- Cover
- Full Title
- Copyright
- Contents
- Foreword to the Third Edition
- Foreword to the Second Edition
- Foreword to the First Edition
- Preface: Are We Legit Yet?
- Author's Page
- SECTION I BACKGROUND AND ORGANIZATION
- 1. The Birth of Rock and the Rise of the Concert Lighting Field
- Concert Lighting Begins in the United States
- The San Francisco Light Show
- Other Cities and Venues
- Fill more East
- Fledgling Lighting in England
- Moving to Larger Venues
- The End of Bill Graham's Fillmores
- Melding Forms
- Lighting Becomes Big Business
- Mergers and Buyouts
- Casinos
- Purpose Built Concert Amphitheatres
- LED Revolution
- Expansion Beyond the Concert Format
- The Concert Lighting Designer/Director
- 2. Tour Personnel and Unions
- 3. Business
- 4. PreProduction
- 5. The Design Stage
- 6. Cueing the Music
- 7. Road Life
- 8. Working Outside the United States
- 9. Risk Assessment and Safety
- 10. Finding Solutions
- 1. The Birth of Rock and the Rise of the Concert Lighting Field
- SECTION II EQUIPMENT DESIGNED TO TRAVEL
- 11. Lighting Consoles
- 12. Portable Dimming and Distribution Systems
- 13. Lighting Trusses
- 14. Lifts, Hoists, and Roofs
- 15. Moving Luminaires
- 16. LED Units
- 17. Digital Lighting and Media Servers
- 18. Conventional Lighting and Accessories
- The PAR Family
- Fresnel
- Ellipsoidal Reflector Spotlight
- Cyclight and Farcyc
- The New Beam Projectors
- Audience Blinders
- Follow Spot
- DMX Iris
- Shutter
- Fat Lights
- Color Scrollers and Changers
- Strobes
- Moving Yoke
- Projectors
- Blacklights
- Flame Effects
- Color Media
- Gobos and Accessories
- Man Lift
- Personal Accessories
- 19. Smoke and Pyrotechnic Effects
- 20. Protocol, Control, and Ancillary Enablers
- 21. The Designer's Workbox
- 22. Festivals, Fairs, Racetracks, Amphitheatres, Casinos, and Local Lighting Equipment
- SECTION III DESIGNING WITH TOURING EQUIPMENT
- 23. Master Designers
- 24. Designers Perspective: Art vs. Business
- 25. Artist's Perspective
- What to Expect
- Engaging the Artist
- Establishing a Relationship
- Handling Rejection
- The Artist's Perspective
- Kevin Cronin, Lead Singer, REO Speedwagon
- Establishing Ideas
- Ronnie James Dio, Lead Singer, Heaven and Hell and Dio
- Establishing Ideas
- Gil Moore, Vocalist/Drummer for Triumph
- Establishing Ideas
- 26. Music Video, Film, DVDs, and Long-Form Production
- SECTION IV THE AFTER-WORD
- Glossary
- Bibliography
- Index
Concert Lighting
Techniques, Art and Business
THIRD EDITION
Dr. James L. Moody, Ed.D.
With contributing writer
Paul Dexter
-
No Comment
..................Content has been hidden....................
You can't read the all page of ebook, please click here login for view all page.