Use leaf rubbings as a starting point for drawing a leaf front and back. Follow these directions, and give it a try!
Place another piece of tracing paper over the rubbing and trace a more refined drawing, using the rubbing to determine how the veins come off the midrib. This is the stage where you decide how much or how little information will go into your drawing. Make sure all the veins connect to the midrib. Then transfer the refined drawing onto a clean sheet of drawing paper.
This is of the top, or front, of the leaf, which has a slightly puckered surface. Using the light source of 11 o’clock at 45 degrees gives it greater depth and form and accentuates the convex shape. Tape your leaf to a wall and photograph it with the light source as reference.
Each section of the leaf on both sides appears as a convex, half-spherical shape. This is achieved by following the surface contour of each undulation. The tonal values incorporate the venation and get lighter where the leaf protrudes and is closer to the light source.
The back of the leaf is a reverse image of the front. The veins protrude and each section is concave, going inward. The light source is still in the same position, but the result is the opposite, due to the change in direction of the surface contour. Notice how the highlights are now in reverse, and each raised vein casts a shadow to its right onto the leaf.
It can be difficult to create tiny white veins. A simple and effective way to render fine lines in a drawing is to impress them into the paper. To do this, start with your tracing paper drawing, so you already have the top of the leaf drawn. You will use it again to create the underside of the leaf.