1.5 Absorption, reflection and RT
2.5 Reflections affect spaciousness
3.1 Electromagnetic transducers
3.2 Dynamic microphone – principles
3.3 Ribbon microphone – principles
3.4 Capacitor microphone – principles
3.6 Sum and difference processing
3.8 Microphone noise specifications
4.1 Electrostatic loudspeaker – principles
4.3 Horn loudspeaker – principles
5.9 Metering, signal levels and distortion
8.1 Analog and digital information
8.4 Sampling – frequency domain
8.5 Audio sampling frequencies
8.6 Parallel and serial representation
8.7 Dynamic range and perception
8.10 Dynamic range enhancement
9.1 Rotary and stationary heads
9.5 Storage requirements of digital audio
10.3 Computer networks vs digital audio interfaces
10.4 Carrying data-reduced audio
14.2 MIDI connectors and cables
14.4 Registered and non-registered parameter numbers
14.5 Standard MIDI files (SMF)
14.6 Downloadable sounds and SoundFonts
15.4 Relationships between video frame rates and audio sampling rates
15.5 Quarter-frame MTC messages
16.1 Binaural versus ‘stereophonic’ localization
16.5 Stereo misalignment effects
16.7 End-fire and side-fire configurations
18.1 Effects of frequency response on sound quality
18.2 Effects of harmonic distortion on sound quality