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PART I Mindset
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PART I Mindset
by Theresa Lang
Essential Dramaturgy
Cover Page
Essential Dramaturgy
Title
Copyright
Dedication
Contents
Foreword
Acknowledgments
PART I Mindset
1 From Noun to Verb
2 Questions Asked and Answered
Questions Dramaturgs Answer
Questions Dramaturgs Ask
Rules for Questions: Asked and Answered
Summary
3 The Forest and the Trees
In Script Reading
With a Playwright
With a Director
In Production Meetings
With Designers, Technicians, and Management
In Rehearsal
Non-Production
Summary
4 Timing Is Everything
When to Ask the Question
The Question Itself
When to Ask It Again
When to Offer Content
When to Offer Commentary
What to Ask if It Has to Be Now
Staying in the Moment
The “Elephant in the Room”
The Company Elephant
The Audience and the Elephant
Summary
5 Why This, Here, Now?
Why This Play?
Why Here?
Why Now?
Again: Why This Play, Here, Now?
Summary
PART II Skillset
6 Dramaturg as Practice
The Method
Step 1: Define the Project
Step 2: Gather the Content
Step 3: Communicate the Findings
Exercises
7 The Skillset in Production
Pre-Production
The Task: The Casebook – a Tool for a Well-Resourced Production
The Task: The Dramaturg in Rehearsal
A Schedule of Events
Exercises
8 Dramaturgy to Enhance Audience Experience
The Task: Lobby Display
The Task: The Program Note
The Task: The Talkback
The Task: The Study Guide
Exercises
9 Dramaturging New Plays and Devising
New-Play Dramaturgy
Devising
Exercises
10 Notes from the Field
Metaphors for Dramaturgy and What Do You Do?
Dramaturging Productions
Working with New Plays and Devised Projects
Best Practices and Advice to Early-Career Dramaturgs
A Final Note
Additional Resources
Index
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Acknowledgments
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1 From Noun to Verb
p.1
Part I
MINDSET
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