- Cover
- Title
- Copyright
- Dedication
- Contents
- Foreword
- Acknowledgements
- Chapter 1. What Is This All About?
- Chapter 2. Shots, Our Building Blocks
- Chapter 3. Joining Shots Together
- Chapter 4. Dealing with Dialogue
- Chapter 5. Creating Sequences
- Chapter 6. Scene Construction
- Chapter 7. Joining Scenes Together
- Chapter 8. Different Programme Styles
- Chapter 9. Sound Matters
- 9.1 Get the Room Right
- 9.2 Sound Levels
- 9.3 Sound Monitoring
- 9.4 Split Tracks
- 9.5 Wild Tracks
- 9.6 Sound Effects
- 9.7 Sound Mixing
- 9.8 Sub-Frame Editing
- 9.9 Sound Processing
- 9.10 More Specialised Sound Processing
- 9.11 Additional Dialogue Recording
- 9.12 Foley Sound Effects
- 9.13 Key Points—Sound Matters
- Chapter 10. Music, Music, Music
- Chapter 11. Scenes of Style
- Chapter 12. Video Manipulation
- Chapter 13. Editorial Responsibility
- Chapter 14. Timescales
- Chapter 15. Projects—Crossing Ts and Dotting Is
- 15.1 Bin Management
- 15.2 Media Management
- 15.3 Timeline Management
- 15.4 Your Assistant and You
- 15.5 Capturing Multicamera Material
- 15.6 Labelling Clips Sensibly
- 15.7 Keeping a Copy
- 15.8 Clock Information
- 15.9 Top and Tails: Leaders, Titles, and Clean Elements
- 15.10 Scripts
- 15.11 Panning and Scanning
- 15.12 Offline and Online
- 15.13 Tapeless
- 15.14 Key Points—Projects—Crossing Ts and Dotting Is
- Chapter 16. The Final Days
- Chapter 17. My Last Bits of Advice
- Chapter 18. In Conclusion
- Appendix 1. Loading the Exercise Media
- Appendix 2. A List of the Exercises
- Appendix 3. My CV
- Appendix 4. Abbreviations
- Index
The Editor’s Toolkit
A Hands-On Guide to the Craft of Film and TV Editing
Chris Wadsworth
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