1.5 Absorption, reflection and RT
2.5 Reflections affect spaciousness
3.1 Electromagnetic transducers
3.2 Dynamic microphone – principles
3.3 Ribbon microphone – principles
3.4 Capacitor microphone – principles
3.6 Sum and difference processing
3.8 Microphone noise specifications
4.1 Electrostatic loudspeaker – principles
4.3 Horn loudspeaker – principles
8.1 Analogue and digital information
8.4 Sampling – frequency domain
8.5 Audio sampling frequencies
8.6 Parallel and serial representation
8.7 Dynamic range and perception
8.10 Dynamic range enhancement
9.1 Rotary and stationary heads
9.5 Storage requirements of digital audio
10.3 Computer networks vs digital audio interfaces
10.4 Carrying data-reduced audio
14.2 MIDI connectors and cables
14.4 Registered and non-registered parameter numbers
14.5 Standard MIDI files (SMF)
14.6 Downloadable sounds and SoundFonts
14.7 Quarter-frame MTC messages
16.1 Binaural versus ‘stereophonic’ localisation
16.5 Stereo misalignment effects
16.7 End-fire and side-fire configurations
A1.1 Frequency response – subjective