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by Jeff Rush, Ken Dancyger
Alternative Scriptwriting, 4th Edition
Cover
Halftitle
Title
Copyright
Dedication
Contents
Preface
Acknowledgments for the Fourth Edition
Acknowledgments
Chapter 1: Beyond the Rules
Chapter 2: Structure
Chapter 3: Critique of Restorative Three-Act Form
Chapter 4: Counter-Structure
Chapter 5: More Thoughts on Three Acts: Fifteen Years Later
Chapter 6: Narrative and Anti-Narrative: The Case of the Two Stevens: The Work of Steven Spielberg and Steven Soderbergh
Chapter 7: Working with Genre I
Chapter 8: Working with Genre II: The Melodrama and the Thriller
Chapter 9: Working Against Genre
Chapter 10: Genres of Voice
Chapter 11: The Non-Linear Film
Chapter 12: Reframing the Active/Passive Character Distinction
Chapter 13: Stretching the Limits of Character Identification
Chapter 14: Main and Secondary Characters
Chapter 15: Subtext, Action, and Character
Chapter 16: The Primacy of Character Over Action: The Non-American Screenplay
Chapter 17: The Subtleties and Implications of Screenplay Form
Chapter 18: Agency and the Other
Chapter 19: Character, History, and Politics
Chapter 20: Tone: The Inescapability of Irony
Chapter 21: Dramatic Voice/Narrative Voice
Chapter 22: Digital Features
Chapter 23: Writing the Narrative Voice
Chapter 24: Rewriting
Chapter 25: Adaptations from Contemporary Literature
Chapter 26: Personal Scriptwriting: The Edge
Chapter 27: Personal Scriptwriting: Beyond the Edge
Index
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Copyright
Alternative Scriptwriting: Successfully Breaking the Rules
Fourth Edition
Ken Dancyger and Jeff Rush
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