Contents

Preface

Acknowledgments

1 Introduction to Video Production

Types of Productions

Studio Production

Field Production

Remote Production

The Production Path

Transducing

Channeling

Selecting and Altering

Monitoring

Recording and Playback

Convergence and the Digital Age

Differences between Analog and Digital

High-Definition Television

Convergence

A Short History of Video Production

Early Television

Uses of Film and Live Camera

The Impact of Recorded and Edited Video

Portable Video Equipment

Computer-Based Technologies

Aspects of Employment in the Video Industry

Work Patterns

Types of Jobs

Employment Preparation

Disciplines and Techniques

Focus Points

Review

On Set

Notes

2 Cast and Crew

Producers

Before Production Begins

During Rehearsal and Recording

After the Production

Directors

Before Production Begins

During Rehearsal and Recording

After the Production

Associate Directors

Before Production Begins

During Rehearsal and Recording

After the Production

Stage Managers

Before Production Begins

During Rehearsal and Recording

After the Production

Camera Operators

Before Production Begins

During Rehearsal and Recording

After the Production

Prompter Operators

Before Production Begins

During Rehearsal and Recording

After the Production

Lighting Directors

Before Production Begins

During Rehearsal and Recording

After the Production

Audio Engineers

Before Production Begins

During Rehearsal and Recording

After the Production

Graphics Operators

Before Production Begins

During Rehearsal and Recording

After the Production

Technical Directors

Before Production Begins

During Rehearsal and Recording

After the Production

Recordists

Before Production Begins

During Rehearsal and Recording

After the Production

Editors

Before Production Begins

During Rehearsal and Recording

After the Production

Other Positions

Cast

Performers

Actors

Focus Points

Review

On Set

Notes

3 Producing and Scriptwriting

Types of Producers

Executive Producers

Producers

Associate and Assistant Producers

Line Producers

Hyphenates

Budgets

Costs of Productions

Pay Rates

Facilities and Equipment

Constructing and Adhering to the Budget

Budget Overruns

Personnel

Casting

Crew Selection

Schedules

Legal Considerations

Copyright Clearance

Other Legal Issues

Record Keeping

Promotion and Evaluation

Scriptwriting

Treatments and Proposals

Script Forms

Focus Points

Review

On Set

Notes

4 Directing

The “Manager” Role

Blocking

Marking the Script

Other Preparation

Conducting Rehearsals

Using Communication Devices

Timing

Calling Commands

The “Artist” Role

Shot Juxtaposition

Camera Selection

Shot Relationships

Transitions

The “Psychologist” Role

Familiarity

New Relationships

Directorial Style

Working with Talent

Working with Crew

Focus Points

Review

On Set

Notes

5 Cameras

Television Formats

The Video Scanning Process

Video Formats

Principles of Video Color

Hue

Saturation

Luminance

Lens Characteristics

Focal Length

Focus

F-Stop Aperture

Depth of Field

3D and Virtual Reality

Production Use of the Zoom

Lens Ratio

Movement Control

Macro Lens

Camera Controls

Viewfinder Visual Indicators and Controls

Shutter Control

Filters

White Balance

Camera Control Unit

Prompter

DSLR and Smartphone Cameras

DSLR Cameras

Smartphone Cameras

Camera Mounting and Movement

Camera Head Movement

Camera Mounts

Camera Mount Movements

Handheld Cameras

Robotic Camera Control

Drones

Field of View

The Long Shot (LS)

The Medium Shot (MS)

The Close-Up (CU)

Picture Composition

Framing

Headroom

Lead Room

Depth Composition

Angle of Elevation

Balance

Other Composition Problems

Production Techniques

Focus Points

Review

On Set

Notes

6 Lighting

Types of Light: Incident and Reflected

Technical Lighting Objectives

Intensity and Consistency

Contrast Ratio

Color Temperature

Creative Lighting Objectives

Shape, Texture, and Perspective

Reality and Non-reality

Mood

Focus of Attention

Lamps

LED

Fluorescent

Quartz

HMI

Other Lamps

Housings

Spotlights

Floodlights

Lighting Styles

Three-Point Lighting

Multiple-Camera Lighting and Movement

Flat Lighting

Specialized Lighting

Mounting Lights

Hanging Mounts

Floor Stands

Lighting Control Factors

Intensity

Diffusion

Shape

Color

Setting up Lights

Safety Precautions and Disciplines

Focus Points

Review

On Set

Notes

7 Audio

Microphones

Frequency

Amplitude

Pickup Patterns

Construction

Positioning Possibilities

Outboard Equipment

Digital Equipment

Analog Equipment

Cables and Connectors

Types of Cables

Types of Connectors

Patch Bays and Routers

Care of Cables and Connectors

Audio Consoles

Types of Consoles

The Basic Console

Board Functions

Speakers

Recording Quality Sound

Choose the Right Mic

Position It Properly: Know and Use the Inverse Square Law

Check and Recheck

Provide Presence and Perspective

Be Ready to Troubleshoot

Adjust to Achieve the Right Balance

Pay Close Attention

Focus Points

Review

On Set

Notes

8 Graphics and Sets

Functions of Graphics and Sets

Graphics Equipment

Creating Graphics with Computers

Working with Text

Working with Graphics

Storing and Recalling Graphics

Graphics Aesthetics

Graphic Design

Aspect Ratios

Other Graphics

Using Out-of-Aspect Graphics

Keystoning and Essential Area

Basics of Sets

Virtual Sets

Physical Sets

Furniture, Set Dressings, and Props

Production Considerations When Creating Sets

Camera Movement

Microphone Placement

Lighting Instruments

Depth and the Z-Axis

Talent Movement

Focus Points

Review

On Set

Notes

9 Video Switchers

Switcher Basics

Monitoring Multiple Signals

Portable and Computer-Based Switchers

Master Control and Routing Switchers

Fundamentals of Switcher Design

Buses

Using the Preset Bus

Wipes

Keys

Mix and Preview Buses

Downstream Key and Fade Functions

Operational Techniques for Video Switchers

Switcher Overview

Performing Dissolves

Fader Movement

Automatic Transitions

Execution of the Wipe Transition

Keyed Special Effects with Two and Three Sources

Advanced Switcher Functions

Digital Effects

Advanced Controls

The Director and the Technical Director

Focus Points

Review

On Set

Notes

10 Video Recording and Playback

Video Basics

Time Code

Control and Diagnostic Components

Composite and Component Signals

Video Encoding and Compression

Encoding Digital Video

Compression Methods

Containers

Storage Technologies

Hard Drives

Optical Discs

Solid State Media

Video Servers

Putting Video on Servers

Using Servers

Preparing Video for Multiple Devices

Viewing Video Files

Encoding Parameters

Encoding Techniques

Focus Points

Review

On Set

Notes

11 Editing

Editing Basics

Off-line and On-line Editing

Project Interchange Files

Compression

Editing Preparation

Reviewing

Decision Making

Nonlinear Editing Techniques

File Management

Capturing and Importing Raw Material

The Editing Workspace

Output

Editing Aesthetics

When to Edit: Information and Action

Pacing Cuts

Jump Cuts

Axis of Conversation/Axis of Action

Special Transitions

Ethics of Editing

Focus Points

Review

On Set

12 Field Production

Introduction

Cast and Crew

Crew Size

Cleanup

Nonsequential Shooting

Producing

Scripting

Location Logistics

Budgeting

Conceptualization and Preproduction Planning

Directing

Rehearsals

Production Processes

Editing Aesthetics

Cameras

White Balancing

Filters

Power

Camera Mounts and Movement

Camera Care

Lighting

Indoor Location Lighting

Outdoor Location Lighting

Audio

Microphones

Control Equipment

Wildtrack

Extraneous Noise

Graphics and Sets

Graphics

Sets

Video Recording

Setup and Connections

Recording Procedures

Editing

The Editing Process

Audio Editing

Remote Truck Productions

Focus Points

Review

On Set

Glossary

Index

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