A
Abate, Salvatore 135
Adding dichromate to the formula 69
Anderson, Christina Z. x, xi, xii, xiii, 47, 122, 123, 140, 147
And the list goes on 30
B
Babcock, May 178
Bartolomeo, Mariana 180–183, 279
Beal, Lindsey 178
Beaver, John 59
Benefits of new cyanotype, The 78
Bleeding 64
Bloomfield, Diana vii, 25, 170
Blue spots or streaks, There are 164
Blue stains, There are 168
Boardman, Emma 76
Borax or ammonia toner 111
Bosworth, Mollie 137
Bristol papers 27
Brown vs. green FAC 65
Brushes to use 91
Burns, Leslie 60
Byron, Carol 128
C
Calinawan, Jonah 65, 91, 190–193
Ceuppens, Guido 113
Chart, Density Range CC and NC 70
Chart, Dmax CC 100
Chart, Dmax NC 101
Chart, Exposure scale acid development CC 98
Chart, Exposure scale acid development NC 99
Chart, Exposure time comparison CC:NC 94
Chart, Ratio of FAC:PF 67
Chart, UVBL exposure times 96
Choice of acids called “toners” 108
Choice of alkalis called “bleaches” 108
Citric acid development for CC 102
Citric acid development for NC 102
Adding dichromate to the formula 69
Bleeding 64
Brown vs. green FAC 65
Chart, Density range CC and NC 70
Chart, Ratio FAC:PF 67
Classic cyanotype formula 62
Classic cyanotype with oxalic acid 68
Combining solutions and shelf life 68
Double coating cyanotype 69
Favorite classic cyanotype formula, My 63
Historical formulas chart 73
Mold in Solution A 69
Novo’s cyanotype formula 64
Ratio of FAC:PF 66
Tips 70
Valenta’s cyanotype formula 66
Whitaker’s cyanotype formula 68
Classic cyanotype chemistry 14
Classic cyanotype formula 62
Classic cyanotype with oxalic acid 68
Coating the paper 92
Coating vellum papers 93
Coating washi and tissue-thin papers 93
Combination printing 147
Combining solutions and shelf life 68
Contemporary Cyanotype Artists 179–298
Cooper, Ellie 131
Crawford, Megan 12
Curving the negative 49
Cyanotype History and Practice 1–10
Cyanotype’s benefits 2
Cyanotype’s detriments 2
Key events in cyanotype’s history 4
Of reproduction and amateurs 4
Psychology of blue, The 3
Singing the blues 2
Where to next? 4
Cyanotype on fabric 129
Coating fabric 130
Cyanotype formula for fabric 130
Exposing fabric 131
Fabric formula 130
Laundering cyanotype fabric 132
Processing fabric 131
Sources for cyanotype fabric 132
Toning fabric 132
Cyanotype on glass 133
Cleaning the glass plate 133
Coating the glass plate with cyanotype 134
Exposing the glass plate 134
Processing the glass plate 135
Purchasing the glass plate 133
Subbing the glass plate 134
Cyanotype on OHP 135
Cyanotype on wood 135
Cyanotype print washes off, The 159
Cyanotype’s benefits 2
Cyanotype’s detriments 2
D
Determining exposure the high tech way 49
Determining exposure the low tech way 48
Digital Negatives for Cyanotype 47–60
Curving the negative 49
Determining exposure the high tech way 49
Determining exposure the low tech way 48
Duotone negatives from CMYK 56
Duotone negatives from RGB 54
Ink density, A word about 52
Monochrome digital negatives 53
Transparency film 48
Troubleshooting the digital negative 58
Dmax chart 40
Dmax, the holy grail? 39
Double coating cyanotype 69
Drawbacks to new cyanotype? 78
Drying the paper 92
Duotone negatives from CMYK 56
Duotone negatives from RGB 54
E
Editioning work 174
Equipment and supplies 14
Exposing cyanotype 93
Exposure is extremely slow, The 158
Exposure times, Ballpark UVBL 96
Exposure tips 95
F
FAC and PF mixed turns blue 157
FAC solution has turned blue, The 156
FAC solution is moldy, The 156
Favorite classic cyanotype formula, My 63
Finishing, Framing, and Storing Cyanotype 171–176
Editioning work 174
How to best store the print 174
Keeping record of works 172
Matting and framing 174
Varnishing cyanotype prints 172
Flecky, Michael 5
Frideres, Steffani 153
Friedrichsen, Peter 136, 212–215
Further Formula Exploration 83–90
Quick ’n’ easy hybrid formula 86
Wall’s formula 87
Wang’s formula in a nutshell 85
G
Generic two-bath alkali-acid toner 114
Gerling, Keith 153
Golaz, Annette 119, 155, 216–219
H
Hamilton, Brenton xiv
Handcoloring 143
Hickman, Alaina 141
Highlights are fogged blue, The 161
Highlights are yellowed, The 162
Highlight staining 108
Historical formulas chart 73
Howard, Patricia 298
How long does coated paper last? 93
How to best store the print 174
Hydrochloric acid development for NC 103
Hydrogen peroxide use 104
I
Image is unsharp, The 168
Inagaki, Katsuhiko 151
Ink density, A word about 52
Invernizzi, Dario 9
J
Jang, Kyeong Ran 133
Janisiewicz, Joanna 106
Jeffcoat, Russell 174
K
Keeping record of works 172
Key events in cyanotype’s history 4
Kimelman, Tali 9
L
Lavender stains, There are 162
Lead acetate toner 112
Liquid measurements 17
M
Making the Cyanotype Print 91–106
Brushes to use 91
Chart, UVBL exposure time 96
Citric acid development for CC 102
Citric acid development for NC 102
Coating the paper 92
Coating vellum papers 93
Coating washi and tissue-thin papers 93
Dmax charts, CC and NC 100–101
Drying the paper 92
Exposing cyanotype 93
Exposure scale charts CC and NC 98–99
Exposure time comparison chart, CC and NC 94
Exposure times, Ballpark UVBL 96
Exposure tips 95
How long does coated paper last? 93
Hydrochloric acid development for NC 103
Hydrogen peroxide use 104
Processing cyanotype 98
Processing with acidified water 99
Sulfamic acid development for CC 102
Sulfamic acid development for NC 103
Tips 92
Vinegar development for CC 100
Martínez, Constanza Isaza 256–259
Martin, Julia C. 118
Mathewes, Jocelyn 152
Matting and framing 174
Mold in Solution A 69
Monochrome digital negatives 53
Moore, Donna Headrick 171
More Creative Ideas for Cyanotype 139–154
Combination printing 147
Handcoloring 143
Photo oils 144
Watercolor pencils 143
Postcards 143
Printing cyanotype over gold leaf 139
Punching a cyanotype print 143
Wet cyanotype process, The 145
Writing on a cyanotype print 142
Murphy, Kathryn 138
Murray, Barbara 146
N
Benefits of new cyanotype, The 78
Drawbacks to new cyanotype? 78
New cyanotype formula 81
Papers for new cyanotype 78
New cyanotype chemistry 14
New cyanotype formula 81
Novo’s cyanotype formula 64
O
One-bath tannic-sodium carbonate toner 112
One-bath toners 110
P
Palladium chemistry 14
Pantoja, Andrés 20
And the list goes on 30
Bristol papers 27
Dmax chart 40
Dmax, the holy grail? 39
Papers for your first foray 28
Papers with color options 28
Pre-acidifying buffered papers 36
Quick peek paper chart 41
Sulfamic acid pre-bath 36
Unbuffered papers made for alt 22
Vellum papers 25
Washi and delicate Asian papers 23
Papers for new cyanotype 78
Papers for your first foray 28
Papers with color options 28
Paper turns blue while drying 157
Part One, Cyanotype Step-by-Step 11
Part Two, Contemporary Cyanotype Artists 177
Photo oils 144
Postcards 143
Pre-acidifying buffered papers 36
Print has faded, The 168
Printing Cyanotype on Alternate Surfaces 129–138
Cyanotype on fabric 129
Cyanotype on glass 133
Cyanotype on OHP 135
Cyanotype on wood 135
Printing cyanotype over gold leaf 139
Printing Cyanotype Over Palladium 119–128
Brushes, A word about 120
Clear formulas 122
Citric acid clear 122
Di-EDTA/citric acid clear 122
Di-EDTA clear 122
Tetra-EDTA/sodium sulfite clear 122
Coating formula 123
Developer choice 120
Ammonium citrate developer 121
Developer tips 121
Potassium oxalate developer 121
Exposing 124
Making the palladium print 123
Paper choice 120
Preshrinking paper 120
Printing with CMYK duotone negatives 126
Printing with RGB duotone negatives 125
Printing with the palladium negative 125
Processing 124
Supplies needed 120
Troubleshooting palladium 126
Print is dull, The 163
Print is grainy, The 160
Print is mottled, The 162
Print is overexposed, The 158
Print is splotchy or crystallized, The 163
Print is too high contrast, The 159
Print is too low contrast, The 159
Print is underexposed, The 158
Prints are inconsistent, The 164
Processing cyanotype 98
Processing with acidified water 99
Psychology of blue, The 3
Punching a cyanotype print 143
Purdy, Susan 19
Pyrogallic-hydrogen peroxide toner 115
Q
Quick and easy measurements 108
Quick ’n’ easy hybrid formula 86
Quick peek paper chart 41
R
Ratio of FAC:PF 66
Reproduction and amateurs, Of 4
Riepenhoff, Meghann 179, 272–275
Riff, Paula 149
Rust, Dianna 7
S
Setting Up the Cyanotype Dimroom 13–20
Classic cyanotype chemistry 14
Equipment and supplies 14
Liquid measurements 17
New cyanotype chemistry 14
Palladium chemistry 14
Safety first! 14
Solid measurements 17
Sources for paper 18
Sources for supplies 17
Toning chemistry 14
Useful dimroom aids 16
Shadows are solarized, The 167
Shadows bleed into the highlights, The 159
Sinclair, Kim 46
Singing the blues 2
Sodium carbonate toner 111
Solid measurements 17
Sources for paper 18
Sources for supplies 17
Starobinskiy, Eugene 90, 105, 117
Stevens, S. Gayle 277
Stromee, Vicky 276
Sulfamic acid development for CC 102
Sulfamic acid development for NC 103
Sulfamic acid pre-bath 36
T
Tcherniak, Natalia 173
Tea toner 111
Toning chemistry 14
Borax or ammonia toner 111
Choice of acids called “toners” 108
Choice of alkalis called “bleaches” 108
Generic two-bath alkali-acid toner 114
Highlight staining 108
Lead acetate toner 112
One-bath tannic-sodium carbonate toner 112
One-bath toners 110
Pyrogallic-hydrogen peroxide toner 115
Quick and easy measurements 108
Sodium carbonate toner 111
Tea toner 111
Toning tips 109
Trisodium phosphate toner 110
Two-bath toners 113
Toning tips 109
Transparency film 48
Trisodium phosphate toner 110
Troubleshooting Cyanotype 155–170
Blue spots or streaks, There are 164
Blue stains, There are 168
Cyanotype print washes off, The 159
Exposure is extremely slow, The 158
FAC and PF mixed turns blue 157
FAC solution has turned blue, The 156
FAC solution is moldy, The 156
Highlights are fogged blue, The 161
Highlights are yellowed, The 162
Image is unsharp, The 168
Lavender stains, There are 162
Paper turns blue while drying 157
Potential problems 155
Print has faded, The 168
Print is dull, The 163
Print is grainy, The 160
Print is mottled, The 162
Print is overexposed, The 158
Print is splotchy or crystallized, The 163
Print is too high contrast, The 159
Print is too low contrast, The 159
Print is underexposed, The 158
Prints are inconsistent, The 164
Shadows are solarized, The 167
Shadows bleed into the highlights, The 159
Troubleshooting the digital negative 58
Two-bath toners 113
U
Unbuffered papers made for alt 22
Useful dimroom aids 16
V
Valenta’s cyanotype formula 66
Van Keuren, Sarah 299
Varnishing cyanotype prints 172
Veenis, Holly 114
Vellum papers 25
Vinegar development for CC 100
W
Wall’s formula 87
Waltrip, Db 278
Wang, Sam 55, 83–89, 121, 124, 127, 290–293
Wang’s formula in a nutshell 85
Ware, Mike 77–82, 107, 110, 294–297
Washi and delicate Asian papers 23
Watercolor pencils 143
Wet cyanotype process, The 145
Whitaker’s cyanotype formula 68
Writing on a cyanotype print 142
Z
Zhong, Jianming 3