In this chapter, you learn the various ways to combine graphics with text, including placing anchored objects, applying text wraps, and inserting type on a path.
Graphic images and text are two very different page elements that complement each other well in a layout, but in some instances the two merge to become one. For example, you might want to inset a graphic in a body of text and flow the story around it, creating what is known as a text wrap. You also might want to anchor a graphic to the baseline of a paragraph to ensure its positioning in the layout as you edit the surrounding text. You can even create text on a path that can serve as graphic elements in your layout.
You can push any neighboring text away from an object (such as a shape or placed graphic) by applying a text wrap to it. To do so, select the object and click one of the buttons located at the top of the Text Wrap panel (see Figure 11.1) or in the Control panel. Options include No Text Wrap, Wrap Around Bounding Box, Wrap Around Object Shape, Jump Object, and Jump to Next Column.
Figure 11.1. Click one of the Text Wrap buttons to apply a wrap to the selected object(s).
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Unlike the Wrap Around Bounding Box option, Wrap Around Object Shape only allows you to apply one offset value around the entire object.
Figure 11.2. Wrap Around Bounding Box enables you to apply a different text wrap value to the top, bottom, left, and right sides of a frame
Figure 11.3. Wrap Around Object Shape applies one offset value around the entire object.
Figure 11.4. Jump Object applies a wrap that “jumps” the text over an object, resulting in text above and below the offset but not to the left or right.
Figure 11.5. Jump To Next Column applies a wrap that “jumps” text to the next column, stopping the text at the top of the offset.
When applying the Wrap Around Object Shape option to a frame containing a placed image, InDesign activates the Contour Options portion of the Text Wrap panel. To view these options, choose Show Options from the panel menu.
The Contour Options Type drop-down list enables you to choose a contour type (such as a clipping path) to base the text wrap on. Options include Bounding Box, Detect Edges, Alpha Channel, Photoshop Path, Graphic Frame, Same as Clipping, and User-Modified Path (for more on working with clipping paths and channels, see Chapter 10, “Working with Graphic Links”).
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Figure 11.6. Bounding Box applies a text wrap to the outer edge of the placed graphic. This includes all areas that are cropped by a graphic frame.
Figure 11.7. Detect Edges applies a text wrap based on edges calculated by existing white areas in a placed graphic.
Figure 11.8. Alpha Channel and Photoshop Path applies a text wrap to the contour of an embedded alpha channel or Photoshop path.
Figure 11.9. Graphic Frame applies one offset value to all sides of the frame container.
Figure 11.10. Same As Clipping enables you to apply a text wrap based on a clipping path that is created in InDesign
Figure 11.11. InDesign automatically displays User-Modified Path in the Type list when you edit a text wrap by selecting and repositioning points on the boundary path with the Direct Selection tool.
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InDesign enables you to select text characters and convert them into editable paths. After you convert the text, you can no longer edit the characters with the Type tool; however, you can edit the character paths using the InDesign drawing tools, such as the Pen, Pencil, Eraser, and Scissors (see “Modifying Paths and Frames” in Chapter 5, “Working with Frames and Shapes”).
To convert all the text characters in a selected frame into editable paths, select the text frame with either selection tool and choose Type, Create Outlines. InDesign instantly converts all the characters in the frame and groups them. Characters such as P and A are automatically converted into compound paths. To convert individual selected characters in a text frame into editable paths, highlight them with the Type tool and choose Type, Create Outlines. When you do, InDesign converts the selected characters into paths and treats them as nested inline objects.
Just like with any other custom shape, you can edit a character outline by selecting and repositioning points on the path with the Direct Selection tool (see Figure 11.12). You can also add, delete, or convert points using the various Pen tools; add points using the Pencil tool; erase points using the Erase tool; cut points and line segments using the Scissors tool; and smooth points using the Smooth tool. You can also transform outline characters using the Scale, Shear, Rotate, Free Transform, and selection tools (see Modifying Paths and Frames in Chapter 5).
Figure 11.12. InDesign enables you to edit character outlines using the various drawing tools.
With InDesign, you can paste an object into a line of text and create what is known as an inline object. In addition, InDesign’s Anchored Objects feature enables you to take this one step further and position the object outside the column. By inserting an inline or anchored object, you can secure the object’s positioning in the layout as you edit or move the text.
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Inline objects are anchored to the baseline along with all of the text characters. Follow these steps to create an inline object:
Figure 11.13. Shown here are three small graphic objects, each pasted on a line of text.
To create an anchored object, apply the Object, Anchored Object, Insert command. By doing so, you can gain access to many additional options, such as the capability to place an anchored object above or beside a text column.
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To insert an anchored object, apply the following steps:
Figure 11.14. The Insert Anchored Object dialog box enables you to specify where you’d like to position the object in relation to the baseline.
After you insert an anchored object into a body of text, you can select it with either selection tool and manually reposition or resize the frame and/or its contents (graphic or text). To lock the anchored object into place, select it and choose Object, Anchored Object, Options. In the Anchored Object Options dialog box that appears, click the Prevent Manual Positioning option.
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InDesign’s Type on a Path tool enables you to create text objects that also serve as graphic elements in your layouts. You can use the tool to place editable text along the contour of any open or closed path. Like all other editable text, you can select type on a path with the Type tool, format it, apply styles to it, and edit it with the Story Editor.
To create type on a path, press Shift+T to access the Type on a Path tool, and position the cursor over any open or closed path. When the cursor changes to display a plus sign, click once to position it on the path using the document default paragraph alignment option. Alternatively, you can define the area of the path that you’d like to add text to by clicking and dragging with the tool (see Figure 11.15).
Figure 11.15. Click and drag along the path to define the area you would like to add text to.
After you insert the cursor, you can add text to the path by typing. As you type, the added text follows the contour of the path. You can also paste text onto the path from the Clipboard or import it using the File, Place command. Any text that does not fit is stored as overset text.
To change the position of the type, select the Start Indicator or End Indicator with the Selection tool, and then hold the mouse button down and drag it along the path (see Figure 11.16). When you’re ready, release the mouse button to apply the change. To flip the type, select the Flip Indicator located in the center of the text, hold the mouse button down, and drag it above or below the path. Release the mouse button to apply the change.
Figure 11.16. Click and drag the Start or End Indicator to reposition the type on the path; click and drag the Flip Indicator to flip the text.
InDesign also includes several options for working with type on a path. To access these options, choose Type, Type on a Path, Options. In the Type on a Path Options dialog box that appears, you can choose specific effects to apply to selected type on the path. The settings in the dialog box also enable you to change character alignment and spacing, flip the type, or delete it.
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To apply a type effect to a selected text path object, follow these steps:
Figure 11.17. Choose an effect to apply to the type on a path from the Effect drop-down list. Shown here is the Skew effect.
• Ascender aligns the top of the capital letters to the path.
• Descender aligns the bottoms of the characters to the path.
• Center aligns the text to the path at the vertical center point of the capital letters.
• Baseline aligns the baseline of the characters to the path.
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InDesign enables you to generate a photo caption based on metadata info that is embedded in the placed photo. You can generate a “live” caption that updates as the metadata is edited or as the caption is repositioned over a different photo. You can also generate a “static” caption that remains unchanged regardless of any metadata edits that you apply or where you position the caption in the layout.
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Follow these steps to generate a caption:
Figure 11.18. You can choose caption setup options from the Caption Setup dialog box.
Figure 11.19. InDesign displays the caption using the specified setup options.
You can also generate a static caption when placing a photo using the File, Place command. To do so, enable the Create Static Captions option located at the bottom of the Place dialog box (see Figure 11.20). When you click Open, InDesign closes the Place dialog box and displays the loaded place cursor. After you place the photo, InDesign reloads the cursor with the static caption. Click and drag to create a frame for the caption text. When you release the mouse button, InDesign places the text inside the frame.
Figure 11.20. Enable the Create Static Captions option in the Place dialog box.