AAA 15, 19, 29, 43, 72, 88, 119, 135, 152, 260, 265, 294, 346, 348, 357, 359, 363

AAC 303

Academia 4–5

Accessibility 110

Accompaniment 191, 203

Acousmatic 50, 113–114, 239

Acoustics 16, 37, 43, 253, 307

Adaptive 5–6, 10, 27, 33, 45, 109, 142–143, 145, 150, 154, 165, 184–186, 220, 230, 232–234, 240, 266, 287, 304, 310–312, 314–316, 319, 322, 325–326, 328, 330, 332–334, 339–340

ADR 116

Advocacy 352

Aesthetic 6, 32, 51–52, 54–55, 66, 143, 153, 156, 163, 183, 191, 204, 238–239, 281, 299, 330–331, 338, 340; Aesthetics 19, 55, 70, 157, 330–331, 338–339

Agents 121, 123, 366; Agencies 121, 366

AI 247, 291, 294

Aleatoric 171–173, 219; Aleatory 171, 173, 219, 316

Alpha 19, 253

Ambience 35, 41, 46–48, 50–51, 73–75, 78, 80, 84, 251, 253, 256, 270–272, 274, 276, 278, 293, 301–302; Ambiences 51, 68, 70, 73–74, 80, 85, 162, 182, 255, 257, 263, 272–273, 276, 296; Ambient 27, 35, 47, 49–50, 59, 80, 144, 163, 182, 185, 187, 253, 264, 270–274, 276–277, 289, 304–305, 315, 333–334

Ambisonic 75, 79–80

Arpeggiator 61; Arpeggios 208

Arrangement 91, 95, 146, 154, 161, 183, 187, 191, 202, 210, 212, 218, 220, 223, 309, 324, 330, 339; Arrangements 154, 193, 201, 223, 225, 311, 324

Arranger 200

Array 73, 182

Articulation 145, 195–197, 200, 206, 215, 226, 230, 235; Articulations 70, 196–197, 199–201, 203, 205–206, 208, 211, 216, 226

ASMR (Autonomous sensory meridian response) 79

Audio 45, 57, 63, 247, 249, 251, 253, 255, 257, 259, 261, 263, 265, 267, 269, 271, 273, 275, 277, 279, 281, 283, 285, 287, 289, 291, 293, 295, 297, 299, 301, 303, 305, 307, 347

Audio Implementation 245

Augmented Reality (AR) 177–178, 181

Automation 95, 248, 268, 274, 278, 281, 316–317, 319

Bandwidth 255, 281, 293, 296, 298, 302, 305

Baritone 199, 211

Bass 29, 127, 189–190, 196, 198–199, 201–203, 205, 211–212, 221–222, 237–238, 288, 316; Basses 68, 205, 226

Bassoon 199, 201, 211–212, 228, 231, 235; Bassoons 200, 211–212, 228

Binaural 79–80

Blues 158, 165

Brainstorming, xix, 151, 156–159, 163–164, 173–175, 180–183, 240–241

Busses (Mix bus) 276, 287

Cadence 94–95, 175–176, 178; Cadences 175–176, 238

Calibrated 132

Career 3–4, 8, 15–16, 108, 121, 127, 144, 146, 175, 196, 225, 285, 343–349, 355, 358, 360–362, 364, 366; Careers 97, 352

Cello 68, 196, 207, 314, 338; Cellos 205, 211–212, 226

Chimes 59, 102, 201, 231, 316

Chiptune 61; Chiptunes 156, 182, 237

Choir 183, 194, 218–220, 236; Choirs 218; Choral 219; Chorale 198; Chorus 61, 72

Chordal 170, 174–176, 191–192, 208, 212, 214, 217, 224, 232, 236, 313

Chords 160, 175–179, 188, 190, 197–198, 200, 205, 212–214, 223–225, 229–230, 237–238, 310, 314, 324, 333, 338

Chromatic 167, 170, 177, 179; Chromatically 178

Cinematic 118, 132, 144, 180; Cinematics 47

Clarinet 160, 200–201, 211–212, 231; Clarinets 199, 231

Clusters 178–179, 215

Codecs 299, 303

Collaborations 353; Collaborative 152, 157, 245, 304, 352; Collaborator 365; Collaborators 157, 240

Composer 12, 15, 43, 49–50, 53, 87, 91, 107, 113, 115, 142–146, 148, 150, 152–153, 156–159, 161, 164–165, 178–179, 181–182, 184, 192, 194, 196, 200, 204, 208, 223, 227, 240, 248, 252, 266, 286, 310, 316, 320, 322, 325, 331, 333, 338–340, 344, 346, 350–351, 354–356, 358–359, 366; Composers 3, 10, 16, 41, 91, 141, 144, 146–149, 151–153, 155, 158, 160, 162–163, 165–168, 171, 173–175, 177, 179, 181, 183, 191–193, 195–196, 198, 200, 202, 204–205, 208, 211, 214, 217, 220, 222, 225–227, 229, 232, 235–237, 240, 304, 309–310, 312, 326, 330–334, 351, 355–356, 364, 366

Composing Music 155

Composition (Music) 3–4, 6, 9–12, 21, 39, 91, 137, 144, 155, 162, 180, 184, 204, 235, 309–311, 314, 319, 322, 340; Compositional 155, 187, 191, 240–241, 309, 315, 324; Compositionally 149; Compositions 194

Compressors 65, 88

Condenser (Microphones) 77–79, 86, 126–127, 131; Condensers 70, 78, 80

Consoles 70, 154, 237, 292, 300, 303, 306–307

Contrabassoon 199, 224

Contractor 56; Contractors 124

Counterpoint 332

CPU (Central Processing Unit) 41, 293-294

Creativity 16, 75, 143–144, 157–158, 161, 163, 166, 183, 227, 245, 248, 315, 330, 340, 346

Crossfade 207, 276, 328; Crossfaded 289; Crossfades 276; Crossfading 146

Cutoff 61, 275

Cutscene 34, 321, 359; Cutscenes 339

Cymbal 202, 316; Cymbals 68, 181, 201–203, 220–222

DAW (Digital Audio Workstation) 9, 16, 44, 62, 88–89, 97, 128, 132–133, 193, 232, 234, 239, 248, 256–257, 260, 263, 274, 276, 287, 295, 303–304, 306, 322; DAWs 62, 128, 134, 256

dBFS 256

Debug 259, 305; Debugging 160, 266, 268, 304–305

Decoded 80, 257; Decoder 80, 302; Decoders 303

Deliverables 19, 20, 42, 131, 154, 246, 257–260, 292, 300, 303

Density 66, 93, 102, 145, 163, 168, 171, 180–181, 188, 198, 265, 312, 315, 321, 330

Designing sound 114

Developer 7, 18–21, 29, 55–56, 120, 123, 151–152, 154, 156, 161, 182, 184, 189–190, 252, 256–257, 259, 266, 282–283, 285, 306, 310, 322, 331, 344, 346, 350, 359, 363–364, 366; Developers 19–20, 26, 43, 120, 122, 130, 144, 149, 151–152, 154, 190, 195, 248, 261, 265–267, 269, 282, 284–286, 291–292, 300, 303, 306, 327, 330–332, 334, 350, 352–353, 359, 364–365; Development 3–9, 14–15, 18–21, 32, 47, 51, 54–56, 90–91, 93, 117–120, 124, 132–133, 143, 151–152, 156, 160, 163–164, 170–171, 181, 183–187, 245–247, 258–260, 262, 269, 277, 281, 285–287, 292–293, 296–298, 303–307, 320, 324, 326–327, 330, 332, 343–352, 363, 366

Development Methodologies 20

Diatonically 176, 178; Diatonicism 178

Didgeridoo 183

Diegetic 35, 41, 49, 119, 149–151, 239–240, 264

Digital 6, 9, 81, 124, 126, 128, 182, 286, 294, 307–308

Dimensional 38, 89, 95, 110, 263, 311, 326, 333, 337; Dimensions 89

Dissonance 168–169, 179; Dissonant 169, 171, 177, 179, 316

Divisi 197–198, 210, 232

DLC (Downloadable Content) 19, 257

Doppler 106, 264

Dorian 167

DSP (Digital Signal Processing) 44, 286, 294

Dynamic Audio 45, 194, 259, 278; Dynamics 31, 39, 95, 133–134, 145, 168, 192, 195, 198–200, 211, 213–214, 221, 225, 228–231, 251, 290–292, 301–303, 334

Dynamic Mixing 251, 256–257

Effects Processing 96, 256

Electroacoustic 239

Electromagnetic 70, 73

Emitter 37, 264, 271–272; Emitters 37, 41, 253, 264, 267, 270–272, 274

Engine 246; Engines 5, 17, 29, 31–32, 42, 44, 46, 105, 134, 246–248, 251–252, 257, 261, 265–266, 275, 277, 285, 287, 294–296, 299–300, 302–303, 307–308, 335, 340

Ensemble 119, 147, 159, 163, 171, 182–184, 190, 193, 195, 198, 208, 210–212, 221–222, 227, 229, 232, 235, 324; Ensembles 182–184, 189–190, 193, 202, 210–211, 220, 227–229, 235, 237, 241, 324

EQ (Equalization) 31, 39, 76, 81, 87, 93, 95–96, 132–133, 154, 254–255, 289, 301

Expression 145, 195, 200, 206–207, 212, 216; Expressions 104; Expressive 104

Fades 52, 248, 260, 265, 278, 319; Fading 50, 316

File Format 257

Flourishes 169

Flugelhorn 231

Flutes 200, 211–212, 214, 228

FM Synthesis 70

FMOD (Firelight Technology) 17, 246, 250, 262, 265, 267–269, 275–279, 283–284, 286, 297, 302, 304–305, 316–319, 322, 325, 328, 335

Foley 16, 44, 46–47, 53, 63–67, 78, 81–82, 108, 114, 116, 255–256, 287

Foreboding 237

Forte 211–213, 216, 224, 231

Fourier Synthesis 60

Fourths 178, 223

Frameworks 144, 158, 334

Freelance 306, 346, 348–349, 362; Freelancer 346, 349, 364; Freelancers 361

Frequency 29, 31, 39, 45, 61–62, 70, 77, 82, 84, 90–99, 102–105, 110, 112, 136–137, 154, 210, 221, 251, 255, 280, 287, 292–293, 301–303; Frequencies 39, 43, 70, 84, 86, 89, 92, 96, 133–134, 154, 168, 223, 265, 271, 288–289

Fundamentals 4, 6, 9, 43, 59–60, 340

Gameplay 25–26, 28, 31–33, 36–38, 40, 45, 47, 50–55, 90, 93, 98–99, 101–102, 104, 106, 108, 110–113, 116, 118, 124, 146–150, 156–157, 160, 171, 174, 183–185, 187, 225, 240, 245, 247, 249, 252, 254, 258, 263, 278, 282, 287, 289, 293, 299–300, 304, 306, 310, 317, 322, 325–326, 330–331, 333, 338–339, 359

Game Engine 27

Game State 25

GDD (Game Design Doc) 18–20, 252

Genre 54–55, 59, 93, 109, 123, 129, 144, 146, 157–158, 174–175, 180, 189–191, 201, 203, 234, 237, 239, 252; Genres 14, 88, 143, 158, 160, 176, 189–190, 193, 202, 236, 329, 359

Glissando 196; Glissandos 199, 229; Glissandi 215, 217

Glockenspiel 201, 203, 220, 231

Gold Master 19

GPU (Graphics Processing Unit) 293–294

Granular 87, 332

Groupings 193, 229–230, 232, 234, 241, 313

Guitar 45, 70, 142–143, 150, 162, 189, 194, 237–239, 331

Harmonic 60, 156, 159, 162, 168–169, 173–179, 202–203, 223, 238, 240, 315, 338; Harmonically 169, 179, 223, 236, 338–339; Harmonics 60, 197, 231; Harmonies 148, 178, 334; Harmonization’s 174; Harmonizing 174; Harmony 9, 41, 148, 155, 165–166, 169, 173–180, 183, 202, 220, 229–230, 238–240, 324, 330, 332–333

Harp 196–198, 203, 229, 231–232, 338

Harpsichord 231

HDR (High Dynamic Range) 291

Headphones 73, 79, 84, 86, 88, 127–128, 263, 292, 302

Hertz 49, 113, 115; Hz 39, 50, 76, 92–93, 133, 255

Heterophonic 191, 238

Hierarchy 260–262, 277, 294

Homogeneity 210; Homogenous 200, 205, 210, 218

Homophonic 191, 214, 224, 229–230, 236, 238; Homophonically 218, 234, 315; Homophony 191–192, 230, 237–238, 241

HPF (High Pass Filter) 271

HUD (Heads Up Display) 48, 109

Hydrophone 78, 114

Hypercardioid (Polar Pattern) 78

Idiomatic 175, 180, 199, 203, 205, 208–209, 215–217, 229, 232, 239

Idiomatically 195, 229; Idioms 144, 146; Idiophone 68; Idiophones 68

Immersed 33, 51, 87–88, 109, 282; Immerses 28, 34, 36, 45, 147; Immersing 33, 49, 148, 249, 347; Immersion 28, 33, 35–38, 48, 51–53, 80, 109, 121, 147–150, 154, 239, 249, 265, 270, 316, 336, 338; Immersive 28, 32, 34, 36–38, 41, 45–47, 49, 51, 53, 73, 79, 88, 109, 114, 124, 147–150, 219, 225, 239, 270, 301, 307, 332; Immersiveness 45–46

Implementation 3–5, 9–11, 15, 28, 31–32, 35, 42–43, 53, 56, 89–90, 98–100, 106, 111–112, 116, 118, 130–133, 137, 145–146, 149, 152, 154, 161, 183–184, 224, 232, 234, 241, 243, 245–340; Implementer 297; Implementers 249

Improvisation 153, 172–173, 219, 222

Inclusion 52, 208; Inclusivity 110

Indie 15, 19, 29, 118, 121, 151–152, 157, 247, 260, 265–266, 327, 348, 357, 359

Inspector 261–262

Inspiration 20, 40, 46, 55, 89, 144, 157, 164, 206, 310, 326–328, 340, 344

Instrumental 163, 215, 229, 236; Instrumentalist 355

Instrumentalists 10; Instrumentals 153

Instrumentation 145, 147–148, 155, 160, 162, 182, 189, 217, 225, 238–239, 310, 314, 316, 319, 330–331, 340

Instruments 9–10, 59–61, 67–68, 91, 96, 133, 146, 148–149, 155–156, 159, 162–163, 171, 181–184, 189–190, 192–205, 207, 209–218, 220–232, 234–239, 241, 250, 268, 312–314, 324, 331

Integrate 42, 296; Integrated 31, 38, 134, 248, 255–256, 262, 265, 268, 282–283, 310; Integrates 335; Integrating 32; Integration 15, 32, 44, 111, 247–249, 259, 265–268, 283–284, 309, 340

Interactive 5, 12, 27, 33, 38, 45, 70, 89, 113, 115, 117, 142–143, 150, 250, 255, 261, 263, 282, 287, 310, 326, 335, 340; Interactivity 26, 33, 148, 150, 249, 282, 293, 311, 316, 340

Javascript 261, 285

Jazz 180, 183, 189, 201, 203, 238, 338

Keyswitches 195, 216, 232; Keyswitching 226

kHz 69, 93, 102, 136, 154, 255, 257, 289, 300–301

Layering 31, 91

Lav (Microphone) 78, 80, 131; Lavalier 78, 80, 131

Legato 196–197, 199–201, 205-206, 208, 211, 215–216, 219, 226

Legno 206, 231

Leitmotif 187

LFE (Low Frequency Energy) 105

LFO (Low Frequency Oscilator) 102

Limiter 96, 133–135, 256, 290

Linear 12, 25–27, 32–33, 47–48, 90, 119, 141–143, 145–146, 161, 185, 228, 240, 248, 250–251, 254, 262, 264–265, 270, 300, 310, 316, 319–322, 324, 327, 329, 339, 347; Linearity 339; Linearly 145, 161

Localization 124

Logarithmic 264–265

Looping 16, 21, 41–42, 145, 186, 232, 251, 270–271, 273, 276, 301, 303, 313, 322; Loopable 312; Looped 41–42, 251, 257, 272–274, 301; Loops 27, 41–42, 141, 145–146, 185–186, 202, 224, 251, 260, 270, 272–274, 276, 301, 320–321, 323–324, 326

Lossy Compression 255

Loudness 43, 94, 107, 114–115, 134–135, 256, 260, 290, 292

LPF (Low Pass Filter) 275, 278, 281

Lua 261, 285

Ludomusicology 5, 21

LUFS 114, 134, 137

Lydian 167

Macrostructure 185–187

Mallet 68, 203; Mallets 68, 203, 222

Marimba 201–203, 220, 222, 231

Masking 95; Masked 293, 305

Mastering 114, 137, 254

Melody 143, 147, 150, 155, 157, 160, 162, 164–171, 173–174, 176, 179–181, 183, 190–191, 196, 198, 200, 202, 211–212, 220–221, 230, 232, 237–238, 313–315, 324, 332, 338; Melodic 61, 146, 159–160, 162, 166–171, 173–174, 176, 181, 191, 202–203, 205, 208, 211–212, 217, 240, 330, 338; Melodically 167; Melodies 156–158, 166–169, 171, 173–174, 176, 181, 183, 190, 192, 196, 198, 205, 208, 211–212, 218, 226, 228, 230, 232, 236, 238, 313, 320

Mentor 361

Mentorship 192

Metadata 57, 120, 297

Microphone 30, 41, 64, 67, 73, 76–77, 79, 81, 83, 85–86, 108, 125–127, 132, 200, 219; Microphones 30, 41, 43, 63, 65, 69–70, 73–79, 86, 100, 107, 126–127, 219

Microstructure 185–186

Microtones 167

Middleware (Audio) 4, 32, 42, 44, 53, 149, 246–248, 250, 253–254, 256, 259, 262, 265–269, 272, 274–275, 282–284, 286, 294, 298, 302–305, 309, 313, 316–317, 322–325, 334–335, 339–340

MIDI 60, 62, 145, 152, 196–197, 201, 207, 216, 220, 227, 232, 334

Milestones 20, 152, 156, 315

Mix 15, 18, 29, 33, 35, 43, 49, 52–53, 55, 58, 62, 65, 72, 80, 86, 90, 92–95, 102, 110, 118, 133, 147, 153–154, 167, 183, 193–195, 199–201, 203, 214, 216, 219–220, 251, 254–256, 262, 266, 268–269, 271, 273, 277–278, 286–294, 298–299, 301, 304, 314, 331, 337, 363, 365

Mixer 43, 262, 265, 268, 277–278, 287–288, 299

Mixing 5–6, 9, 12, 28, 57, 63, 114, 134, 137, 153–155, 190, 192–194, 204, 216, 226, 228, 234, 241, 245–247, 251, 255, 266, 268, 287, 292–293, 304, 315, 319, 340

Mixolydian 167

Mocap (Motion Capture) 116, 130

Mockup 152, 225, 227–228, 247

Modulation 31, 87, 102, 145, 167–168, 185, 195, 206–207, 212, 216, 313

Monophonic 191, 238; Monophony 191–192, 237, 241

Mood 25, 27, 35–38, 47–48, 53–55, 72, 91, 109, 123, 129, 143–149, 154, 163, 166, 169, 173–176, 178, 180, 190, 220, 227, 252, 287, 304, 311–315, 319, 321–323, 331, 333, 338

Motif 160, 166, 174, 181, 200, 314; Motifs 160, 163, 166–167, 171, 179–180, 183–184, 240, 314, 324, 330

MR (Mixed Reality) 306, 336, 340

Muse Score 232

Musically 141, 145, 164, 189, 320, 326; Musicality 145, 192

Musician 149, 173, 193, 232, 239, 331, 344; Musicians 40, 153, 171, 182, 187, 191–192, 198, 212, 217, 227, 229, 232, 344, 355; Musicianship 226

Music Implementation 309

Narrative 33, 35–36, 41, 48–51, 53, 55, 90–91, 97–99, 101, 103, 105–106, 110–112, 117, 119–120, 164, 182, 249, 252–253, 282, 326, 330, 340

NDA (Non-Disclosure Agreement) 300

Nondiegetic 264

Nonlinear 4–6, 11–12, 25–27, 29, 31–33, 35, 37, 39, 41, 43, 46, 48, 141–143, 145, 147, 149, 151, 153, 240, 245, 251, 293, 299–300, 311

Normalized 254; Normalizing 134

Notate 171; Notated 222; Notating 219; Notation 9, 152, 202, 222, 229, 232, 241; Notations 232

NPC (Non-Player Character) 35, 51, 111, 118, 253, 271, 289, 299, 301

Oboe 194, 199, 211, 214, 228, 231; Oboes 214, 228

Obstruction 280–281

Octave 181, 198, 212–213, 224, 231; Octaves 178–179, 191, 213, 223, 231

Omni 77, 79

Optimization 5, 43, 245, 257, 269, 277, 293, 296, 300, 340; Optimize 254, 298; Optimizing 269, 294–295, 303

Opus 144

Orchestral 5, 51–52, 144, 152, 183, 189–190, 192–199, 201, 203–205, 208–210, 212–213, 215, 220, 222–223, 225–228, 230, 232, 234–238, 240–241, 314, 316; Orchestra 149, 152, 163, 172–173, 182, 187, 189, 192–196, 198–206, 209–210, 216, 218, 220–221, 223–225, 227–232, 234–237, 240, 313, 324, 331, 340, 344; Orchestras 190, 194, 226, 235; Orchestrate 209, 218, 223, 230, 232, 235; Orchestrated 173, 180, 187, 200–201, 205, 217; Orchestrating 5, 146, 189, 192, 202, 204, 210, 223–225, 228, 230, 232; Orchestration 3, 9–10, 12, 146, 152–153, 169, 173, 183, 189–193, 195–197, 199, 201, 203, 205, 207, 209–215, 217, 219–221, 223, 225–230, 232–235, 237, 239–241, 309–310, 316, 326, 340; Orchestrations 206–211, 225, 227

Orchestrator 152, 196, 204, 228–229, 241; Orchestrators 206, 214, 225

ORTF (stereo microphone system) 80

Oscillator 59–61, 87; Oscillates 185; Oscillating 89; Oscillations 229

Ostinato 236–237; Ostinatos 202, 212, 217; Ostinati 198, 216

OverClocked 353

Overdub 219; Overdubbing 359

Overtones 101, 169, 202

Palettes 51–52, 62, 190, 331

Parameter 248, 267, 274–277, 279, 284, 299, 304, 312, 316–317, 319, 322–323, 328; Parameters 59, 96, 145, 216, 248, 267–268, 272, 275–277, 284, 289, 316–318, 322, 325, 333

PCM (Pulse-code modulation) 301, 303

Pedagogy 4–5, 203

Percussion 68, 113–114, 164, 180–181, 193–194, 199, 201–203, 220–223, 231–232, 237–239, 313–314, 316, 319, 335; Percussionist 221; Percussionists 221–222

Performance 12, 82, 116, 119, 123, 125, 128–131, 133, 136, 142, 159, 203, 216, 235, 277, 293, 298, 305

Php 44, 113–114, 154, 308

Physics 43, 66, 72, 89, 91, 97–98, 100–102, 104, 106, 110, 112–114, 200, 228, 247, 261, 273, 278, 280

Pianissimo 338

Piano 155, 157, 176, 178–181, 189, 198, 201–203, 205, 212–213, 231–232, 333

Piccolo 199–200, 203, 211, 213, 224, 228, 232

Pizzicato 197, 206, 231, 314–315

Platforms 5, 117, 154, 245, 253, 256–257, 261, 292–293, 296, 300, 302–303, 306, 337

Playability 186, 197

Playtest 331; Playtesting 304

Plosive 87, 132, 135; Plosives 126, 132–133, 136

Plugin 21, 31, 53, 62, 72, 87, 96–97, 132, 134–136, 289, 295; Plugins 9, 31, 40–42, 54, 70–72, 96, 132–133, 146, 246, 261, 285, 292, 295

Polyphonic 191–192, 205, 232–233, 314–315, 325; Polyphonically 234; Polyphony 60, 191–192, 218, 230, 236, 238, 241, 298

Portfolio 5, 357, 359

Preamp 75–76, 126; Preamplifier 86, 126; Preamps 75, 81, 83, 86, 126

Procedurally 164, 333

Production 3, 5, 12, 18–20, 33–34, 49, 51, 54–57, 63, 74, 81, 106, 113–114, 116–127, 129, 131, 133, 135, 137, 151, 155, 157, 194, 202, 204, 227, 240, 251–252, 254, 263, 288, 294, 301

Pre-Production 54

Profiling 266, 268, 299, 305–306

Programmer 15, 28, 42, 89, 131, 246–248, 257–259, 266–268, 275, 281, 283–286, 295–296, 306, 317

Proximity (distance, effect) 30, 69, 76, 83, 127, 274, 295

Psychoacoustic 255; Psychoacoustics 136, 280

Punchy 101, 211

Python 261, 285

QA (Quality Assurance) 19, 160, 260, 268, 304–306

Quantize 322

Quartet 156, 172, 182, 199, 331–332

Randomization 111, 247, 249–250, 254, 267, 270, 323–324; Randomize 32, 270, 323; Randomized 111, 250, 270–272, 275–276, 323–324

Recomposing 304

Recorder 21, 30, 39, 44, 74–75, 81, 86, 88, 107, 159

Recordings 28–29, 39, 54, 58, 63, 70, 73–74, 76, 79–81, 84–88, 100, 108, 111, 125, 132, 201, 208, 229, 272

Recordist 68, 74, 80, 82, 85–86, 137

Reel (Demo) 5, 346, 357–360, 364

Rehearsal 192

Reiteration 57, 245, 281, 340, 363

Remixing (Vertical Remixing/Vertical Layering) 143, 311–315, 317, 325–326

Resequencing (Horizontal Resequencing/Horizontal Scoring) 146, 311, 315, 319–320, 322

Research 20

Reverb 33, 37, 39–40, 52, 61–62, 72, 85, 90, 96, 101–102, 125–127, 135, 194–195, 218–219, 228, 241, 253, 255–256, 260, 273, 280–281, 287–288, 295, 299, 332

Revision 160–161, 183, 259, 266; Revisions 17, 57, 160–161, 240, 246, 248

Rhythmic 145, 148, 159, 162, 164, 166, 171, 179–181, 185, 190–191, 202, 221, 228, 236, 239–240, 338

Rips 200, 215

RMS (Root-Mean-Square) 134

Rolloff 102, 264

RTPC (Real-Time Parameter Control) 248, 267, 274–276, 316

SAG-AFTRA 122–123. 137

Sandbox (FMOD) 269

Saxophone 199, 201, 211, 231

Scatterers (Wwise) 276

Scene 26–27, 30, 34–38, 42, 49–53, 63, 106, 109, 123, 130, 143, 147–150, 162, 164, 167, 169, 173–176, 180, 192, 225, 249, 253–254, 261–262, 267, 270–273, 275–276, 280–282, 289, 294, 310, 312, 315, 317, 321–323, 328, 338–339

Scripting 32–33, 246–248, 261–262, 267, 275, 277, 283–285, 295, 307–308, 335; Scripts 119–120, 124, 247, 258, 284–285

Semitone 167, 178

Sibilance 132–133, 136

Sidechaining 288–289

Silence 27, 35, 42, 53, 327

Slotting (Frequency) 45, 93–99, 102, 104, 110, 112, 137

Snapshots 251, 268–269, 277–278, 288–289

Snare 201–203, 231

Solo 183, 187, 198–199, 203, 209–213, 220, 227–229, 235, 238; Soloist 203; Soloists 218, 235

Soundcaster (Wwise) 269, 304

Sound Design 28, 33

Sound effects 58; SFX 44, 56, 58, 73, 78, 106, 256, 278, 287, 293

Sound Emitter 37, 41, 253, 267, 270–272, 274

Soundscape 20, 34–36, 47–48, 51–53, 66, 73–74, 87, 151, 250, 253, 255, 270–272, 276, 298, 305

Soundstage 116

Soundtrack 52, 114–115, 143, 146, 151–156, 160, 163, 165–166, 182–183, 185–187, 208, 210, 227, 237, 251, 254, 257, 277, 314, 330–331, 333–334, 344, 366

Spatial (Audio) 16, 37, 49, 62, 79, 90–91, 96, 263–265, 272; Spatialization 90–91, 97–100, 102, 105–106, 111–112, 264, 271, 287, 302; Spatialized 38, 49, 99–100, 106, 112, 131

Spiccato 196, 205–206, 208

Staccatissimo 215

Staccato 196, 200, 206, 211, 215–216, 226

Stinger 52, 145–146, 316, 320–321, 323, 325

Strategies 5, 27, 180, 240, 338, 354, 360, 362

Superimposed 177

Sustainability 152, 343, 345, 347

SVN (Revision control) 260

Sweetening 115

Symphonic 182, 191–193, 200, 331; Symphony 226, 330

Synchronized 27, 66, 97; Synchronizing 97, 248, 268

Syncopation 181

Synth 29, 51, 58–62, 72, 190, 236, 316; Synthesis 16, 28–29, 58–63, 88, 96, 157, 204, 234; synthesize 57; Synthesized 29, 32, 60–63, 101, 109, 155, 182, 204; synthesizer 59, 72, 204, 332–333, 338; Synthesizers 29, 41, 58–60, 62, 102, 193–195, 199, 204, 237, 314, 335, 353

Taiko 316

Tambourine 231

Template 181–182, 189, 193–195, 204, 207, 216, 223, 226–227, 234, 241, 328; Templates 175, 193–194, 204, 277, 314

Tempo 145, 148, 180, 215, 220, 232, 267, 278, 315, 319, 321, 332

Temporal 91, 94

Thematic 147, 163, 166, 185–187, 236

Themes 29, 35, 111, 149, 156, 159, 163–164, 183–184, 186–187, 324, 334

Theory 3–6, 9–10, 41, 44, 46, 59, 79, 113–114, 155, 240, 245–246, 277, 281, 340, 346

Timbre 155, 163, 168, 171, 196–199, 203, 205, 210–212, 214, 220, 223–225, 229–230, 232, 235, 237, 314, 324, 333, 338; Timbres 155, 164, 182, 192, 199–201, 203–204, 206–207, 210–211, 213–215, 223, 225, 230, 234–236, 241, 314, 338

Timpani 181, 201–203, 222, 231

Tom 201–202, 231

Tonal 29, 41, 51, 61, 68, 132, 169, 171, 173, 202, 215, 239, 272, 274; Tonalities 177; Tonality 96, 161, 171, 178–179; Tonally 177, 179, 316; Tone 28, 48, 52, 123, 157, 163, 167–168, 170–172, 177, 179, 186, 212, 224, 230, 314; Tones 29, 41, 87, 170–171, 176, 178, 198, 202, 214–215, 223, 225

Tonic 167–168, 175–176, 246

Transcription 152

Transient 31, 45, 78, 92, 94–102, 104, 110, 112, 137, 201, 221; Transient (Stacking/Staging) 94

Transposing 169, 217, 232; Transposition 168–169, 183; Transpositions 170–171, 217

Tremolo 87, 197; Tremolos 172, 222

Triad 177, 223, 230

Trills 208, 217, 229

Trombone 198–199, 210, 212, 217, 224, 229, 231

Tuba 198, 212, 231

Twelve-tone 170–171

TwoSet 205

UI (User Interface) 26, 46, 51, 59–60, 62, 64, 68, 71–72, 109–111, 113, 255, 269–270, 289, 293, 303

Underscore 49, 149–150, 264, 303

Unison 191, 198, 203, 211–212, 230–231, 338

Unity Engine 17, 32, 102, 246, 261–265, 271, 285, 307–308, 335

Unpitched 194, 201–202, 220–221, 223, 316

Unreal Engine 17, 32, 246, 261, 285, 307–308, 335, 364

Variation 82, 100, 130, 145, 164, 167, 184–185, 187, 222, 225, 249–250, 253–254, 269–270, 274, 323–324; Variations 71, 108, 160, 163, 174, 180–181, 183–184, 191, 238, 250, 260, 274, 293, 301, 324

Vehicle 29, 50, 72, 105–109, 264, 275, 277, 337, 350

Velocity 112, 195, 207, 221, 275, 278

VFX 102, 258–259

Vibraphone 203, 222

Vibrations 21, 78

Vibrato 216

Viola 171–172, 196, 235

Violin 68, 149, 187, 196, 205, 235, 239

Vocal 71–72, 103, 125, 127, 153, 173, 218, 237, 255; Vocalist 189, 324; Vocalization 104, 121; Vocalizations 72, 103–104, 218; Vocals 126, 183, 190, 219

Voiceover 127, 130–131, 282, 285

Voicings 163, 224, 230, 238, 313

Vorbis (Ogg) 154, 257, 303

VR (Virtual Reality) 34, 37, 79, 157, 300, 306, 336–337, 340, 354–355

VST 61–62

Waterphone 68

wav 154, 257, 286, 303, 359

Weapons 50, 52, 55, 71, 92, 114, 287, 289–290, 299, 305

Wilhelm Scream 93

Windscreen 86, 127

Woodwind 199–201, 209–217, 224, 226, 229, 231; Woodwinds 194, 199–201, 203, 209–217, 219, 224, 229, 238, 313–314

Wwise (Audiokinetic) 17, 134, 246, 250, 262, 265–269, 275–280, 283–284, 286, 288, 295–297, 304–305, 316–318, 322, 325, 335, 364

Xbox (Microsoft) 49, 113–115, 300, 302

XY 79–80

Xylophone 59, 201, 203, 220, 231

YouTube 43, 98, 108, 114, 124, 157, 285, 359, 361

Zero Crossing 42

Zone 125, 146, 183, 270–272, 274, 277; Zones 33, 125, 270, 272–273, 277, 289