Chapter six

Electrodynamic loudspeakers

Abstract

This chapter begins with the basic theory and construction of moving-coil loudspeakers and with the electro-mechano-acoustical circuit for them. The response in different frequency regions is detailed along with power output. The measurement of Thiele–Small parameters is explained. It is then followed with design factors affecting performance and diaphragm behavior. This chapter ends with directivity characteristics, transient response, and examples.

Keywords

Diaphragm behavior; Doppler effect; Electrodynamic loudspeakers; Electro-mechano-acoustical circuit; Thiele–Small parameters; Transient response

Part XIX: basic theory of electrodynamic loudspeakers

6.1. Introduction

An electrodynamic or moving-coil loudspeaker is an electromagnetic transducer for converting electrical signals into sounds. When the original version of this book was published in 1954 under the title Acoustics, the only practical amplifying device available was the vacuum tube, so output power was expensive. Hence, the efficiency of the electrodynamic loudspeaker was one of the most important factors. As the cost of amplifier watts has decreased, there has been a steady trend toward smaller loudspeakers coupled with ever more powerful amplifiers, which are needed to compensate for the reduced radiating efficiency of the smaller diaphragms. Two developments have spurred this trend: the replacement of the vacuum tube with silicon transistor and the introduction of the so-called digital amplifiers using various coding schemes, the most popular being pulse-width modulation or Class D. In mobile devices, which rely on battery power, the efficiency issue has not gone away. The most important development for mobile devices has been the introduction of rare-earth neodymium magnets, which have enabled significant miniaturization. One trend which has enabled loudspeakers of all sizes to be used with smaller enclosures has been the development of high-compliance suspensions which are stable enough not to cause rocking modes. The term “acoustic suspension” has been dubbed [1] to describe a loudspeaker which has an enclosure so small that the air inside the enclosure is stiffer than the suspension.
There are two principal types of loudspeakers: those in which the vibrating surface (called the diaphragm) radiates sound directly into the air, and those in which a horn is interposed between the diaphragm and the air. The direct-radiator type is used in most home and car entertainment, mobile devices, and in small public-address systems. The horn type is used in more exotic hi-fi systems (especially those using tubes), in large sound systems in theaters and auditoriums, and in music and outdoor-announcing systems.
The principal advantages of the direct-radiator type are (1) small size, (2) low cost, and (3) a satisfactory response over a comparatively wide frequency range. The principal disadvantages are (1) low efficiency and (2) narrow directivity pattern at high frequencies. For use in home, car, and mobile audio, where little acoustic power is necessary, the advantages far outweigh the disadvantages. In theater and outdoor sound systems, where large amounts of acoustic power are necessary and where space is not important, the more efficient horn-type loudspeaker is generally used.
All the types of transduction discussed in the previous chapter on Microphones might be used for loudspeakers. In this text, however, we shall limit ourselves to electrodynamic loudspeakers, the type most commonly used in home, car, mobile, and professional audio.
..................Content has been hidden....................

You can't read the all page of ebook, please click here login for view all page.
Reset