition from the thumbnail list and drop it between clips or between a clip and a still image in the Project pane. In iMovie, transitions are applied in real time.
The next stop on our iMovie Hollywood Features Tour is the Titles list, shown in Figure 15-6. You’ll find it by clicking the Titles entry in the Content Library or by pressing +2. You can add a title with a still image, but iMovie also includes everything you need to add basic animated text to your movie.
Most of the controls you can adjust are the same for each animation style. You can change the font, the size of the text, and the color of the text. To add a title manually, follow these steps:
Note that the title is displayed in the Viewer as well as the Project pane.
iMovie displays a preview of the effect in the monitor with the settings that you choose.
iMovie includes easy-to-use animated maps — think Indiana Jones traveling by airplane from place to place — and static backgrounds that can be used with your titles. To display them, click the Maps & Backgrounds entry in the Content Library (or press +3).
To use an animated map, drag one of the globe or map thumbnails to the Project pane. After the globe or map is created, select it and click the Adjust button to display the controls above the Viewer. Click the Map Settings button (which bears a globe icon) and then click the Start Location button (and, optionally, the End Location button) to enter the start and stop points for the animation. Type a city or place name to see your choices. (Heck, you can even type in an airport code or decimal coordinates to specify the spot.) Click Done and watch as iMovie animates your location (or your trip) in seconds!
To add a static background from the browser, drag it to the desired spot within the Project pane.
Yes, friends, you read that correctly! As I mention at the beginning of the chapter, iMovie includes a Trailer feature that can actually turn your film clips into a Hollywood-class preview, complete with genre transitions and background music.
To create a trailer project, follow these steps:
If you hover your cursor over the thumbnail and click the Play icon that appears, iMovie displays a nifty preview of the trailer style that you selected. You can click different thumbnails to preview their look before you make your decision. Naturally, you’ll want to choose a trailer style that most closely matches the mood you want to project with your movie.
Note that each trailer has a suggested number of cast members. This number reflects the number of people that will appear in the clip “placeholders” during the editing process. (More on this in a page or two.)
iMovie replaces the Project pane with the Trailer pane, as shown in Figure 15-7. On the Outline tab, you can edit the titles used in the trailer, as well as pop-up lists for information, such as the gender of the star(s) and the logo style you want for your “studio” at the beginning of the trailer. To change a text field, click in it and type the new text. You’ll see the changes you make in the Trailer display appear in the monitor in real time.
After you complete your edits to the titles, click the Storyboard tab. Now you can edit the text for each transition: Simply click the text to display the edit box and type. You can also drag clips from your Event pane (or from a Finder window) to fill the storyboard’s placeholders for video clips. To delete a clip from the storyboard, click it to select it and then press Delete.
For an overall listing of each clip required for the full trailer, click the Shot List tab. On this tab, clips are organized by type. For example, all the action clips appear in one section, and all the landscape and closeup clips are grouped together as well. If necessary, you can also add, delete, or swap video clips from the Shot List.
To preview your trailer in its entirety, move your cursor inside the Viewer and click the Play button (or the Play Full-Screen button at the far right of the Viewer controls). Naturally, any storyboard placeholder that you haven’t filled with a clip will display just the placeholder.
Note that iMovie displays your trailer when you click the Updated Projects entry in the Libraries list, and it now appears in the Event/Project Library pane.
I bet all those hard-working Hollywood video editors are fuming at how easy it is to create a trailer in iMovie!
Your movie is complete, iMovie has saved it automatically to your drive, and now you’re wondering where to go from here. Select your movie in the Event/Project Library pane and click Share on the toolbar at the top of the window. iMovie can unleash your movie upon your unsuspecting family and friends (and even the entire world) in a number of ways:
When you choose a sharing option, iMovie displays the video quality for the option and makes automatic changes to the movie attributes. (For example, choosing Email reduces the finished movie as far as possible in file size.)