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by John Watkinson
Introduction to Digital Video, 2nd Edition
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Title
Copyright
Contents
Preface
1. Introducing digital video
1.1 Video as data
1.2 What is a video signal?
1.3 Why binary?
1.4 Colour
1.5 Why digital?
1.6 Some digital video processes outlined
1.7 Time compression and expansion
1.8 Error correction and concealment
1.9 Product codes
1.10 Shuffling
1.11 Channel coding
1.12 Video compression and MPEG
1.13 Disk-based recording
1.14 Rotary-head digital recorders
1.15 DVD and DVHS
1.16 Digital television broadcasting
1.17 Networks
2. Video principles
2.1 The eye
2.2 Gamma
2.3 Scanning
2.4 Synchronizing
2.5 Bandwidth and definition
2.6 Aperture effect
2.7 Colour
2.8 Colour displays
2.9 Colour difference signals
2.10 Motion portrayal and dynamic resolution
2.11 Progressive or interlaced scan?
2.12 Binary codes
2.13 Introduction to digital logic
2.14 The computer
2.15 The processor
2.16 Timebase correction
2.17 Multiplexing
2.18 Statistical multiplexing
2.19 Filters and transforms
2.20 FIR filters
2.21 Sampling-rate conversion
2.22 Transforms and duality
2.23 The Fourier transform
2.24 The discrete cosine transform (DCT)
2.25 Modulo-n arithmetic
2.26 The Galois field
2.27 The phase-locked loop
3. Conversion
3.1 Introduction to conversion
3.2 Sampling and aliasing
3.3 Reconstruction
3.4 Aperture effect
3.5 Two-dimensional sampling
3.6 Choice of sampling rate
3.7 Jitter
3.8 Quantizing
3.9 Introduction to dither
3.10 Requantizing and digital dither
3.11 Basic digital-to-analog conversion
3.12 Basic analog-to-digital conversion
3.13 Oversampling
3.14 Gamma in the digital domain
3.15 Colour in the digital domain
4. Digital video processing
4.1 A simple digital vision mixer
4.2 Keying
4.3 Digital video effects
4.4 Graphics
4.5 Applications of motion compensation
4.6 Motion-compensated standards conversion
4.7 De-interlacing
4.8 Noise reduction
5. Video compression and MPEG
5.1 Introduction to compression
5.2 What is MPEG?
5.3 Spatial and temporal redundancy in MPEG
5.4 I and P coding
5.5 Bidirectional coding
5.6 Spatial compression
5.7 A bidirectional coder
5.8 Handling interlaced pictures
5.9 An MPEG-2 coder
5.10 The elementary stream
5.11 An MPEG-2 decoder
5.12 Coding artifacts
5.13 Processing MPEG-2 and concatenation
6. Digital coding principles
6.1 Introduction
6.2 Types of transmission channel
6.3 Transmission lines
6.4 Types of recording medium
6.5 Magnetic recording
6.6 Azimuth recording and rotary heads
6.7 Optical and magneto-optical disks
6.8 Equalization and data separation
6.9 Slicing and jitter rejection
6.10 Channel coding
6.11 Simple codes
6.12 Group codes
6.13 Randomizing and encryption
6.14 Partial response
6.15 Synchronizing
6.16 Basic error correction
6.17 Concealment by interpolation
6.18 Parity
6.19 Block and convolutional codes
6.20 Cyclic codes
6.21 Introduction to the Reed-Solomon codes
6.22 Correction by erasure
6.23 Interleaving
6.24 Product codes
8. Introduction to the digital VTR
8.1 History of DVTRs
8.2 The rotary-head tape transport
8.3 Digital video cassettes
8.4 DVTR block diagram
8.5 Operating modes of a DVTR
8.6 Confidence replay
8.7 Colour framing
8.8 Timecode
8.9 Picture in shuttle
8.10 Digital Betacam
8.11 DVC and DVCPRO
8.12 The D-9 format
8.13 Digital audio in VTRs
8.14 AES/EBU compatibility
9. Digital communication
9.1 Introduction
9.2 Production-related interfaces
9.3 SDI
9.4 SDTI
9.5 ASI
9.6 AES/EBU
9.7 Telephone-based systems
9.8 Digital television broadcasting
9.9 MPEG packets and time stamps
9.10 Program clock reference
9.11 Program Specific Information (PSI)
9.12 Transport stream multiplexing
9.13 Broadcast modulation techniques
9.14 OFDM
9.15 Error correction in digital television broadcasting
9.16 DVB
9.17 ATSC
9.18 Networks
9.19 FireWire
9.20 Broadband networks and ATM
Glossary
Index
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Copyright
An Introduction to Digital
Video
Second Edition
John Watkinson
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