CONTENTS

Introduction

1 | SHAPE INTERPRETATION

A Reductionist Approach to Shape

The Benefits of Simplification

The Role of Value in Shape Interpretation

Working with Value Zones

Balancing Simplified Shapes and Detail with the 80/20 Rule

Review Questions: Shape Interpretation

Exercise: Simplify and Differentiate with Limited Values

Exercise: Simplified Shape Painting

2 | THE PICTURE WINDOW AND ITS FORMAT

Limited Focus and the Picture Window

Picture Formats and Directional Energy

Review Questions: Picture Window and Its Format

Exercise: One Subject, Different Formats

3 | COMPOSITION IN ACTION

Variation: The Cardinal Rule of Composition

Movement: Animating the Composition

Active Negative Space

Review Questions: Composition in Action

Exercise: Cut Paper: Aspects of Variation

Exercise: Mapping Pathways of Movement

4 | NOTAN AND THE COMPOSITIONAL STUDY

Defining Notan

Building a Better Study: Notan Technique

Notan Apps

Review Questions: Notan and the Compositional Study

Exercise: Orienting to Notan

Exercise: Notan from Observation

5 | COLOR PRECEPTS, COLOR PARADOXES

Reconciling the Differences Between Pigments and Natural Light

Direct Observation vs. “Informed Modification”

Convincing Color, Believable Color

6 | THE COMPLETE COLOR STRATEGY

Defining the Color Strategy

Contrast: The Animating Force of the Color Strategy

Aspect of Color Contrast: Hue Interactions

Aspect of Color Contrast: Value

Aspect of Color Contrast: Saturation

Review Questions: The Complete Color Strategy

Exercise: One Subject, Different Strategies

Exercise: Color- and Value-Priority, Side by Side

7 | COLOR GROUPING

Defining the Color Group

Color Grouping in Action

The Color Study: Testing Color Groups and the Strategy

Review Questions: Color Grouping

Exercise: Identifying Color Groups

8 | PALETTE STRATEGIES

The Limited Palette

The Targeted Palette

The Split Primary Palette

Two Roads to Neutrals

Parting Thoughts: The Never-Ending Inquiry

Resources

Contributing Artists

Acknowledgments

About the Author

Index

image

Paul Kratter, From Under the Sycomores, oil on panel, 12" × 20" | 30.5 × 51 cm

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