Chapter 9
IN THIS CHAPTER
Crafting your core business message
Discovering and sharing your story
Using video as a marketing tool
If you’re an employee of a business, nonprofit, government agency, or any other type of organization, presenting a positive interface with the world is part of your job. If you’re in business for yourself, success demands that you present your best case in every situation. You may think of yourself as a freelancer open to almost any opportunity in your field, but if you want more than an occasional gig to fall your way, best think of yourself as in business.
And just a like a big international organization, a one- or two-person business must understand its central message and deliver it consistently. This message may remain unsaid in everything you communicate about your business, but it’s your essential infrastructure. It should underwrite every page of your website, your blog, your tweets, your profiles, and everything you post on social media that is not purely for friends or relatives. And I wouldn’t be too sure that what you write to friends shouldn’t meet this standard. Today the lines between work and play blur increasingly, and a friend might be your next employer or referral source.
This chapter shows you how to find your message, tell stories that embody it, and use it in a medium that can carry it well: video. As every part of this book stresses, good writing demands that you know what to say as well as how to say it. Whether you’re writing an email, resume, proposal, or marketing video, the first imperative is to strategize your content. Substance rules. Style follows.
The key to everything from marketing campaigns to sales pitches, proposals, and résumés comes down to crafting your core message.
For companies, core messages may be internal documents, but smart enterprises invest in their creation and stick with them to frame all communication and remember when making pivotal decisions. A good core message is a living all-purpose touchstone for an organization, whether staffed by one person or thousands around the world. It also serves to unite all employees so everyone is on the same page, and hopefully, enthusiastic about it.
Is a core message the same as a mission statement? Ideally, yes. But often a mission statement is a superficial identity for the public that bears little relation to reality. Whether they’re produced by the CEO, a small committee, or with wide employee input, mission statements are often so general they mean little to either the employees or the outside world.
My favorite example of what a sense of shared mission can accomplish is a story told about John F. Kennedy. In touring NASA in its early years, he encountered a janitor in the hall, introduced himself as the president, and asked, “And what do you do?” The man answered proudly, “We’re sending a man to the moon.” This was probably not NASA’s formal mission statement, which probably sounded a lot loftier, but it embodied the sense of employee buy-in that the best business leaders dream about.
Many productions were successful, but I found that creating good videos for some programs was much harder, sometimes almost impossible. Eventually I realized these programs had something in common: lack of mission and message clarity. The managers tended to say things like, “We’ll provide whatever our customers want.” A tough and ineffective message! This problem also came up in trying to create both print and online marketing materials for the programs, but perhaps because video comes closest to portraying reality, it can be more difficult to cover up a subject’s deficits. The resulting videos felt uncentered, just like the programs.
Here’s the difference between just juggling words and writing a message that directly relates to customers. Suppose I own a consulting firm that helps businesses create their core messages. I can say:
Keystone Messaging helps you tell your story to the world so it resonates with customers. We find the right words to liven up your sales pitches, website, networking messages, and more. We save you time and bring a full set of creative skills to this challenge. The results energize your sales team, attract more people to your website, and brighten all your presentations. Our staff of experts ….
Not that terrible? But suppose I start this way:
Keystone Messaging works with you to find your company message — the message that crystallizes what you alone offer and aligns you directly with your customers’ bottom line.
This concreteness suggests a different follow-up from the first one’s vague claims. It sets you up to cite evidence. For example:
International research shows that organizations that communicate well are 1.7 times as likely to outperform their peers. Our clients in industries similar to yours document that using their core messages generates a 10 to 20 percent increase in website traffic … .
The first message may read okay but it’s just words: “resonates,” “livens up,” “creative,” “energizes,” and “brighten up.” These are process words rather than results words, and customers don’t care about them. Customers don’t want to know what you do — but what you can do for them. The second message addresses your customers’ basic agenda: Improve the bottom line.
Brainstorm with an internal group. Working with your immediate colleagues or representatives from different departments gives you the advantage of advance buy-in from different stakeholders. Or work with a business-savvy person or two whom you trust. The sidebar, “Questions to ask your team and yourself,” gives you material for this process.
This “inside route” to identifying your strengths can expand and solidify your ideas about what’s important and what to concentrate on. It also gives you a broad foundation for a communications program. Additionally, the answers can give you a head start on storytelling for your business, which I talk about later in this chapter.
If you choose to use the inside team approach, consider supplementing it with at least a few outside opinions. Doing so gives you a reality check on whether you’re moving in the right direction and staying aligned with your clients.
Your true value statement must connect with your customers and prospects, and this may take some translation. Reaching businesspeople in their own terms is not really rocket science. It’s often about dollars and cents. Use this truth to make your core message more powerful.
Try This: Start developing your core message with a thorough look into work your company has done that solves problems. Look for ways to show that you can:
Every industry is different but all share the same imperatives, though they may take different forms. Increasing revenue for a nonprofit may mean upping donations, sponsorships, or grants, or recruiting more volunteers. A government agency typically wants a larger share of the government pie, which may be achieved by better articulating the need for its service, demonstrating new efficiencies, or increasing client.
Today’s modern technological world, perhaps ironically, has come full circle to value storytelling, the oldest communication art, as the best way to deliver messages. Experts in marketing, branding, advertising, public relations, sales, and education now advocate stories to communicate ideas, values aspirations, and competitive advantage.
The idea makes perfect sense: Human beings have told each other stories for millennia, and as neurological researchers now demonstrate, we’re hard-wired to respond to them. Specific areas of the brain process stories, and when vividly told, these tales excite the same circuitry as actual experiences, making us feel we are living other people’s actions and emotions ourselves.
Stories bring presentations alive, stay with the audience, and create a bond between teller and listener. They can make abstract ideas real and vivid. They offer endless opportunity to individualize and humanize an institution or leader. And stories reach us on the emotional level where, many economists and psychologists agree, we make most decisions, big and small.
Naturally you want to harness the power of stories for yourself and your enterprises. The problem comes in applying the idea. Where can you find a good story that embodies your mission? Can you buy one at the mall? Should you take a fiction writing course? Or hire a novelist to create one for you? The short answer: No.
The New York Times publishes a series — now morphed into an online video feature — called “One in 8 Million,” which is based on the idea that “New York is a city of characters.” But of course, outside New York, too, there’s always a story. True, some are more naturally interesting than others, but you can usually find something fascinating if you dig below the surface.
In terms of your business message, you can build a story that communicates the heart of that message — and the other way around. You might already own a story line that can help you understand the meaning of your work.
The value of story-telling is in its multitude of uses: You can use them as anecdotes to spark a speech (see Chapter 8) or website, blog, or profile (Chapter 12), but I focus here on the lodestar story — one that epitomizes your business and guides how you think and communicate about it. These stories often evolve over time and must embody the core value idea I explain earlier in “Finding Your Core Business Message.”
All four story types basically revolve around people. Good stories generally do. And of course, your story must relate to the specific people you want as your audience. If you’re explaining why you’re passionate about your work, it must be work that relates to your readers. A bumpy-road story must have a message your audience cares about — perhaps how you equipped yourself to solve your audience’s problems. A success story should center on somebody just like your audience so those people can relate. A big vision should connect with your audience’s needs — perhaps by promising a solution to an important perceived problem.
For fiction writers and playwrights, just as for journalists, the hard part is the lead: where to start. Don’t be surprised if your story presents the same challenge.
A good beginning is not usually a chronological one. When you start at the first event and proceed forward in time, a story lacks suspense and doesn’t provoke the curiosity that keeps people reading or listening.
You don’t have to blow away your audience. Discovery and turning points in your own life or career make good lead material, too:
In effect, the story starts at a pivotal point in the middle of the teller’s personal saga (no, not mine, but a hovering possibility for most writers, artists, and so on). You might then speak to what got you to that low point and then how you moved on and overcame all those obstacles. The same approach works when you’re telling someone else’s success story to demonstrate how you helped.
Recounting a eureka moment where you or a customer learned something vital can work. A colleague who teaches presentation skills workshops opens by sharing her first day of teaching. She felt awkward and uncomfortable, and knew she was not connecting with her students. At the first break, one young woman approached and quietly gave her the magic clue she needed — “just be yourself.” She then briefly recounts how she gradually learned to become a strong speaker and is now equipped to help other people become their best selves as speakers.
The following ideas come from the fiction writer’s portion of the writing spectrum, but they can help the business storyteller, too. Use these approaches with both written and oral communication:
Show, don’t tell. Rather than sticking to straight narrative or piling on the descriptive adjectives, put readers right into your scene so they can draw their own conclusions. Paint a detailed picture of the situation, event, place, or person.
Try telling the story in present tense rather than past, bringing it more immediate and alive for you as well as the reader or listener. Immerse yourself in the detail and speak from inside the re-created experience.
Try This: A good way to explore storytelling is to exploit its oral basis. Identify something that has stuck in your mind, whether an experience or small incident, and then tell that story to someone orally. You may find that after a minute or so, you can immerse yourself in a specific place and time and relive what happened to a surprising degree. See where the story takes you. Because the incident comes to mind, it may shed more meaning than you expect on your career or a particular decision, action, idea. Then create a written version.
Stories are everywhere around us. Develop your awareness of good storytelling techniques in presentations you attend, what you read and what you listen to. NPR and the BBC both have storytelling programs, and it’s especially illuminating to hear well-crafted stories read aloud well. On a more down-to-earth level, take a look at Quora, “the best answer to any question,” at www.quora.com
. On this site, anyone can pose a question and have it answered by interested people ranging from “ordinary” to celebrities in their fields. You may be surprised at how effectively popular answers are in setting the stage with a line or two, drawing you in to click on the rest.
On the practical level, your own story gives you a versatile tool that can be adapted to:
I recently saw several good stories told on restaurant placemats. Each basically relates who the founders were, where they came from, how the restaurant was born and evolved, which descendants are running it now, and what makes it so great. These sorts of stories are hard not to read while you’re waiting for your food! Look for suitable opportunities (not necessarily on dinner placemats) to share and tell your own stories.
Many nonprofits are good at embodying their sense of purpose and accomplishment in stories. Companies can learn a great deal from them about humanizing abstract ideas to touch people and make their organizations memorable.
Video is (for now) the ultimate storytelling vehicle. Like film, it compels our attention by integrating moving images, voice, and music. Ways to use the medium are expanding way beyond the traditional because the production process has transformed so much. Today, just like we are all photographers and all journalists, we are all video producers.
Are we good video makers? That depends on how you look at it. A communications professional told me that after realizing that his agency’s expensive, beautifully produced videos drew only a fraction of the YouTube fans of his mailroom clerk’s videos, he put the clerk in charge of production.
Are production values — good picture, sound, and scripting — dead? We like the power of creating a 10-second video to share with friends, but we also like our movies and television shows to be beautifully shot and technically excellent. In some venues, like YouTube, do people prefer rough amateur video made on smartphones? Often, I think, we do. They strike us as “authentic” and real. Of course, our smartphones and other devices are become amazingly sophisticated in handling the moving image, at least in short bursts. And ways to share our experiences and imagination grow along with the technology.
Social media like Snapchat and Instagram surface a lot of creativity in using images, including video, to communicate visually. And the easier and more affordable it becomes to produce video, the bigger the role it plays in longer form vehicles for both classroom and online learning, entertainment, and marketing.
I focus here on both practical ways to create and use do-it-yourself video and high-end, more traditional video, because knowing those techniques will help you succeed better when you wear all the hats specialists hold: director, scriptwriter, cameraperson, sound specialist, voiceover talent, editor, animator.
Social media services do endless surveys to prove how important images, and especially moving images, are to reach target audiences. The last statistic I saw was that people are 40 times more likely to open a posting with video than without. The statistics boggle the mind. At the time of this writing, Facebook reported it generates 8 billion video views per day. YouTube claims more than a billion users who spend 60 percent more hours watching videos year over year.
There is an unquenchable appetite for video. But most of that is created for entertainment purposes. As with social media, businesses are getting better at producing video that has audience appeal while it promotes their goals at the same time. You can do this, too. Like social media, video is another route to leveling the playing field for small businesses, startups, professionals, and independent workers. The price of entry is more one of time and creativity than big bucks. Here are a few ideas of how you can use video:
If yours is a service business, you might create glimpses of what you do and how, for example. If you run training workshops, clips of the action are far more effective for marketing than endless descriptions. A nonprofit can showcase its accomplishments, focusing on people its work has helped. Heartwarming interviews with grateful beneficiaries can touch viewers in ways that miles of brochures will never do. Needs can be made graphic by showing, for example, victims of a natural disaster, a child in need of financial help, or a ruined landscape calling for remediation.
Video is also a powerful tool for fostering team unity. International organizations use it to deliver messages from headquarters and make the CEO “real” across international waters. One smart communications department produces short features that each focus on a single employee talking about his personal interests and passions. This humanizes the work environment and makes it more collegial. Staff members feel important and appreciate that they are working alongside interesting individuals. Other companies invest in video to showcase their contributions to good causes, and their employees. This promotes good feelings both inside and outside the company.
Corporations and nonprofits alike create an endless number of full video “shows” to use in a range of venues, from sales presentations to speeches and special events. Marketing professionals love video because it can bypass customers’ rational side and go straight to the emotions. Even a good 30-second television commercial can do that. However, both commercials and video marketing shows are accomplished through expensive planning, shooting, and postproduction work with large teams of specialists. But today’s technology enables you to do quite a lot to promote yourself and your business, even without the expensive equipment and large team of specialists.
Script your video before you start shooting. It’s like everything else in life: How can you get what you want if you don’t know what that is? Regardless of production values, video improves dramatically when you use writing as the base.
Further, if you’re collaborating with anyone else, you need to write the script so the different specialists are on the same page and everyone involved can contribute refinements based on his or her own viewpoints and expertise.
Scriptwriting is a special kind of writing challenge because it’s multidimensional. The picture must be planned right along with the narration or live sound. This becomes obvious the first time you work on a video project that is more than 15 seconds long. During my first experience, I came to the editing room with 15 pages of carefully written and recorded voiceover and a few days of on-site shooting. The editor laid down the first two minutes of sound and said, “Okay, what’s the picture?” We had only 30 seconds’ worth of relevant footage. Out went the script.
According to the nature of your project (and budget), content can include:
Video of the company leader is a powerful way to liven up a website or social media page, even if you’re a one-person operation. Someone — perhaps you — talking on camera about your business, product, service, or career dream is a much more personal introduction than plain old written copy. You and your business become real to the viewer and he feels he knows you personally.
Try This: Record yourself for a few minutes speaking directly to a camera and then take a hard look at how you come across on video. Ask colleagues for honest input. If the piece doesn’t show you off to advantage, either:
What often works best is to find something about your work that ignites your own genuine enthusiasm or passion. I once reviewed a script for a travel agent that began, “Hello, I’m Viola Smith, and I run a full-service travel agency that takes care of you all over the world.” I suggested instead, “I’m Viola Smith, and what I love about my work is rescuing people from the travel adventures they didn't expect.”
After your lead is in place, the rest falls naturally. Viola went on to give a few examples of extreme rescue, like finding a flight from Afghanistan for a family at four in the morning, and replacing a traveler’s stolen money and documents in time for him to get home for his daughter’s birthday. In less than a minute, the video demonstrated Viola’s problem-solving skills and above-and-beyond service, which connected well with prospects. Who hasn’t had a disastrous travel experience and doesn’t anticipate another? Viola’s message was a reassuring, “Don’t worry, I’ve got your back and I’ll do whatever it takes. And I love doing that.”
A simple line or two introducing yourself is fine for a video opener — you don’t need a flashy introduction or magical words. But use your best writing-thinking skills to find the substance that you can communicate with great conviction. There’s a good quote from Theodore Roosevelt that applies: “Nobody cares how much you know until they know how much you care.”
Most people today go straight to the Internet to learn things: how to fix a computer problem, how to treat a pulled muscle, how to make a quilt. If you’re good at something or have specialized knowledge, you probably already possess excellent subject matter for how-to videos.
Disseminating such videos may be well worth your while to establish expertise or authority in your field. The Internet offers an astonishing number of videos, just like blogs, that share knowledge purely for the satisfaction of doing so. I think that’s great, but bear in mind how much competition is out there. Think through carefully how to communicate your knowledge or advice as clearly as possible. Create a step-by-step set of visual-plus-narrative instructions.
How-we-do-it videos are also especially good enhancements for your organization’s website or blog. Whether you make boots or art glass, teach yoga, or fix carburetors, how-to tips can interest your target audiences. They can also communicate what makes your product unique and perhaps expensive: special materials, a demanding process, long experience.
If like most of us you’ve searched online for a way to solve a problem, you’ve probably found that most how-to videos are badly produced: out of focus picture, poor sound, hard to follow. Use common sense and pay attention to production values as best you can. If given a choice, we’ll all watch the better-quality video.
If you’re basically your own crew, rely on the following production essentials:
For more tips on achieving quality and using a step-by-step production process, see Chapter 17.
Articulating your special value, adopting the techniques of storytelling, and applying some video know-how can amplify your communication toolkit nicely. The techniques will come to your aid in many situations where you are selling yourself in some way, from building a unique online presence to job hunting, my next subject.