chapter SEVENTEEN
Special Events

The Landmark Theater chain has a wonderful tagline: “Film: the Universal Language.” The same can be said of special events. The most common fundraising strategy in every town and every country is the special event. One can imagine that the first cave person who looked around and said, “We need a place for the children to play without worrying about saber‐toothed tigers” was met with the suggestion: “Let's have a barbecue fundraiser.” In this chapter we look at when to use events and how to organize them.

First, a definition: special events are social gatherings of many sorts that can expand the visibility of an organization; bring your different constituencies together; give those attending an amusing, interesting, or moving time; and possibly make money for the organization sponsoring the event. Events help build a community of supporters who may then express their affection for your organization through other kinds of giving, as well as tell their own friends about you. We learned during the COVID lockdown that events can be held virtually and meet most of the same criteria as events held in a physical space. The variations among special events are practically limitless, as are the possibilities for money earned or lost, amount of work put in, number of people participating, and so on. Because of their variety and flexibility, special events are excellent strategies for acquiring, retaining, or upgrading donors, and organizations that are serious about building a broad base of individual donors need to have one or two special events every year, whether virtual or physical.

Events are often misunderstood and misused. Organizations hope that they will raise lots of money and are disappointed when they don't. Some organizations lurch from event to event, trying a new one without giving an event the time it takes to really develop; these organizations are constantly being disappointed in how little they are raising for the effort they are expending. They don't take into account that an event often needs two or three years to really hit its stride, and by going from one event to another, they are always starting over. Further, they miss the fact that events can do much more than raise money. In fact, money is not what events do best. The following are the best goals for special events:

  • To call attention to the organization and attract people to it at a particular time.
  • To raise the overall visibility or profile of the organization.
  • To bring in money, preferably either new money or money from people and places that wouldn't otherwise give your organization money. However, as with many acquisition strategies, sometimes there is no immediate financial payoff.

With each successive event, and in combination with other fundraising and organizing efforts, your organization becomes known to more and more of the people who should know about you. The more well known your organization is to people who believe in what you do, the easier it is to raise money. Many small organizations find that lack of name recognition is one of their biggest challenges.

ASSESS WHERE YOU NEED TO BE MORE VISIBLE

You can assess the visibility of your organization by asking this question: Of the people who should know about us, what percentage do? This percentage is called your visibility quotient. This question is not as easy as it seems because it requires thinking through what types of people should know about your organization and what mechanisms reach those people. For example, if you are regularly featured in the local newspaper, you may be well known to those who read the paper, but that is an increasingly small number of people. Getting more print publicity will not help you, and you will need to move to some other form of outreach in order to reach new constituencies. Service organizations often find that they are well known to those who seek their services (such as seniors needing meals delivered to their homes), but not known at all by those who might donate to provide these services. Really thinking through which demographics should be familiar with the work of your organization and comparing that with the demographics of the people who currently support you will give you information about who you are missing. Just to take a very broad example that applies to thousands of organizations, in 2015, three‐fourths of donors in the United States were non‐Hispanic whites (http://www.thenonprofittimes.com/wp-content/uploads/2015/03/Diversity-in-Giving-Study-FINAL.pdf). That demographic skews older and is not aligned with the racial composition of the United States, where 60% of the population is non‐Hispanic white people. In four states (California, Texas, Hawaii, and New Mexico), people of color constitute the majority of the population, and people of color make up more than 40% of the populations of another nine states—Arizona, Florida, Georgia, Louisiana, Maryland, Mississippi, Nevada, New Jersey, and New York. By 2044, the majority of people in the United States will be people of color.

Organizations whose donor base is predominantly older white people need to do a better job of inviting people of color to be donors if they want to continue to have a broad base of donors. But if your fundraising is primarily aimed at white people, it should not be a shock that your donor base will be mostly white. (Diversifying a donor base is the subject of many webinars, conferences, articles, and books. It is complicated because “people of color” are not one demographic, and diversity also means diversifying across class and age lines.) Because one goal of having a broad base of individual donors is building power in your community to make change, having a donor base that looks like your community is critical to being able to meet your mission.

Assessing your visibility will help you see who you are missing; then you can decide whether an event is the best way to reach the demographic you want to reach, or whether another strategy would work better. Given the universality of events, we often find that an event is a good place to start.

RAISING MONEY IS A SECONDARY GOAL

Raising money is a secondary goal for a special event because there are many faster and easier ways to raise money. An organization that simply needs money (perhaps from being in a cash flow bind or having an unexpected expense) will find that organizing an event is a slow way to raise that money. Peer‐to‐peer fundraising, calling friends, reaching out personally to longtime major donors, or even a quick email to loyal donors will be faster and cheaper. On the other hand, an organization that wants to raise its profile, bring in new people, and possibly make money at the same time will find a special event an ideal strategy.

TYPES OF PEOPLE WHO ATTEND SPECIAL EVENTS

There are two categories of people who attend events: those who come because of the event itself and those who come both for the event and to support your organization. In the first category are people who would attend a particular event no matter who sponsored it. These people go to flea markets, dances, movie benefits, lectures or webinars on particular topics, auctions, and so on because they like those events. Sometimes, these people will not even know the name of the nonprofit sponsoring the event. In a similar vein, small businesses or corporations that sponsor events, donate items for silent auctions, buy tables at luncheons, or even underwrite the entire cost of an event might not give the organization money under other circumstances. They want the advertising and resulting goodwill the event provides, along with the chance to target a specific audience inexpensively. Raising money from a person or a business that would not give you money otherwise is a smart use of an event and provides another income stream. In fact, most successful events have raised much of their money prior to the event from sponsorships.

Of course, the event should also be designed to draw people who are interested in your organization. For organizations in rural communities or those serving a very small constituency and unable to build a large base of donors, events that draw people to the event rather than to the cause will be important for raising money.

The second kind of people who attend events are those who are both interested in the event and believe in your cause. They may not have heard of your organization before learning of this event, or they may already know of your organization and want to support it while getting something important to them. For example, women wanting to take a self‐defense class may choose one sponsored by the local rape crisis program rather than by a commercial gym in order to support the rape crisis program. After the classes, some of the participants may join the program as volunteers and paying members. People who buy all their holiday presents at a crafts fair that benefits a public radio station or who enter marathons sponsored by organizations they believe in should be asked by those organizations if they want to be on the email list (if they are not already) and within two months should be asked to become donors.

Among the second type are people who appreciate your organization's work but can't afford or don't want to donate more than a small sum. For them, attending a $15 movie benefit or buying a T‐shirt from your booth at the farmers' market is a perfect way to show support.

Although both kinds of audiences are important, the second type is clearly the priority to attract donors who will continue to give year after year.

CHOOSING A FUNDRAISING EVENT

Several criteria should be considered in choosing the kind of fundraising event to produce: the appropriateness of the event, the image of the organization that the event creates, the number of staff and amount of volunteer energy required, the front money needed, the repeatability and timing of the event, and how the event fits into the organization's overall fundraising plan.

Appropriateness of the Event

To decide whether an event is appropriate, ask yourself: “If people knew nothing about our organization except that it had sponsored this event, what would they think of us?” If you think their thoughts would be neutral or good, then the event is appropriate. If you think that the nature of the event would raise questions for donors, you should think again. Examples of inappropriate events abound. In the extreme, if you are an animal rights group, you don't sponsor a hot dog eating contest; if you run an alcohol recovery program, you don't have a wine tasting.

Sometimes the issue is more subtle than just the type of event. Organizations addressing the problem of food deserts in their communities and the lack of affordable fresh fruits and vegetables should not then buy food for their events from giant box stores, even if it costs them much less to do so. Issues like serving meat, using nonunion printers, holding events in venues that are not wheelchair accessible or where there is a history of discrimination must all be considered; your decisions (which are often financially based) will reflect on the overall reputation of the organization.

Image of the Organization

In addition to being appropriate, the event as much as possible should be in keeping with or promote the image the organization wishes to have. Appropriateness aside, image can also be a distinct issue. Many events that are appropriate for an agency do not promote a memorable image of it. For example, a library would probably choose a book sale over a bake sale, even though both are appropriate. An organization promoting awareness of high blood pressure might choose a health fair over a movie benefit. An environmental organization would use a white‐water rafting trip over season tickets to the ballet as a door prize, even though both are appealing prizes. The idea is to attract people to your event who might become regular donors to your organization by linking the event to your mission. Savvy readers will be thinking, “I can make an argument for the exact opposite of each of your examples. The bake sale might encourage people who have never been in the library to check it out in the way that a stodgy book sale would only attract current library patrons. A movie in a theater where you could also get your blood pressure checked or get other health information will bring in people who love movies but may not be as health conscious as they should be. Ditto that people who love ballet can also love the outdoors and vice versa.” All true—which is why you must think deeply about who you are trying to attract and why, but also about how you are going to link the mission of your organization to the image of the event.

Energy of Staff and Volunteers

Estimating the time and energy required of staff and volunteers to plan and mount an event involves several considerations. How many people are required to put on this event? What would these staff members and volunteers be doing for the organization if they were not working on this event? Are there enough volunteers who have the time required to produce this event—not only to manage the event on the day of its occurrence but to take care of all the details that must be done beforehand and to help with the follow‐up? Volunteer time is a valuable resource and should be used strategically.

Front Money

Most special events require that some money be spent before there is assurance that any money will be raised. The front money needed for an event should be an amount your organization could afford to lose if the event had to be canceled. This money should already be available—you should not, for example, use funds from advance ticket sales to rent the event venue. If the event is canceled, some people will want their money back, but you may not get your whole rent deposit back. Events that require a lot of front money can create a cash flow problem for an organization. During the height of the COVID pandemic shutdown, some organizations lost thousands of dollars when deposits on hotels or caterers were not refundable but the event could not be held. And, with climate change, every large event runs the risk of a major weather event disrupting or forcing cancellation altogether. Some organizations that successfully pivoted to online events are electing to stay with virtual events to avoid such problems.

Repeatability

The best event is one that becomes a tradition in your community, so that every year people look forward to the event. Using this criterion can save you from discarding an event simply because the turnout was small the first time you did it. Perhaps you did too little outreach and only a handful of people came. If each of those people had a great time and you heard them saying, “I wish I had brought Elvira,” or “I wish Siobhan had known about this,” then it may be worth having the event again next year. To decide whether an event is repeatable, evaluate whether the same number of people working the same number of hours would raise more money (or whatever the goal was) when producing this event again.

Timing

You need to find out what else is happening in your community at the time you want to hold your event. You don't want to conflict with the major fundraising event of a similar organization, nor do you want to be the tenth concert or lecture in a row. If you are appealing to a particular constituency, you need to think of their timing. Farmers are mostly unavailable during planting and harvesting seasons, Muslims will not appreciate being invited to a food festival during Ramadan, LGBTQ+ people may not come to a daylong meditation scheduled during the local Pride Parade, and so on.

The Big Picture

The final consideration is the place of the event in the overall fundraising picture. If you find that the same people attend all your organization's events as well as donate to your e‐appeals, you may be “eating your own tail” and need to rethink how you are using events. On the other hand, if the event builds community and loyalty and you raise more money overall from your current donors because of the event, then you need to have it.

If you need to raise money from new constituencies and no event seems to be working, then maybe an event is not the right approach. You may need to explore direct mail or online strategies or push your board members to do more outreach to their family and friends. If, after analyzing your donor base, you decide that your organization needs to increase its number of thoughtful donors, then you won't do as many events whose main purpose is acquisition and you will do much more personal solicitation. In other words, special events must be fed into the overall effort to build a donor base or the effort of the event will have mostly been wasted.

THE LOGISTICS OF A SPECIAL EVENT

Special events require more planning time than one would imagine. Unlike other fundraising strategies, events must be planned with attention to minute details. One mistake can throw off weeks of work. Although different kinds of events require different types of planning and longer or shorter timelines, there are some things that every event requires; these are detailed here. Virtual or online events require even more attention to detail on the front end and have their own challenges; these are covered toward the end of this chapter.

An Event Committee

There must be a small committee of volunteers overseeing the work for the event. If an event is so complicated that it is unrealistic for volunteers to be able to manage (a conference, an online auction, a multiday fair), then hire an event planner. Using your own paid staff to plan and carry out a special event is not a good use of their time. Presumably, this is not what they were hired to do, and it may well not be their expertise. If you factor in the cost of their time working on the event and the opportunity cost of what they are not doing while they are working on the event, you will see that your event is costing much more money than the budget for it indicates.

The job of the committee is to plan and coordinate the event, not to do every task. After planning the event, most of the committee's work is delegating as many tasks as possible. Keep the committee to between five and seven people. Larger committees are unwieldy and can be counterproductive. With a larger committee planning the event, it is likely that the planning process will take longer, the committee meetings will be like special events themselves, and committee members will burn out and not want to help with this or any other event again. It is also likely that a large committee will have only three or four real workers.

Many organizations have a working event committee and then an “honorary committee” of people who may do one thing or whose names would help draw event goers. Don't merge these committees.

Tasks of the Committee

There are three simple steps a special events committee should take to ensure the success of the event: detail a master task list, prepare a budget, and develop a timeline.

Detail a Master Task List. On a spreadsheet or some other project management tool, create categories of tasks and then list them with four columns: “What,” “When,” “Who,” and “Done.” The categories will vary depending on the event, but most events will need at least these categories:

  • Program (which includes the speakers, entertainment, food).
  • Promotion (which is all about publicity, turnout, getting people there).
  • Front money (sponsorships, advance tickets).
  • Fundraising at the event (merchandise for sale, pitch at the event, auctions, raffles).
  • Logistics (parking, child care, bathroom signage, check‐in, etc.)

You can also create subcommittees of volunteers focused on those areas. For each category, under “What” list all the tasks that must be accomplished. Include everything—even those things you are sure no one would ever forget, such as “send invitations to the board.” Every minute detail should be on this list. Under the column “When,” note beside each task the date it must be finished. Now put the list into chronological order, so that you have a list of things that must be done and the order in which to do them. Next, complete the “Who” column—to whom the task is assigned. In the “done column,” as you go along, note when the task is finished.

Keep this information so that each year you can easily update it and those updates or parts of the master task list can be made available to everyone who needs to see them. Keeping the master task list on Google Docs or another shared space means people can access it from anywhere, note what has been done and what needs to be done, and ask questions or propose ideas for the whole committee to respond to without everyone having to get together in person.

Prepare a Budget. Using your list, create two sets of three columns as shown in the example.

Event Budget
ExpensesEstimatedActual
Item$$
Item$$
Item$$
Total expenses$$
IncomeEstimatedActual
Item$$
Item$$
Item$$
Total income$$
Net income$$

Look at the master task list. Enter anything from that list that will cost money in the column marked “Expenses” and anything that will raise money in the column marked “Income.” When you have listed everything, subtract expenses from income to find the projected “Net income” of the event. Make sure this number matches the goal you have set for the event. The budget should be simple but thorough, so that all costs are accounted for and planned on. As actual costs come in, enter those. That way you have a thorough record to use for evaluating your event and helping the committee plan the event next year.

As you budget, remember that an estimate is not a guess. If volunteers say, “The estimate for catering is …” or “The estimate for the sound system is …,” this means they have called several vendors for prices, bargained, and are satisfied that the estimate will be the price or very close to the price you will pay. As much as possible, put off paying for anything until after the event is over and be sure you work in cancellation clauses for rentals or other contracts. For example, if a hall rents for $2,000, with $1,000 required as a deposit, try to reserve the right to cancel as close to the date of the event as possible and still get all or part of that $1,000 back.

Ideally, of course, you will aim to have as many things as possible given as in‐kind donations, but don't budget to get anything for free. Always put down a price in the budget. Estimating its cost will protect you in case you do have to pay for something you had planned to have donated, and it will also give you a cushion in case you have an unexpected expense.

Develop a Timeline. To ensure that you have thought of everything that should be done and have allowed enough time to do everything, think backward from the target date of your event. If you want to have a dance the evening of August 10, what would you have to do the morning of August 10? How about on August 9? To do those things, what would you have to do in early August? What would have to be in place by July 15? Work back in this way to the day you are starting from. By this backward planning, the committee may find out that it is impossible to put on the event in the time allowed. In that case they must either modify the event or change the date. Thinking through each week's tasks for the timeline may also surface expenses you hadn't thought of or make clear some additional tasks. Add these to your task list and budget.

As you plan, remember to take into account that although there may be 90 days between now and the event, there may be only 60 “working” days because of schedule conflicts, weekends, and so on. For example, if several of your volunteers have children, you should check a school calendar to make sure you don't need anything done on the first or last day of school, during a vacation, or on commencement day. Few organizations can have a New Year's party as a fundraiser simply because they cannot get anyone to work during the two weeks preceding New Year's Day.

Establish “Go or No‐Go” Dates. On your timeline, you will notice that there are periods of intense activity as well as lulls throughout the time leading up to the event. The periods of intense activity, when several tasks must be accomplished and each is related to the other (for example, design, layout, proofread, print, and mail invitations), are called “task clusters.” These groups of tasks must be accomplished as projected on your timeline. The date by which each cluster must be accomplished is a “go or no‐go” date. At those dates, evaluate your progress and decide whether you are going to proceed with the event or if you are too hopelessly behind or too many things have gone wrong and you would be better off canceling or modifying the event. Set go or no‐go dates for when expenses will be incurred. The night before you send your invitations to the printer is a go or no‐go date because once the job is printed, you will owe the printer the money whether or not the event happens.

Once the committee has prepared the task list, the budget, and the timeline, it is ready to assign tasks to other volunteers. When you ask volunteers or vendors to do things, give them a due date that is sooner than the one in the “When” column of your task list. That way, in the best case you will always be ahead of your schedule; in the worst case—if the task is not completed—you will have some time to get it done.

WHAT NOT TO FORGET

Here is a checklist of commonly forgotten items in planning an event:

  • Liquor license: Whether this is required, and whether the requirement is strictly enforced, will vary by municipality, but keep in mind that your organization carries some liability for people driving after drinking at your event. Many organizations find that their events are successful either without alcohol or with just a cash bar, so don't feel obligated to serve wine or beer. Generally speaking, don't serve hard liquor.
  • Insurance (on the hall, for the speaker, for participants): Contracts vary on this item. It often happens that a hall or auditorium is inexpensive because insurance is not included but is required of the renting organization. A one‐night event insurance policy or a rider on an existing policy can cost hundreds of dollars.
  • Logistics (and the costs) of transporting food, drink, speakers, performers, sound equipment, and the like to and from the event.
  • Lodging: for performers or speakers.
  • Parking: either in a well‐lit lot or available on well‐lit streets.
  • Food and associated costs: platters, plates, utensils, and napkins. Don't forget things such as salt and pepper if appropriate, hot and cold cups, cream and sugar.
  • Heating or air conditioning: Is it available, does it cost extra, will you need to bring your own fans or space heaters?
  • Credit card processor with capacity for generating receipts: for people who pay at the door or who buy anything sold at the event.
  • Proofreading: Has everything (online and off‐line) been proofread at least five times, ideally by different people?
  • Website: Is the organization's website and phone number on everything related to the event?
  • Ticket sales: Does your online portal to buy tickets actually work?
  • Announcements: Is there an announcement about the event on your voice mail? Did everyone close to the organization add the event's name and date as part of their email signature?
  • Information: Are the price, date, time, place, directions, and RSVP instructions for the event on all advertising and on your website?
  • Other: Will you need child care or language translation, including sign language translation or captioning?

Here are some questions people often forget no matter how thoroughly they plan:

  • Is the venue accessible to people with disabilities? Make sure that all rooms are accessible, especially restrooms. Sometimes a building will be labeled “wheelchair accessible” when only the front door and one area of seating are actually accessible.
  • Is there a gender‐neutral bathroom? Gender‐neutral bathrooms foster an inclusive environment for your event.
  • Where and how to dispose of trash: Are there clearly marked compost and recycling bins and trash cans?
  • Can you see and hear from every seat? (Sit in a number of seats to make sure.)
  • Who will open the room or building for you? Do you need a key?
  • Where are the fire exits?
  • Do you know how all the lights work?
  • Do you have a person who understands the sound system?
  • Cleanup: What has to be done for cleanup?

THE EVALUATION

The final step in planning a special event is evaluation. Within a few days after the event, the planning committee should fill out an evaluation form like the following one. Save this evaluation, along with copies of the advertising, the invitations, and any other information that would be useful for next year's planning committee.

The evaluation will allow you to decide whether or not to do the event again, and it will also ensure that the same number of people working the same amount of time will raise more and more money every year. It should not be necessary to create the planning documents described in this chapter more than once. Once you have created them, every year a new committee can modify and add to them, with each committee building on the knowledge and experience of previous committees.

VIRTUAL EVENTS

Organizations that are national or international in scope, or even those that just cover a very large geographic region, have for years held board meetings, staff meetings, interviews, and trainings using telephone or video conference technology. Even before the COVID lockdown, Skype, What's App, Zoom, and the like were very familiar to these organizations. But small organizations serving only a few ZIP codes never or rarely used this technology, and have never used it for special events.

The advantage of virtual events during the COVID pandemic lockdown was clear: without it, you could not have the event. But many other advantages have become clear: people from well outside your geographic area can attend; people who find it hard to go out or simply don't like crowded events can attend in the privacy of their homes; no one has to wonder what to wear or dread running into someone they don't like or worry about being bored to death. Tech tools such as closed captioning and language translation increase access, and the content you create for the virtual event can be repurposed for use elsewhere. When events are recorded, people can watch the event again or watch it at a more convenient time for them. You can control how long the event goes on, and many people have liked that virtual events rarely last more than an hour. Finally, some small groups have been able to afford speakers and performers without incurring the costs of airfare, hotels, and meals.

While there are many advantages, it's important to know that virtual events take a lot of time up front and do not tend to be less expensive to put on. Most of what you save on food and venue you spend on production.

It's important also to keep in mind that a virtual event must move very quickly and smoothly. For example, in a live event, a speaker is introduced and then there are a few moments when that person comes up to the stage and fiddles with the height of the microphone. The audience tolerates someone putting on their glasses or taking a sip of water. In a virtual event, there is no tolerance for those transitions, which is why so many virtual events are actually almost entirely prerecorded.

A small virtual event, such as a virtual house party, can be organized in‐house, but for an event that really works, consider hiring someone who has done these kinds of events before and can help you think through your audience and what will appeal to them.

The disadvantages of a virtual event are not insignificant. People who don't have easy access to a computer or who are unfamiliar with technology or, as in many rural communities, do not have internet access, cannot attend. Also, many things can go wrong in a virtual event as a real‐time one, including the familiar freezing, Zoom bombing, attendees unable to find the link or unmute themselves, as well as catty, disrespectful, or even oppressive chats accidently sent to everyone or possibly seen later if the event was recorded.

Virtual events will continue to evolve and the audiences for them will grow more sophisticated and demanding of high quality. Remember that people can leave with the press of a button, or can turn off their own video and appear to be attending the event, but not be there at all.

Over time, virtual events are becoming so different from special events that they are close to being another strategy altogether. We really don't yet know enough about how they will evolve and change, so we encourage you to consider them as an option and to do the appropriate research before taking them on. Replacing a physical event with a virtual version of that event may seem logical, but is fraught with problems. If you need to replace a physical event, consider a virtual one, but also consider all the other strategies we have discussed.

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